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[ffffungiking]

Sometimes self care is rewatching Dune (2021) and going on and on about ‘the symbolism of this or that’ or how ‘something here is a nod to the sequels’ or ‘look how the casting characterizes the house atreides’ or ‘the music here is phenomenal, it foreshadows gurney’s fate later on’ or ‘I think the difference in the vocalizing in the soundtrack here is deliberate’ until whoever you’re watching it with is ready to commit murder to shut you up.

But it’s just so phenomenal that you can watch it and catch new things each time, the visual and auditory storytelling in the background gives you so much! All these little things that go unnoticed until you see and want to jump out of your seat at them, let’s talk about that.

Let’s talk about how Jessica is always hooded when her scenes are associated with her Bene Gesserit powers and upbringing, how you can literally watch her out her hood down or up mid scene as she transitions from mother and concubine to an obedient disciple, how it foreshadows her struggle in the books all the way through Children of Dune.

Let’s talk about how well done the foreshadowing of the jihad is, how even this early on we can see the start of what is integral to Paul’s conflict in Messiah, how that feeling of helplessness about a destiny he doesn’t want will keep him frozen and unable to stop what’s in motion, how Messiah is such an incredible book because it ties into the dystopian trope wherein revolutionaries become like those they once revolted against, but how it’s so much more fascinating than some of the ways we see it in modern dystopias, because it’s the main characters who are following the pattern, not just watching in horror as those they fought with change for the worse, but actually experiencing it, horrified at what they’ve done and what they will continue to do, frozen and so unable or unwilling to do what needs to be done to stop it, how the movie is still in the stage where they are noble and valiant, but it makes sure to show the dread of what it coming, how it does such a good job of showing the burden of foresight that is so integral to Dune, the way that even as they see the future and can attempt to change it, they know that no matter their decisions, horrible things will come, how it shows Paul as scared hating the power he was given and blaming his mother and her aspirations, how the atreides family never wanted to be great, they wanted to be good, how Paul is coming to see that great and good cannot always coexist, how you look at this boy and you can genuinely see how he will become the man saying ‘Believers, all of them’ how Dune is such a hard story to get right because you watch someone devolve and stand by why horrible things are done without seeing him as a terrible person from the start, without the boy and the man seeming irreconcilable from one another, how the movie actually is on the right track even though the end result is unpalatable to the majority of society, how they are showing the white savior trope in a way that is thus far complaint with how it is deconstructed later on, how they have the epic notes of the beginning without going in a direction that makes the ending impossible.

Let’s talk about how they cast the Atreides family as beautiful people, but not soft, not tamed to modern standards, aristocratic in their looks in such a way that you believe they have been nobility for centuries, maybe millennia, slightly untouchable, dangerous, like those in power during the Italian Renaissance, how Paul looks young but also ethereal and formal, the balance between boy and duke and messiah in his appearance, how Leto’s hair and beard make him not only regal but worn by politics, cold and formal yet fatherly all at once, how Jessica’s ghostly pale complexion nods to her Harkonnen ancestry in the books and how she is beautiful in a way that seems not entirely human, how the other members of the Atreides house are each unique and full of character, not designed to fit a palette or aesthetic, whereas the Harkonnens have an eerie similarity that shows how little they value free will, how the Harkonnens are not dramatized to emphasize their characterization but rather understated, devoid of emotion save for rare explosive moments, how they echoed this in their design, making them blank slates, taking away rather than adding, leaving them almost human, but not quite, enough to trigger that ancient animal instinct in a person that says ‘something is wrong here, something is dangerous’ rather than making them fit in with the conventions of a time period or trend as to how to look evil.

Let’s talk about the soundtrack, how the epic music playing when House Atreides lands on Arrakis is echoed as Gurney and his men charge at the Harkonnens who so greatly outnumber them, how this not only ties you emotionally to the battle, hearing this dying cry of the Atreides, more so than the music continuing to be dark and foreboding through it all, but also how it foreshadows the survival of Gurney and the small group of men with him, living to reunite with Paul later on.

Let’s talk about how throughout the soundtrack we have women vocalizing, the emphasis on the power of the Bene Gesserit and how in Leto’s death scene we diverge from this trend, how he was so powerless against all these grand plans but he still took a stand, still ended things on his own terms.

Let’s talk about how Jessica doesn’t answer when Leto asks her to protect Paul as a Bene Gesserit. Let’s talk about the bull and the matador, the symbolism there. Let’s talk about the emphasis on medieval and renaissance headdresses on the Bene Gesserit, the significance of choosing attire from a time when the Catholic Church was in the peak of its power. Let’s talk about the nods to Gurney’s music. Just, look at all this stuff in the movie that you barely even notice, the first time. All the planning that went into it, how to fit in all these little nods, how to stay true to who the characters are in the present while also beginning to show who they will become. Let’s talk about it.

Though maybe not to the people I was watching the movie with. I don’t actually have a death wish.

[ffffungiking]

here are my favorite quotes from dune messiah cause frank herbert cooked so hard

“save your praise for those who can be swayed by it”

“beloved,” she whispered. “have i troubled you?” her arms enclosed his future as they enclosed him. “not you,” he said. “oh… not you.”

“paul saw the moon become an elongated sphere. it rolled and twisted, hissing — the terrible hissing of a star being quenched in an infinite sea. it was gone. no moon. the earth quaked like an animal shaking its skin.”

“the flesh surrenders itself. eternity takes back its own.”

“they’ve blinded my body, but not my vision”

“awakening, she’d found paul sitting beside her, his eyeless sockets aimed at some formless place beyond. chani stilled a fit of trembling when he aimed those eyeless sockets at her.”

“i was baptized in sand and it cost me the knack of believing. who trades in faiths anymore? who’ll buy? who’ll sell?”

“we have eternity, beloved.” “you may have eternity. i only have now.” “but this is eternity.”

“he felt his body through her touch: dead flesh carried by time eddies. he reeked of memories that had glimpsed eternity. Past and Future became simultaneous.”

“you cannot see!” “i don’t need eyes to see you.”

“if you need something to worship, then worship life—all life, every last crawling bit of it! we’re all in this beauty together!”

“this myth he’d made out of intricate movements and imagination, out of moonlight and love, out of prayers older than Adam, and gray cliffs and crimson shadows, laments and rivers of martyrs—what had it come to at last? when the waves receded, the shores of Time would spread out there clean, empty, shining with infinite grains of memory and little else. was this the golden genesis of man?”

“there are problems in this universe for which there are no answers.”

“people are subordinate to government, but the ruled influence the rulers.”

“he is the fool saint, the golden stranger living forever on the edge of reason.”

[ffffungiking]

disengage, disengage, disengage

[ffffungiking]

sorry for being a hater i want to be a lover but everything pisses me off

[ffffungiking]

My favorite cryptid is the Fresno nightcrawlers because it was just taking its kid for a walk

[ffffungiking]

It's unfortunate how often the solution to a problem is just talking to people. You'd think it could be something easier like making a comprehensive chart or list, or reading everything you can find on the subject, but no, so often you can do all that and you still have to talk to people.

[ffffungiking]

i love you polyamory i love you open relationships i love you situationships i love you queer platonic relationships i love you friends with benefits i love you uncommon demonstrations of love i love you complexity of the human emotion and experience

[ffffungiking]

I had this idea for a looping animation in which a single dot has a pretty long loop, but the animation as a whole is much shorter. Because of the repetition this animation is only 1 second long!

[ffffungiking]

[ffffungiking]

puppy want a treat?

puppy want a fucking break from it all

[ffffungiking]

i’m so alive but i’m so sleep deprived

[ffffungiking]

the skrunkly !

[ffffungiking]

adding some love for sucrose onto your dash to make up for the severe lack of sucrose in your life (potentionally)

[ffffungiking]

yknow what? i’m done *turns into this and never comes back*

[ffffungiking]

"You flatsters, where did you get these tickets?!…Did you rob someone…?"

[ffffungiking]

My uncle is autistic so he has sensory sensitivities, and he's largely nonverbal so he can't tell you what those sensitivities Are, so what he does is, if you give him a shirt that is a bad texture, he goes and gets his scissors and he cuts it into tiny little pieces so no one can ever ask him to wear it ever again, and the thing is is that he is so totally right

[ffffungiking]

𝐍𝐨𝐰, 𝐥𝐞𝐭 𝐮𝐬 𝐝𝐚𝐧𝐜𝐞 𝐚𝐥𝐨𝐧𝐠 𝐭𝐡𝐞 𝐠𝐫𝐚𝐯𝐞𝐲𝐚𝐫𝐝...𝒞𝐻𝒜-𝒞𝐻𝒜-𝒪𝒪!

song ref: