fleckedwithstardust

[fleckedwithstardust]

ATONEMENT (2007) —

dir. Joe Wright.

[id in alt]

[fleckedwithstardust]

NEVER LET YOURSELF BE STOPPED BY WHAT IT WOULD HAVE BEEN LIKE IF YOU STARTED EARLIER!!!!! THE ONLY TIME WE HAVE IS NOW

[fleckedwithstardust]

Lovely Runner 선재 업고 튀어 (2024) Dir. Boo Sung Chul, Yoon Jong Ho, Kim Tae Yeong – Ep. 3

[fleckedwithstardust]

oh to be married and spend a lifetime learning and evolving alongside your lover

[fleckedwithstardust]

Clarice Lispector, A Breath of Life

[fleckedwithstardust]

[fleckedwithstardust]

im doing it alone…doing it scared…but im doing it

[fleckedwithstardust]

Day 6 | Alternate Universe

@gwynweekofficial

NEW RELEASE FRIDAY: SOMETHING NEW by THE VALKYRIE

A blend of alternative pop with a quirky twist, SOMETHING NEW carries the listeners on a journey for the ages. With Gwyn leading the charge on vocals, riding on drums played by Nesta and accompanied by Emerie on the bass line, the girls are here and have something to say. So pay attention.

——————————————————————————

Images: Pinterest

On the Playlist: Don’t Save Me by HAIM

🚫 No AI images were used in the making of this post.

[fleckedwithstardust]

Anaïs Nin, Delta of Venus, originally published: 1977

[fleckedwithstardust]

Iron flame spoiler (ending)

Wow… wow! I’m not okay!

But also, I am. As devastated as I am after finishing Iron Flame, it was also so satisfying.

Xaden turning venin is exactly what I expected to happen during this series. (My personal prediction was for at the end of book three, but since book two was divided in two parts, I’ll take that, too.) But that’s not even it.

Xaden and Violet were both in the exact same situation, quite possibly at the exact same time. After fighting for so long, they were burning out, putting everything they had into the one task they had to accomplish. They were at the absolute end of their strength, at the ground, defeated, hopeless. They both felt the power of the earth beneath their hands, both knew how wrong it was to use it… yet also that it would be the one thing that could save them. And they both would have made the same decision.

But while Violet had her friends and family around them, the people she loved, the people she couldn’t cut out of her life even when it would have been for the best, Xaden was alone. And where Violet had people fighting for her, keeping her from doing the unthinkable, sacrificing themselves for her… Xaden had no one.

It’s tragic poetry, this parallel to how they live their lives.

[fleckedwithstardust]

KIM GOEUN in EXHUMA 파묘 (2024)

[fleckedwithstardust]

GOOGLE DOCS TEMPLATE XVII - DRACARYS

. . . single-muse template

rules

i. please don't remove credit

instructions

i. click the link in the title

ii. select "file" in the toolbar, then "make a copy"

iii. edit images by right-clicking on them and selecting "replace image"

iv. feel free to edit as you please!

author's note: i'm officially back!! this is an old w.i.p. i finally finished, hope u guys enjoy!

[fleckedwithstardust]

𝐓𝐇𝐄 𝐂𝐎𝐒𝐌𝐎𝐒 𝐁𝐔𝐑𝐍𝐒 𝐀𝐍𝐃 𝐘𝐄𝐓 𝐖𝐄 𝐄𝐍𝐃𝐔𝐑𝐄

In the 25th century, Earth is a distant memory, a lost relic of the past. Humanity has mastered the art of space exploration, weaving through galaxies with the grace of seasoned travelers. Among these cosmic voyagers is the ship Apeiron, a vessel carrying the last precious plant specimens from Earth, a fragile hope for cultivating new life on untamed worlds. When an urgent distress signal echoes through the void, a special force is assembled, driven by a mission of profound importance: to retrieve Apeiron and its invaluable cargo, a beacon of life for a new homeland. Yet, beneath the surface of duty lies an amalgamation of personal stakes and hidden motives. Each member of the rescue crew is drawn by more than the promise of salvation. They seek answers, redemption, and the unraveling of mysteries shrouded in the silence of the drifting spaceship. In the vast expanse of space, where stars whisper secrets and shadows hold the past, their journey intertwines destiny with the echoes of lost worlds. EXODUS is a 21+ literate sci fi roleplay inspired by the three body problem, interstellar, 1899 and love death and robots. Join a small crew of 13 people aboard the Exodus to uncover the mysteries left behind on the Apeiron. This game will include interactive mechanics and be played on discord.

[ ∅ REBLOG FOR EARLY GAME DOC ACCESS ∅]

[fleckedwithstardust]

correct me if i’m wrong cos i don’t watch dune.. but i’ve seen people call paul a tragic character. except isn’t he a whole white coloniser tricking indigenous poc into believing he’s a prophet to serve his own interests? that’s inherently evil that cannot be a tragic character imo

so yes that is correct that is what happens. the tragedy is that he is a sixteen year old boy who gets a vision of this happening and he is TERRIFIED and absolutely does not want this to happen at all. He does not want the holy war he does not want to be the chosen one he initially very much wants to fight alongside the fremen as equals trying to liberate themselves from their current colonizer without becoming the messiah because they have common political cause.

And then the entire second half of the first book (and the second movie) are about the concessions he makes to himself bit by bit by bit (well it’s the only way to save his mom and sister. well it’s the only way to prevent nuclear war. well he does want his revenge. well maybe he IS special.) Until by the end he has lost 100% of his humanity, fully wants to be the messiah and is willing to manipulate people into thinking so, and has declared himself duke of arrakis in his father’s name and made a play for the imperial throne.

you’re right that it’s evil. the book and these movies agree with you. the tragedy is watching a child who desperately wanted to avoid this slowly completely lose himself to it anyways. i don’t think “tragic” and “evil” are inherently mutually exclusive.

[fleckedwithstardust]

𝟏𝟏 𝐁𝐈𝐒 ⎯⎯⎯⎯⎯ 𝐖𝐀𝐓𝐂𝐇 𝐓𝐇𝐄 𝐓𝐇𝐑𝐎𝐍𝐄 𝐈𝐈 (30 APR. 2024)

ㅤㅤ┍⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯ · · · ·

ㅤㅤㅤㅤPERSONNALISATION : ★★★★★

ㅤㅤㅤㅤDIFFICULTÉ : ★☆☆☆☆

ㅤㅤ · · · · ⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯┛

𝒕𝒆𝒎𝒑𝒍𝒂𝒕𝒆 extrêmement simple et personnalisable, le format 𝐒𝐀𝐍𝐒 𝐅𝐈𝐂𝐇𝐄 a de nombreux avantages comme la possibilité d'écrire autant que possible dans les catégories dédiées sur le modèle ⎯⎯⎯ une véritable révolution pour les grands bavards que vous pouvez être. seul inconvénient : les plus esthétiques d'entre nous pourrons trouver une certaine frustration dans les limites de personnalisation du format 𝐒𝐀𝐍𝐒 𝐅𝐈𝐂𝐇𝐄 puisqu'il est très difficile de manier le déplacement des images en dehors des tableaux. il est néanmoins très utile pour les débutants en matière de gdocs puisqu'il se focalise d'avantage sur le côté pratique de l'application plutôt que sur son côté créatif. quoiqu'il est toujours possible de faire preuve de personnalité avec 𝐖𝐀𝐓𝐂𝐇 𝐓𝐇𝐄 𝐓𝐇𝐑𝐎𝐍𝐄 𝐈𝐈 si l'on est suffisamment imaginatif...

note de stavroguine : j'ai rajouté sur ce 𝒕𝒆𝒎𝒑𝒍𝒂𝒕𝒆 de nombreuses catégories pour ceux et celles qui souhaiteraient enrichir leur fiche. cela passe évidemment par la présence d'un registre de liens, d'une trivia et d'un moodboard, mais également d'une icône musicale personnalisable qui amène à un lien spotify, youtube, etc.

note de stavroguine 2 : il s'agit d'une remasterisation du document 𝐀𝐒 𝐈 𝐖𝐀𝐒 𝐌𝐎𝐕𝐈𝐍𝐆 𝐈 𝐒𝐀𝐖 𝐎𝐂𝐂𝐀𝐒𝐈𝐎𝐍𝐀𝐋𝐋𝐘 𝐁𝐑𝐈𝐄𝐅 𝐆𝐋𝐈𝐌𝐏𝐒𝐄𝐒 𝐎𝐅 𝐁𝐄𝐀𝐔𝐓𝐘 et du document 𝐖𝐀𝐓𝐂𝐇 𝐓𝐇𝐄 𝐓𝐇𝐑𝐎𝐍𝐄, tous les deux remis au goût du jour.

➪ 𝐄𝐗𝐄𝐌𝐏𝐋𝐄 𝐃𝐄 𝐂𝐄 𝐐𝐔'𝐎𝐍 𝐏𝐄𝐔𝐓 𝐅𝐀𝐈𝐑𝐄 𝐀𝐕𝐄𝐂 :

ㅤㅤ 𝑨𝑩𝑶𝑼𝑻 𝑻𝑯𝑬 𝑼𝑺𝑬 ;

ㅤㅤ┍⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯ · · · ·

ㅤㅤㅤㅤGO TO FILE

ㅤㅤㅤㅤAND THEN, SELECT “MAKE A COPY”

ㅤㅤㅤㅤDON’T REMOVE THE CREDITS.

ㅤㅤ · · · · ⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯┛

ㅤㅤ 𝗟𝗜𝗞𝗘&𝗥𝗘𝗕𝗟𝗢𝗚𝗦 are appreciated.

[fleckedwithstardust]

Sylvia Plath, from The Collected Poems of Sylvia Plath; "Three Women," (edited)

[fleckedwithstardust]

Hanif Abdurraqib, They Can't Kill Us Until They Kill Us