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[fleeingmoonlight]

I think the lawsuit might have been for the hate comments since Spoon got slammed with the plagiarism allegations even though she had no part in it.

According to what I read from the MTL "KW Books, Carrotoon, and CL Productions took legal action against malicious postings such as personal attacks, false information dissemination, defamation, insults, and malicious slander against the work and the author due to plagiarism charges against <SBAPOD> and other works in May 2020."

Apparently it was during this ruling that they compared WMMAP to DotE to see if the plagiarism allegations held true (probably due to the hate comments about the plagiarism), which may be why they say there was a trial but Yunsul didn't get called into court (Take this with a grain of salt since I'm not completely sure how the legalities of all of this is)

Regardless, Spoon's changes to the manhwa definitely protected her from the plagiarism allegations since if she stuck to the novel they would've been way worse.

... I ranted in discord again, and it turned out to be an essay. So here’s another Syl Tea, let’s fight.

Spoon Deviating from the Novel’s Plotline

Readers have been complaining for a while. It started in the amnesia arc, and still continues on to current times. Complaining, insulting, begging and begging, all for Spoon to stop changing the story.

But it’s been getting worse recently, the complaining comments shouting louder than those of praise and positive reinforcement, and I’m sick of it.

Part One: The Source Novel

Suddenly Became a Princess One Day (SBAPOD) was a novel written by Plutus. That is what Who Made Me a Princess (WMMAP)’s source material. In the story, Lee Ji Hye after taking too many sleeping pills one day, transmigrates into the world of a novel called, ‘The Lovely Princess’ (TLP). In TLP, it features two heroines. One is the main heroine, Jennette, who was loved and adored by all. With her sunny and angelic disposition, she melted the icy cold heart of her father, the emperor, Claude De Alger Obelia.

The girl, the baby she had reincarnated into however, was the second heroine, Athanasia De Alger Obelia. In TLP, Athanasia was born from Claude and a concubine named Diana. She grew up unloved by her father in the ruby palace, the palace of concubines where Claude had commit a genocide. She met had briefly met her father when she was nine, and had become obsessed with him and trying to earn his love and affections. Those affections, however, went to her half sister Jennette, who was introduced at the debutante.

TLP ended with Athanasia getting executed for a crime she did not commit. Jennette had been poisoned by her aunt and fell into a coma, and Claude had immediately blamed Athanasia for it. Without an investigation, he had killed her. It was then revealed that Jennette’s aunt, Rosalia, was the perpetrator, in which Claude had reacted with no remorse. Rosalia went unpunished, and Claude had forgotten Athanasia’s existence as if she had just been a fly he had swatted. The only one who mourned and grieved over Athanasia, was Jennette.

Lee Jihye refused to die again. Her actions, however, as the reborn Athanasia, had led to somehow gaining the affections of her father. SBAPOD had ended with Jennette being exiled for being the product of black magic and an unintentional threat to the royal family, leaving Athanasia to live in a Happily Ever After ending with her father and magician lover, Lucas.

I’m going to have to say a very unpopular opinion within the fandom. Plutus is a terrible writer. And I don’t mean by skills in writing. Plutus cannot... write a good story. Taking example from their other works, Beware Of The Brothers (BOTB) which takes place in the same universe as SBAPOD. Hari, who had went back in time, spent half of the story trying to fix her relationship with her adoptive brothers. As she was severely neglected and downright abused by her step brothers in her previous life,s he strived to be accepted as their family.

It seems nice right? A story of a girl trying to improve her relationship with her family. She eventually succeeds, and her brothers defend her and call her their precious sister.

But here’s the catch. She marries one. Yes, marries her brother, and another one of her brothers also fall for her. If that wasn’t bad enough, she’s the carbon copy of their dead sister. She was adopted for the sole reason of looking exactly like their sister, who had died. That was why their parents took her in. The eldest son, the eldest brother, fell in love with a girl who he had abused and neglected in the past out of jealousy and childish hate, a girl who looks exactly like his dead sister. What’s even worse? Hari chose her elder brother, someone who abused and neglected her in the past for no reason, over a sweet guy who she was actually engaged to. When half of the story was about being seen as their family, acknowledged as their sister.

But I digress, this post isn’t about BOTB.

Plutus is a bad writer. They have countless issues in SBAPOD as well. For example, characters. Plutus cannot for the life of them, build and develop their main characters, nor can they write a stable plot.

Let’s give an example. Lee Jihye as Athanasia does not... develop. For context, Lee Jihye was an orphan in korea. She grew up alone and had to fend for herself for her whole life. This premise is common, but can be interesting if well done. SBAPOD falls under the reincarnation category of, ‘their past life has no impact’. By this, I mean, none of the characteristics from her life as Lee Jihye carry over to her life as Athanasia. It was fine in the beginning, when she strived to survive no matter the cost. For someone who was struggling by herself in Korea, of course she was greedy and hyper focused on survival and having back up plans. She was flawed, but human.

This changes. For someone who had to grow up alone and fend for herself, the moment she gets too comfortable? That doesn’t matter anymore. All of her instincts, gone. When Claude gets amnesia and threatens, humiliates, and almost kills her—

She comes back. She comes back to the man who has tried, and she knows is the most capeable from reading TLP, to kill her. You don’t need to be an orphan to know that if someone is trying to kill you, you run and never look back. Even before then, her instincts have completely faded. Claude had taken a liking to her so she can live comfortably now, but who knows what would happen? In the modern world, especially for people of low income, money and wealth can easily fade away. She never once checked on her secret stash of gold and precious items, was never conscious or had any struggle of the ‘what if Claude turns around and tries to kill me earlier’.

It was as if her life experience of orphan Lee Jihye only mattered for when she came back to claude because she’s never had a family.

See, Plutus has this constant theme in their work of, ‘there is no such thing as found family’. I’ve explained a bit of it before in my post about the theme of WMMAP, about Family Bonds. This is prevalent in all of Plutus’ work. Beyond Jennette’s naivety, TLP Athanasia had the exact same mindset because she wasn’t alone. Lily. Lily was her caretaker, her nanny, who loved her the most out of anyone in this world. Yet Athanasia craved for the love of someone who hated her, and paid no mind to love of the woman who raised her like her daughter. Because there is no such thing as found family in Plutus’ work.

Plutus is not a very good writer, as they can’t write a well developed story. It isn’t just a fault in Athanasia’s character, it’s also a fault in all of the characters in Plutus’ work. Claude, Ijekiel, Lucas—their purpose in SBAPOD was solely to benefit the main character, Athanasia. Claude never developed. He remained as he was in TLP, an emperor who threatens his people for the simplest things. Just because he’s kind to Athanasia, doesn’t mean he’s changed. This was proven in the novel’s amnesia arc, as the moment he lost memory of Athanasia, he immediately threatened to kill her. And when she returned? He threatened to kill everyone at the festival if she ran away again. There was no development in his character. His character is just to give Athanasia a reason to stay. Same with Ijekiel, who was never truly explored other than the fact he was the ‘princely’ second love interest for Athanasia. We didn’t know his drive, his reasons, his interests his character. All his traits are, ‘princely’ and ‘loves Athanasia’. Lucas is in the same category. Lucas, the almighty powerful magician, solves all of Athanasia’s problems. Athanasia is afraid fo Claude dying? Gives him immortality, which coincidentally returned his memories. Aeternitas is the villain and has been causing Athanasia and Claude pain this whole time? Just kill him, and he’s no longer a problem. Jennette has a mental breakdown because her whole world has been torn apart and her magic burst is a threat? Takes her magic away, and would have killed her had Athanasia not told him to spare her life. Lucas had solved all of Athanasia’s problems, and inadvertently prevented Athanasia from improving.

The side stories in SBAPOD had solidified the ‘everyone was made to make the main characters look better’, as the whole timeline had become scewed because Plutus had added information that didn’t make sense. Backstories and changing characters to the point where they didn’t even seem like the characters Plutus had wrote earlier in the story. Claude and Diana’s whole backstory revealed in the side stories at the end was made just to justify Claude’s horrible actions and make him look better. Diana, who was a dancer sold to Claude and became his concubine, suddenly had a tragic and downright depressing backstory. And apparently Claude saved her from it when he still was engaged to Penelope? Even though they met after he killed Anastacious and Penelope had escaped? And it tried to justify his genocide of the ruby palace, by saying some concubines poisoned Diana which was why she died—even though it was revealed earlier on that Athanasia’s mana killed Diana. And it still didn’t justify Claude killing everyone in the ruby palace, the concubines he himself kept and let live there as well as the countless servants, just because a few supposedly poisoned Diana.

Plutus was a bad writer, who wrote a poorly developed novel, and fans bash Spoon for not following it.

Part Two: Spoon’s Character Development

While finally on the topic of Spoon, let’s start what this post was supposed to be about before I got off topic.

Spoon is often ‘criticized’ (ie, my posts on criticism and suggestions) for changing the story to the point it’s apparently ‘boring’ and ‘not making Lucas strong’ (and yes, specifically Lucas, my dears).

When really, Spoon has... improved WMMAP? Especially in the most recent chapters? From a development standpoint in comparison. People have been saying it’s been really slow, which is understandable, but isn’t it because we get updates once to twice a month? When you binge read it, it’s not that slow. For readers who read it the moment it comes out, it feels slow because you take days and weeks between chapters.

But, especially now when the plot has actually sped up significantly, people call it boring? More boring than season one where all Athanasia and Claude did was have tea parties? I mean think about it.

In SBAPOD, Athanasia never had a proper interaction with the villain. Bad things kept happening, but Athanasia never really had a direct confrontation with the one causing all of her problems. If I remember correctly, she never questioned it either. When you think about, Athanasia, other than Claude, never had any struggles. No internal conflict, no doubts or worries, and no questions despite her past as Lee Jihye. And when she did, Lucas took care of it.

But in WMMAP, everything is happening at once. Claude is in a critical condition, Athanasia has to temporarily take over and confront the nobles, and in the middle of it all, the villain makes his dramatic entrance in front of everyone. And for the first time in a long time, Athanasia has to think about how to survive and protect not just herself, but others. And if she doesn’t think it through, she will lose everything.

And that? That in itself is an extreme improvement. The problem isn’t just between her and one person like when Claude had amnesia. This issue potentially involves and impacts everyone in obelia. Athanasia can’t worry about and stay in her little bubble of protection now. She’s forced to learn, because Claude is in critical condition.

Athanasia is actually preparing to learn how to rule a kingdom when she never did in the novel. Never, did she have to confront the nobles by herself. Even in her debutante, Claude had to threaten a crowd for staring at the only princess as she debuts, before even taking the first step. And Athanasia never needed to learn politics. The magic branch made her dad immortal so she never needed to learn. Which means, Athanasia never grew or improved as a character. She remained the same as when she reincarnated into the infant Athanasia.

Spoon even improved Athanasia’s connection with her peers. She seldom connected with the other noble girls, and never had anyone she was close to other than Lucas. But because of the whole Amnesia arc in WMMAP? She has Jennette now. Jennette, who in the novel she perceived as uncomfortable and a mild threat, is now one of her only friends that she regularly wrote to. Athy, who didn’t care about anyone else outside of her little bubble, has people to protect and fight for. Her character is already miles ahead of what Plutus had made her, and it’s because of Spoon.

And it’s not just Athanasia getting focus and development.

In SBAPOD, no one, minus Claude and Athanasia, was explored at all. The villains were shallow, the side characters were there only to add more to the main characters and were never expanded upon as people.

But in WMMAP? Ijekiel is having more drive and isn’t just a character meant to be Athy’s second love interest anymore, despite how he was for majority of the story. He had addressed and established his character of wordlessly obeying his father early on, and the novel never dealt with that. But now? He openly expressed bitterness to his father’s plan. And he’s currently going out of his way to tell Felix what’s been happening, essentially backstabbing his brainwashed father and risking possibly being labeled as a traitor for harboring a threat. This little change that Spoon made had already improved Ijekiel’s character. Because he isn’t just there, he has his own motives and thought process, like an actual human would.

Aeternitas who was the sole villain and’s only purpose was ‘Lucas look at me’ was changed almost completely to a villain that has depth. Anastacious, who actually has motivation and reasons why to be such a big villain has more development than Claude.

Spoon’s new character having more development than Claude already shows what a good writer she is—because Claude’s doing exactly what he’s done in the novel, what Plutus wrote for him. It’s lazy writing, but putting Claude in a coma is one of the best ways Spoon could have continued the plot. He has no character development left. He loves Athy again, so bringing his memory back right away completely contradicts the whole amnesia arc. The amnesia’s whole point was so that it could display that he doesn’t need his memories to loves his daughter (which I personally still think is badly written because TLP contradicts this). He can’t become less of a jerk because that’s literally the base of his character—his murderous demeanor towards everyone was a plot point Plutus permanently set into his character and can’t be changed without changing Claude’s character entirely. Spoon can’t work with the Claude Plutus created at all, so she made the best choice of sending him asleep to move the development of the others.

Lucas? Instead of everyone else gaining characteristics, she took away points where his character had to display his ‘almighty-ness’.

And that? That’s the best thing she could have done to a character who Plutus had set up as an ‘all powerful’ wizard. He was renowned as a great and powerful wizard in the history books, but in reality, he’s just a talented kid. He’s not godlike. He’s not the strongest in the world. And that’s good. We’ve already established how talented he is in magic, season one already proved that.

Compare Lucas to Gandalf from LotR. Gandalf was renouned as one of the strongest wizards, and displayed his power, but he wasn’t almighty nor did he ever help Frodo on on his mission. He was a guide, but never the answer. But that didn’t mean he was useless, and we never thought of him as that. He didn’t need to help the main character with their problems for us to know what good of a character he was. In the end, Frodo did his duty, solved his own problems himself despite how small and weak he was without Gandalf’s (or any of his comrades assistance). Did it make Gandalf weak because he didn’t throw the ring for Frodo? No. That’s the kind of Lucas we needed, not some Deus Ex Machina like in SBAPOD.

We don’t need Spoon to show us more of something we already knew, and Spoon knows that. And he is getting development, and people are so blind to see it. Even in the most recent chapters, it’s right there.

It’s Athanasia verbally telling him, ‘killing won’t solve anything’ to his immediate response to just kill the villain, which attributes to development for both her and Lucas. It’s small, but you have to treat him like a child. Because emotionally, he was deprived of growth. You have to tell him straight out what’s wrong, and Athanasia did that. And she’s still changing him. Athanasia trying so hard for Claude, and Athanasia confessing her knowledge of Jennette being her cousin and not doing anything to endanger her— those little actions are making Lucas see the importance of family. Someone who was deprived of a healthy family, someone who was abandoned by their only father figure, this is incredibly important. And people label this as useless?

Part Three: The Reader’s Backlash to Spoon

Spoon has single handedly given nearly everyone development, and people refuse to see it because other Manwha and SBAPOD had ruined them and heightened their expectations. That’s why they take it out on Spoon, the outlier. The exception. They take it out on the artist/co-writer/current writer of the story for not living up to the story others have created.

It really makes me wonder how the fandom would be if no one was spoiled and just read WMMAP like it was supposed to be read—by not being spoiled and just enjoying the story without having ruined expectations from something else.

But it’s not Spoon’s problem, it’s theirs. Because the moment they comment about how [Spoon] has ruined the story? That’s where no sympathy is given. Because the problem was never Spoon. It was the disappointment of their expectations, and taking it out on an amazing person who’s trying their best. And they? They don’t even care what they do to Spoon’s health. Those repeated comments of ‘Spoon made this story trash’, and, ‘Spoon made X character useless’ can seriously damage someone’s mental health. If not, severely stress someone who’s already placed under countless deadlines but still provides quality art every 10-20 days. They have no concern over Spoon, because as long as they get what they want due to the expectations set by other Manwhas and the Manwha community? Spoon could die for all they care. As long as they get what they want, what they were spoiled of? Who cares what Spoon wants.

It’s tiring and frustrating as an artist and writer who can hardly pick up my Apple Pencil and get the motivation to do what I love. To berate Spoon so badly because of their selfishness? When Spoon does so much more than what any of us could ever imagine to do? It’s entitlement, and just rude. And what’s worse? Spoon will never bend to them, but will still see those comments. She won’t change the story to their tastes, but her health will still be impacted. She’ll still know that her readers? Hate what she’s doing, what she loves to do. No ones going to win. No one will be satisfied, and their complaints won’t help anyone. It’s pointless, and incredibly sad.

Spoon doesn’t deserve this, and we aren’t entitled to anything. Our opinions are pointless, and that’s the truth. We have no say at all in what happens in the story. You paid money for it, you chose to read the story knowing that Spoon won’t give you what you want.

The company is promoting slips of color. You know you’re getting a color, and you want a specific color. Are you gonna take it out on the company for getting red in the mystery box when you wanted gold? When you know the chances of getting gold is nearly impossible? When gold was never guaranteed, and the company stated that there wouldn’t just be gold in the box? That’s what’s happening. You paid for it knowing you’ll disappoint yourself, you made the decision to spend money on something you don’t need. And you made the decision to bully Spoon for what you did to yourself.

[fleeingmoonlight]

Quickly, I'd like to add that SBAPOD was accused (and apparently Plutus later admitted) of plagiarism to "Daughter of the Emperor" which followed a similar premise. Spoon's changes to the novel were completely justified if she didn't want to keep getting hit with the plagiarism allegations. (Plus the changes were for the better anyway because yeah, Plutus cannot write a good story with compelling characters. Like come on, Hari fell in love with her older brother and no one questioned it. She was a "perfect" FL even though she definitely was not)

I absolutely agree with you on all these points. I actually loved how Spoon changed the original novel. When I read the novel for SBAPOD after finish Season 2 of the manhwa, I got kind of bored.

In the novel, it felt like all the characters existed to fill a role and nothing else. The "asshole to everyone but the FL and can do everything apparently male lead" role, check. The "white lotus OGFL" role, check. The "secretly yandere gentleman secondary male lead" role, check. All problems were solved by Lucas, the OP magician. Ijekiel, the princely second male lead who I adored because he was such a green flag? Apparently he was secretly yandere. Jennette, the sheltered girl who was practically used as a puppet her whole life? She just gets sent away by the end of it, no proper conclusion to her character, just gone, exiled. Everyone else just existed to tick a box.

What I loved about the manhwa was that characters had development. The first season followed the novel well, but when Spoon started deviating things got more interesting. Spoon managed to incorporate Ijekiel, Jennette, even Anastacius, into the story. She managed to make them more than a character that exists for the sake of needing a character to fulfill a role. Everyone gets motivations, reasoning for what they do, why they act the way they do, and I love it. Maybe nostalgia blinds me, but to this day, WMMAP is one of my favourite manhwas and I read it whenever I have a bad day.

Furthermore, the characters in the manhwa were just so much more compelling. I loved the idea that Anastacius did secretly love and care for Claude but Aeternias' possession drove the brothers apart. Ijekiel, the seemingly perfect ducal heir, tired of a monotonous life until he developed his own secret in the form of a girl he met in the garden (which also gives good reason as to why he's in love with Athy!). Claude, who was constantly betrayed and left, finally finding love just for her to die and abandon him, eventually choosing to open up his heart once more to his daughter (he even learned why Diana sacrificed herself, and he would eventually risk his life for the person who would stay by his side). Roger, who wanted was a good life for his son, and caring for the ward he originally planned to use as a pawn. And Jennette, the child who was sheltered from the world, naive and innocent, finally finding her own footing in the world. Even Lucas, who I disliked heavily in the novel, he didn't understand love and how his master was so destroyed by the grief of losing his wife, he eventually comes to fall in love and understand. Also Athy, she has flaws, and the story acknowledges that she's made mistakes too! She hid a huge secret from Jennette and it was wrong, and Spoon acknowledged that! Athy is not perfect, she is human, she can make mistakes too. It may be her second life, but she's still learning.

Another thing was the overall theme. I absolutely loved the idea that WMMAP was never about romance and falling in love, it was about family. May be a controversial opinion but I loved the idea of an open ended romance. We don't know who Athy ended up with, if she even married one of the male leads. Because at the end of the day, WMMAP's theme was family. In the end, Athy stays with her family, her father, Lily, Felix, and the maids at the emerald palace. Family relationships are complex, and I think Spoon handled that wonderfully.

There is so much more I wanted to add but I just wanted to say I absolutely agreed with you about this.

... I ranted in discord again, and it turned out to be an essay. So here’s another Syl Tea, let’s fight.

Spoon Deviating from the Novel’s Plotline

Readers have been complaining for a while. It started in the amnesia arc, and still continues on to current times. Complaining, insulting, begging and begging, all for Spoon to stop changing the story.

But it’s been getting worse recently, the complaining comments shouting louder than those of praise and positive reinforcement, and I’m sick of it.

Part One: The Source Novel

Suddenly Became a Princess One Day (SBAPOD) was a novel written by Plutus. That is what Who Made Me a Princess (WMMAP)’s source material. In the story, Lee Ji Hye after taking too many sleeping pills one day, transmigrates into the world of a novel called, ‘The Lovely Princess’ (TLP). In TLP, it features two heroines. One is the main heroine, Jennette, who was loved and adored by all. With her sunny and angelic disposition, she melted the icy cold heart of her father, the emperor, Claude De Alger Obelia.

The girl, the baby she had reincarnated into however, was the second heroine, Athanasia De Alger Obelia. In TLP, Athanasia was born from Claude and a concubine named Diana. She grew up unloved by her father in the ruby palace, the palace of concubines where Claude had commit a genocide. She met had briefly met her father when she was nine, and had become obsessed with him and trying to earn his love and affections. Those affections, however, went to her half sister Jennette, who was introduced at the debutante.

TLP ended with Athanasia getting executed for a crime she did not commit. Jennette had been poisoned by her aunt and fell into a coma, and Claude had immediately blamed Athanasia for it. Without an investigation, he had killed her. It was then revealed that Jennette’s aunt, Rosalia, was the perpetrator, in which Claude had reacted with no remorse. Rosalia went unpunished, and Claude had forgotten Athanasia’s existence as if she had just been a fly he had swatted. The only one who mourned and grieved over Athanasia, was Jennette.

Lee Jihye refused to die again. Her actions, however, as the reborn Athanasia, had led to somehow gaining the affections of her father. SBAPOD had ended with Jennette being exiled for being the product of black magic and an unintentional threat to the royal family, leaving Athanasia to live in a Happily Ever After ending with her father and magician lover, Lucas.

I’m going to have to say a very unpopular opinion within the fandom. Plutus is a terrible writer. And I don’t mean by skills in writing. Plutus cannot... write a good story. Taking example from their other works, Beware Of The Brothers (BOTB) which takes place in the same universe as SBAPOD. Hari, who had went back in time, spent half of the story trying to fix her relationship with her adoptive brothers. As she was severely neglected and downright abused by her step brothers in her previous life,s he strived to be accepted as their family.

It seems nice right? A story of a girl trying to improve her relationship with her family. She eventually succeeds, and her brothers defend her and call her their precious sister.

But here’s the catch. She marries one. Yes, marries her brother, and another one of her brothers also fall for her. If that wasn’t bad enough, she’s the carbon copy of their dead sister. She was adopted for the sole reason of looking exactly like their sister, who had died. That was why their parents took her in. The eldest son, the eldest brother, fell in love with a girl who he had abused and neglected in the past out of jealousy and childish hate, a girl who looks exactly like his dead sister. What’s even worse? Hari chose her elder brother, someone who abused and neglected her in the past for no reason, over a sweet guy who she was actually engaged to. When half of the story was about being seen as their family, acknowledged as their sister.

But I digress, this post isn’t about BOTB.

Plutus is a bad writer. They have countless issues in SBAPOD as well. For example, characters. Plutus cannot for the life of them, build and develop their main characters, nor can they write a stable plot.

Let’s give an example. Lee Jihye as Athanasia does not... develop. For context, Lee Jihye was an orphan in korea. She grew up alone and had to fend for herself for her whole life. This premise is common, but can be interesting if well done. SBAPOD falls under the reincarnation category of, ‘their past life has no impact’. By this, I mean, none of the characteristics from her life as Lee Jihye carry over to her life as Athanasia. It was fine in the beginning, when she strived to survive no matter the cost. For someone who was struggling by herself in Korea, of course she was greedy and hyper focused on survival and having back up plans. She was flawed, but human.

This changes. For someone who had to grow up alone and fend for herself, the moment she gets too comfortable? That doesn’t matter anymore. All of her instincts, gone. When Claude gets amnesia and threatens, humiliates, and almost kills her—

She comes back. She comes back to the man who has tried, and she knows is the most capeable from reading TLP, to kill her. You don’t need to be an orphan to know that if someone is trying to kill you, you run and never look back. Even before then, her instincts have completely faded. Claude had taken a liking to her so she can live comfortably now, but who knows what would happen? In the modern world, especially for people of low income, money and wealth can easily fade away. She never once checked on her secret stash of gold and precious items, was never conscious or had any struggle of the ‘what if Claude turns around and tries to kill me earlier’.

It was as if her life experience of orphan Lee Jihye only mattered for when she came back to claude because she’s never had a family.

See, Plutus has this constant theme in their work of, ‘there is no such thing as found family’. I’ve explained a bit of it before in my post about the theme of WMMAP, about Family Bonds. This is prevalent in all of Plutus’ work. Beyond Jennette’s naivety, TLP Athanasia had the exact same mindset because she wasn’t alone. Lily. Lily was her caretaker, her nanny, who loved her the most out of anyone in this world. Yet Athanasia craved for the love of someone who hated her, and paid no mind to love of the woman who raised her like her daughter. Because there is no such thing as found family in Plutus’ work.

Plutus is not a very good writer, as they can’t write a well developed story. It isn’t just a fault in Athanasia’s character, it’s also a fault in all of the characters in Plutus’ work. Claude, Ijekiel, Lucas—their purpose in SBAPOD was solely to benefit the main character, Athanasia. Claude never developed. He remained as he was in TLP, an emperor who threatens his people for the simplest things. Just because he’s kind to Athanasia, doesn’t mean he’s changed. This was proven in the novel’s amnesia arc, as the moment he lost memory of Athanasia, he immediately threatened to kill her. And when she returned? He threatened to kill everyone at the festival if she ran away again. There was no development in his character. His character is just to give Athanasia a reason to stay. Same with Ijekiel, who was never truly explored other than the fact he was the ‘princely’ second love interest for Athanasia. We didn’t know his drive, his reasons, his interests his character. All his traits are, ‘princely’ and ‘loves Athanasia’. Lucas is in the same category. Lucas, the almighty powerful magician, solves all of Athanasia’s problems. Athanasia is afraid fo Claude dying? Gives him immortality, which coincidentally returned his memories. Aeternitas is the villain and has been causing Athanasia and Claude pain this whole time? Just kill him, and he’s no longer a problem. Jennette has a mental breakdown because her whole world has been torn apart and her magic burst is a threat? Takes her magic away, and would have killed her had Athanasia not told him to spare her life. Lucas had solved all of Athanasia’s problems, and inadvertently prevented Athanasia from improving.

The side stories in SBAPOD had solidified the ‘everyone was made to make the main characters look better’, as the whole timeline had become scewed because Plutus had added information that didn’t make sense. Backstories and changing characters to the point where they didn’t even seem like the characters Plutus had wrote earlier in the story. Claude and Diana’s whole backstory revealed in the side stories at the end was made just to justify Claude’s horrible actions and make him look better. Diana, who was a dancer sold to Claude and became his concubine, suddenly had a tragic and downright depressing backstory. And apparently Claude saved her from it when he still was engaged to Penelope? Even though they met after he killed Anastacious and Penelope had escaped? And it tried to justify his genocide of the ruby palace, by saying some concubines poisoned Diana which was why she died—even though it was revealed earlier on that Athanasia’s mana killed Diana. And it still didn’t justify Claude killing everyone in the ruby palace, the concubines he himself kept and let live there as well as the countless servants, just because a few supposedly poisoned Diana.

Plutus was a bad writer, who wrote a poorly developed novel, and fans bash Spoon for not following it.

Part Two: Spoon’s Character Development

While finally on the topic of Spoon, let’s start what this post was supposed to be about before I got off topic.

Spoon is often ‘criticized’ (ie, my posts on criticism and suggestions) for changing the story to the point it’s apparently ‘boring’ and ‘not making Lucas strong’ (and yes, specifically Lucas, my dears).

When really, Spoon has... improved WMMAP? Especially in the most recent chapters? From a development standpoint in comparison. People have been saying it’s been really slow, which is understandable, but isn’t it because we get updates once to twice a month? When you binge read it, it’s not that slow. For readers who read it the moment it comes out, it feels slow because you take days and weeks between chapters.

But, especially now when the plot has actually sped up significantly, people call it boring? More boring than season one where all Athanasia and Claude did was have tea parties? I mean think about it.

In SBAPOD, Athanasia never had a proper interaction with the villain. Bad things kept happening, but Athanasia never really had a direct confrontation with the one causing all of her problems. If I remember correctly, she never questioned it either. When you think about, Athanasia, other than Claude, never had any struggles. No internal conflict, no doubts or worries, and no questions despite her past as Lee Jihye. And when she did, Lucas took care of it.

But in WMMAP, everything is happening at once. Claude is in a critical condition, Athanasia has to temporarily take over and confront the nobles, and in the middle of it all, the villain makes his dramatic entrance in front of everyone. And for the first time in a long time, Athanasia has to think about how to survive and protect not just herself, but others. And if she doesn’t think it through, she will lose everything.

And that? That in itself is an extreme improvement. The problem isn’t just between her and one person like when Claude had amnesia. This issue potentially involves and impacts everyone in obelia. Athanasia can’t worry about and stay in her little bubble of protection now. She’s forced to learn, because Claude is in critical condition.

Athanasia is actually preparing to learn how to rule a kingdom when she never did in the novel. Never, did she have to confront the nobles by herself. Even in her debutante, Claude had to threaten a crowd for staring at the only princess as she debuts, before even taking the first step. And Athanasia never needed to learn politics. The magic branch made her dad immortal so she never needed to learn. Which means, Athanasia never grew or improved as a character. She remained the same as when she reincarnated into the infant Athanasia.

Spoon even improved Athanasia’s connection with her peers. She seldom connected with the other noble girls, and never had anyone she was close to other than Lucas. But because of the whole Amnesia arc in WMMAP? She has Jennette now. Jennette, who in the novel she perceived as uncomfortable and a mild threat, is now one of her only friends that she regularly wrote to. Athy, who didn’t care about anyone else outside of her little bubble, has people to protect and fight for. Her character is already miles ahead of what Plutus had made her, and it’s because of Spoon.

And it’s not just Athanasia getting focus and development.

In SBAPOD, no one, minus Claude and Athanasia, was explored at all. The villains were shallow, the side characters were there only to add more to the main characters and were never expanded upon as people.

But in WMMAP? Ijekiel is having more drive and isn’t just a character meant to be Athy’s second love interest anymore, despite how he was for majority of the story. He had addressed and established his character of wordlessly obeying his father early on, and the novel never dealt with that. But now? He openly expressed bitterness to his father’s plan. And he’s currently going out of his way to tell Felix what’s been happening, essentially backstabbing his brainwashed father and risking possibly being labeled as a traitor for harboring a threat. This little change that Spoon made had already improved Ijekiel’s character. Because he isn’t just there, he has his own motives and thought process, like an actual human would.

Aeternitas who was the sole villain and’s only purpose was ‘Lucas look at me’ was changed almost completely to a villain that has depth. Anastacious, who actually has motivation and reasons why to be such a big villain has more development than Claude.

Spoon’s new character having more development than Claude already shows what a good writer she is—because Claude’s doing exactly what he’s done in the novel, what Plutus wrote for him. It’s lazy writing, but putting Claude in a coma is one of the best ways Spoon could have continued the plot. He has no character development left. He loves Athy again, so bringing his memory back right away completely contradicts the whole amnesia arc. The amnesia’s whole point was so that it could display that he doesn’t need his memories to loves his daughter (which I personally still think is badly written because TLP contradicts this). He can’t become less of a jerk because that’s literally the base of his character—his murderous demeanor towards everyone was a plot point Plutus permanently set into his character and can’t be changed without changing Claude’s character entirely. Spoon can’t work with the Claude Plutus created at all, so she made the best choice of sending him asleep to move the development of the others.

Lucas? Instead of everyone else gaining characteristics, she took away points where his character had to display his ‘almighty-ness’.

And that? That’s the best thing she could have done to a character who Plutus had set up as an ‘all powerful’ wizard. He was renowned as a great and powerful wizard in the history books, but in reality, he’s just a talented kid. He’s not godlike. He’s not the strongest in the world. And that’s good. We’ve already established how talented he is in magic, season one already proved that.

Compare Lucas to Gandalf from LotR. Gandalf was renouned as one of the strongest wizards, and displayed his power, but he wasn’t almighty nor did he ever help Frodo on on his mission. He was a guide, but never the answer. But that didn’t mean he was useless, and we never thought of him as that. He didn’t need to help the main character with their problems for us to know what good of a character he was. In the end, Frodo did his duty, solved his own problems himself despite how small and weak he was without Gandalf’s (or any of his comrades assistance). Did it make Gandalf weak because he didn’t throw the ring for Frodo? No. That’s the kind of Lucas we needed, not some Deus Ex Machina like in SBAPOD.

We don’t need Spoon to show us more of something we already knew, and Spoon knows that. And he is getting development, and people are so blind to see it. Even in the most recent chapters, it’s right there.

It’s Athanasia verbally telling him, ‘killing won’t solve anything’ to his immediate response to just kill the villain, which attributes to development for both her and Lucas. It’s small, but you have to treat him like a child. Because emotionally, he was deprived of growth. You have to tell him straight out what’s wrong, and Athanasia did that. And she’s still changing him. Athanasia trying so hard for Claude, and Athanasia confessing her knowledge of Jennette being her cousin and not doing anything to endanger her— those little actions are making Lucas see the importance of family. Someone who was deprived of a healthy family, someone who was abandoned by their only father figure, this is incredibly important. And people label this as useless?

Part Three: The Reader’s Backlash to Spoon

Spoon has single handedly given nearly everyone development, and people refuse to see it because other Manwha and SBAPOD had ruined them and heightened their expectations. That’s why they take it out on Spoon, the outlier. The exception. They take it out on the artist/co-writer/current writer of the story for not living up to the story others have created.

It really makes me wonder how the fandom would be if no one was spoiled and just read WMMAP like it was supposed to be read—by not being spoiled and just enjoying the story without having ruined expectations from something else.

But it’s not Spoon’s problem, it’s theirs. Because the moment they comment about how [Spoon] has ruined the story? That’s where no sympathy is given. Because the problem was never Spoon. It was the disappointment of their expectations, and taking it out on an amazing person who’s trying their best. And they? They don’t even care what they do to Spoon’s health. Those repeated comments of ‘Spoon made this story trash’, and, ‘Spoon made X character useless’ can seriously damage someone’s mental health. If not, severely stress someone who’s already placed under countless deadlines but still provides quality art every 10-20 days. They have no concern over Spoon, because as long as they get what they want due to the expectations set by other Manwhas and the Manwha community? Spoon could die for all they care. As long as they get what they want, what they were spoiled of? Who cares what Spoon wants.

It’s tiring and frustrating as an artist and writer who can hardly pick up my Apple Pencil and get the motivation to do what I love. To berate Spoon so badly because of their selfishness? When Spoon does so much more than what any of us could ever imagine to do? It’s entitlement, and just rude. And what’s worse? Spoon will never bend to them, but will still see those comments. She won’t change the story to their tastes, but her health will still be impacted. She’ll still know that her readers? Hate what she’s doing, what she loves to do. No ones going to win. No one will be satisfied, and their complaints won’t help anyone. It’s pointless, and incredibly sad.

Spoon doesn’t deserve this, and we aren’t entitled to anything. Our opinions are pointless, and that’s the truth. We have no say at all in what happens in the story. You paid money for it, you chose to read the story knowing that Spoon won’t give you what you want.

The company is promoting slips of color. You know you’re getting a color, and you want a specific color. Are you gonna take it out on the company for getting red in the mystery box when you wanted gold? When you know the chances of getting gold is nearly impossible? When gold was never guaranteed, and the company stated that there wouldn’t just be gold in the box? That’s what’s happening. You paid for it knowing you’ll disappoint yourself, you made the decision to spend money on something you don’t need. And you made the decision to bully Spoon for what you did to yourself.

[fleeingmoonlight]

It's truly funny to me how Jennette got a super cute cover of her making dolls with her two dads flirting behind her and dandelions around, everything green, everything pretty while athanasia got a cover of her uncle trying to kill her dad in coma and with everything destroyed, thorns and also the headless angel statue behind.

[fleeingmoonlight]

It's Ijekiel Day!

It's that time of year again, the birthday of my favourite male lead, Ijekiel Alpheus.

Happy birthday to Ijekiel Alpheus! The Lord of Soft Charisma, one of my favourite male leads to date. Everybody, may I present to you, him:

Happy Birthday to the one who shines brighter than the sun, His Grace, Duke Ijekiel Alpheus, the Lord of Soft Charisma.

[fleeingmoonlight]

Athykiel in Gardens

I'm in a field of dandelions Wishing on every one that you'd be mine, mine And I see forever in your eyes I feel okay when I see you smile, smile

[fleeingmoonlight]

On Ijekiel and Jennette's relationship

It has dawned on me that Ijekiel and Jennette hardly know each other. From my perspective it looks like Jennette spend the first few years of her life either with her aunt Rosalia or the Margaritas. Perhaps she was first shoved from one family to the other for neither was willing to take risks, which would further explain her anxious attachment style that is often associated with an inconsistent parenting pattern.

Then Roger bought Jennette home as his ward with the intention to marry her to Ijekiel one day. 7~ year old Ijekiel did not know how to describe Jennette when Athy asks him what kind of girl she is, the only thing he knows is that she has become his responsibility from now on.

One might expect that they would grow closer over the years but almost 10 years later Jennette still doesn't know anything about him. Not even simple things like his favourite color or his hobbies.

Jennette craved his attention but due to her status as a hidden royal and the special treatment she received by Roger, she was in a position where they could never be equals. Interestingly in this case there has occured a rare gender reversal. The girl is the dominant one and the boy the subservient one. Ijekiel did everything that was asked of him not by his own volitation but because he treated it like an assignment that was given to him by his father.

Truthfully young Ijekiel seemed somewhat indifferent towards Jennette. Like he couldn't make more of her than a basket full of kittens. He played her games but he never introduced his own hobbies to her or felt comfortable to share his inner thoughts with her. There is a scene in the novel around chapter 56-62 where Jennette asks Ijekiel to go shopping with her for dresses and it looks like he wants to refuse but eventually agrees when Jennette persists. Jennette thinks bitterly to herself something along the lines of: "Sometimes it feels like you wouldn't want to spend time with me unless I asked you to."

When Ijekiel left to stuy in Arlanta he seemed much happier than when he was with Jennette.

Once I said I saw Ijekiel and Jennette more as siblings but I don't think so anymore. They were put into a situation where they were not allowed to view each other as family or grow close to one another as children. I believe Roger send Ijekiel to study in Arlanta to prevent the Westermark effect. All Jennette wanted was a family and Ijekiel was more inclined to give her that than romantic love, which would have shaped up to become a problem for Roger's plan.

Before Ijekiel travels to Arlanta he promises to write her letters and visit her during his holidays, yet this still doesn't seem to have bought them closer. If anything Ijekiel's time in Arlanta made Jennette all the more lonelier. (I also doubt that Ijekiel spend his entire vocation with Jennette since he was also friends with other students like Cabel Ernest and they visited each other frequently.) When Ijekiel takes Jennette to a cafe and Athy eavesdrops on them, Lucas notes that their conversation seemed contentless and boring and while this could be just Lucas being Lucas, I have to agree that their chats were not very deep unless Athanasia was concerned.

How I interpret their relationship: Jennette did not love Ijekiel, but he was always there for her when she was grieving. Isolated as she was it was easy for Roger to foster her dependency to Ijekiel and make her believe that she would want him romantically. In truth Jennette just didn't want to lose any more people and marriage was a way to tie two people together for the rest of their lives. As for Ijekiel, I believe that he pitied Jennette and treated her as his responsibility but in another world where they were not aquainted through family they would not even be friends. They don't seem to share any common interests. They didn't know each other. At times Ijekiel might have resented her secretly but she also gave him a clear goal and stability in life. Athy's death in The Lovely Princess broke them both and they might have coped by finding solace in one another.

[fleeingmoonlight]

how wmmap rings in the new year!

Athanasia: the one who always buys those funny glasses with the new year on it, watches the new year ball drop on tv, sends happy new year’s to every friend she can before she knocks out to wake up early, bounces onto her parents bed to remind them that yes, even though Christmas passed she still wants a gift or two

Claude: sleeps through it of course cause it’s just another day in the Obelia household and he can celebrate or whatever in the morning and lord knows he loves his sleep, gets woken up by his daughter and wife’s flailing hands as they tumble around the bed laughing (he ends up smiling though and joins in)

Diana: celebrating with kisses for her loved ones and letting baked goods rest in the oven until the morning so everyone can wake up to deliciousness, gets woken up by her loving family and you can hear her laughter very early as she has fun waking up into the new year

Felix: the one who waits up for it to hit 12 on the dot and then collapses because he sleeps early when he can and he definitely wants to so he can welcome the new year the morning after, definitely the one who trudges into the kitchen half awake, miraculously not hungover, messy hair, “Where’s the cookies?”

Lilian: her new year’s greetings have already made their way to the people they need to and she heads in early after a glass of alcoholic eggnog, wakes up to soft music playing on the radio, wakes up with perfectly styled hair. “ What do you mean brush it? I woke up like this.”

Ijekiel: the one who gets dragged along to the parties and doesn’t know how to let loose until he gets the wrong glass- and by letting loose I mean he laughs when someone tells a joke, he gets woken up by the string of “happy new year’s” texts by people who like him, wakes up looking like a prince out of a fairy tale but he’s still kind of out of it (He will nod to anything someone says: Can I have your phone- yeah)

Roger: Drinks heavily but not out of the bottle he’s respectable and goes with the glass that’s the size of his face, he can strike up a conversation about anything once he’s drunk off his face, he’s all conservative when sober but when drunk his personality tends to be like Ijekiel and ends up being nice, but he will forget the morning after. “I’m not giving you my car- when did I promise you that?!” 

Lucas: Pops the champagne perfectly, and looks at everyone expecting him to be the hot mess. “What, like I can’t do something as awesome as that?” Parties hard all the way and sleeps like the dead just when everyone starts waking up in the morning, gets kicked off the couch cause he drew on their faces with sharpie

Jennette: the one who gets surrounded in cozy blankets and a hot cocoa watching late night tv while waiting for it to hit midnight so she can send hearts and good cheer to all her friends, gets woken up to the smell of fresh baked cookies and people lying all over the floor, “Good mornin-oh my god, are those bodies?!” 

Anastasius: doesn’t find it hard to stay up all night and tries to dance, only to epically fail as he doesn’t notice his relatives laughing at him behind their champagne glasses, gets back at them with a last laugh when he pops a Dom Peri all for himself and they don’t get any

[fleeingmoonlight]

It's Golden, Like Daylight

I can still see it all in my mind All of you, all of me, intertwined I once believed love would be black and white But it's golden, like daylight

I don't wanna look at anything else now that I saw you I don't wanna think of anything else now that I thought of you Been sleeping so long in a twenty year dark night But now I see daylight

[fleeingmoonlight]

Happy Birthday Athy!

Happy birthday to Athanasia de Alger Obelia! The Crown Princess, Star of Obelia, Lady Angel, the Lovely Princess. For her birthday, I present: Athy throughout the years

Happy birthday to my most beloved child, one of my first and favourite female leads in manhwa, Athanasia de Alger Obelia. Happy birthday to Obelia’s Star, the Small Sun of the Empire.

Blessings and glory to the Small Sun of Obelia, Her Imperial Highness, Crown Princess Athanasia de Alger Obelia.

[fleeingmoonlight]

Cinderella and Prince Charming

[fleeingmoonlight]

you can love a character & still admit when they’re wrong. i love roxana, dion and jeremy but i acknowledge their flaws (none they're perfect) & can hold them accountable for their wrongdoings (they've never done anything wrong in their life) & call them out on their actions (which are always right)

[fleeingmoonlight]

The shining sun and the maniacal moon

A tale of two Jeremys

[fleeingmoonlight]

Riding With Prince Charming

[fleeingmoonlight]

THEY'RE COMING BACK

The newest cover compared to all the old ones!

Angela and Rayburn are finally coming back after two long years

[fleeingmoonlight]

Do it for her

[fleeingmoonlight]

Athykiel Coded

[fleeingmoonlight]

Grumpy x Sunshine