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Dan Hays (British, b. 1966), Reflection, Transmission, 1999. Oil on canvas, 90 x 120 cm.
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Black Mirror - Be Right Back (2013)
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Beech Grove I, 1902
Gustav Klimt
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David Bowie, by Norman Parkinson (1982)
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Man Ray ETOILE DE MER
Dimensions: 6.97 X 9.21 in (17.7 X 23.4 cm) Medium: shiny glass and gouache on paper mounted on glass slate Creation Date: 1956 - 1960
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“Heel Phone”, “Painted World, Tainted Girls” and “Unrequited” By Serge Serum
www.lesfeminin.com IG: @lesfeminin
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Monroe Gutman Library, Harvard Graduate School of Education, Benjamin Thompson Associates, 1974
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Paul Delvaux (Belgian, 1897-1994), La gare forestière [The forest station], Esneux, September 1960. Pen and India ink on beige paper, 51.4 x 73 cm.
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Giovanni Frangi (Italian, b. 1959), Ninfee 1 [Waterlilies 1], 2014. Oil on canvas, 200 x 300 cm.
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They call him a Sunflower. He turns his head towards the light, Dappled with acne and freckles, And shyly waves a near-transparent leaf. He bats his eyelids to the Sun As if to pull it close, as in some Desire to hold its warmth to his body. They call him a Sunflower. He bats his eyelids to the Sun, The Sun on an arm that hangs above His head, and falters. He gestures. Aimless, without understanding nor Care for his well-being, he re-enacts The scene all mothers fear. They call him a Sunflower - Pupils flash, dilate, retract, eyelids Gleam with light and lightning, Flicker like a lantern in the storm. Another wave, a gesture from that thin arm, Quicker now, as in perverse alarm, or in Some pidgin form of A.S.L. He makes A move to shield his eyes.
H.J. (via flashcolour)
I’m not satisfied with this. I may be doing a rewrite.
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Eternal Sunshine of the Spotless Mind (2004)
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Ulyana Sergeenko Fall 2013 details
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Alexandra Levasseur
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