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frevandrest · 3 hours
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was just tagging another post and ‘les mis’ autocorrected to ‘les moose’ and now I need to know:
if you could insert a moose anywhere into Les Miserables, where would you put it
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frevandrest · 13 hours
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today I learned that in 2008, the city council of florence overturned dante’s sentence of execution if he returned from exile. yes, dante’s inferno dante, who died in 1321.
but the funniest part of this is not that they were debating the exile of a man who has been dead for over 500 years.
the funniest part is that the vote was 19-5. five people voted to uphold dante’s exile.
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frevandrest · 1 day
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"The Dying Slave", c.1515 by Michelangelo (1475–1564). Italian sculptor, painter, architect, and poet of the High Renaissance. Musée du Louvre, Paris. marble
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frevandrest · 1 day
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I found the Charlotte Robespierre-pins-down-Couthon-in-an-armchair-and-calls-him-a-hypocrite anecdote in its full glory within La Révolution, la Terreur, le Directoire 1791-1799: d’après les mémoires de Gaillard (1908) page 263-272. The table of contents claim this event happened in May 1794.
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Gaillard therefore presents himself at Mlle Robespierre's house, she welcomes him in a friendly manner, she does not seek to know the political opinions of her visitor; both talk for a long time about her family and their old acquaintances, she names for Gaillard, with great bitterness, the prodigious number of very honest people dragged to the scaffold by Joseph Lebon; she makes him tell her how he was able to save himself at least from prison and tells him how much pleasure she and her older brother felt in receiving news of him from their younger brother; then Gaillard explains to her the embarrassment he finds himself in and asks her to help him with her advice to save the magistrates of Melun and the signatories of the address to Louis XVI.
”When my younger brother passed through Melun,” said Mlle Robespierre, ”all three of us were living together; I still hoped to be able to bring back the older, to snatch him from the wretches who obsess over him and lead him to the scaffold. They felt that my brother would eventually escape them if I regained his confidence, they destroyed me entirely in his mind; today he hates the sister who served as his mother… For several months he has been living alone, and although lodged in the same house, I no longer have the power to approach him… I loved him tenderly, I still do… His excesses are the consequence of the domination under which he groans, I am sure of it, but knowing no way to break the yoke he has allowed himself to be placed under, and no longer able to bear the pain and the shame of to see my brother devote his name to general execration, I ardently desire his death as well as mine. Judge of my unhappiness!… But let’s return to what interests you. The addresses to the king on the events of 1792 are already far from us; it seems to me that the signatures of these addresses are persecuted less than those who protested against the day of May 31. Try to see Maximilien, you will be content; he was very glad that our younger brother saw you at Melun. On this occasion he spoke with interest of the exercises of your pupils and of the attention you had in entrusting him with presiding over them. I won’t introduce you to him, I would not succeed; I even advise you not to speak to him about me. You will be told he is out, don't believe it, insist on your visit.”
The Robespierre family was housed on rue Saint-Honoré, near the Assomption chapel, the sister and younger brother at the front, the older brother at the back of the courtyard. Gaillard went to Maximilien’s apartment; a young man, looking at him with the most insolent air, said to him, barely having opened the door: “The representative isn’t home…”
“He may not be there for those who come to talk to him about business, but that is not my doing; I will talk to him about his family that I know a lot, you have seen me come out of his sister's apartment who is involved in state affairs no more than I am... Bring my name to the representative, he will receive me, I’m sure of it.”
The fellow did not dare refuse to carry a paper on which Gaillard had taken care to indicate himself in such a way as to be recognized, he immediately came back and gave the visitor his paper saying: “The representative does not know you,” and the door was violently slammed shut!…
The insolence of this brazen man whom Gaillard knew to be the secretary of Robespierre, son of Duplay, to whom the sister attributed the excesses of his brother, the sorrow he felt at losing the hope of saving the judges of Melun and to ensure his personal rest, all these thoughts made him very angry; he calls the young man a liar, insolent, he accuses him of deceiving Robespierre and of increasing the number of his enemies every day, all this in the loudest voice with the intention of being heard by Maximilien and lure him to one of the windows where, surely, he would have recognized him. New disappointment, no one appears and Gaillard goes back to tell Mlle Robespierre about his misadventure.
“I prepared you for it, she told him. ”No one can approach my brother unless he is a friend of those Duplays, with whom we are lodging; these wretches have neither intelligence nor education, explain to me their ascendancy over Maximilien. However, I do not despair of breaking the spell that holds him under their yoke; for that I am awaiting the return of my other brother, who has the right to see Maximilien. If the discovery I just made doesn't rid us of this race of vipers forever, my family is forever lost. You know what a miserable state we found ourselves in, reduced to alms, my brothers and I, if the sister of our father hadn’t taken us in. It’s strange that you didn’t often notice how much her husband’s brusqueness and formality made us pay dearly for the bread he gave us; but you must also have noticed that if indigence saddened us, it never degraded us and you always judged us incapable of containing money through a dubious action. Maximilien, who makes me so unhappy, has never given a hold, as you know, in terms of delicacy. Imagiene his fury when he learns that these miserable Duplays are using his name and his credit to get themselves the rarest goods at a low price from the merchants. So while all of Paris is forced to line up at the baker's shop every morning to get a few ounces of black, disgusting bread, the Duplays eat very good bread because the Incorruptible sits at their table: the same pretext provides them with sugar, oil, soap of the best quality, which the inhabitant of Paris would seek in vain in the best shops... How my brother's pride would be humiliated if he knew the abuse that these wretches make of his name! What would become of his popularity, even among his most ardent supporters? Certainly my brother is very proud, it is in him a capital fault; you must remember, you and I have often lamented the ridicule he made for himself by his vanity, the great number of enemies he made for himself by his disdainful and contemptuous tone, but he is not bloodthirsty. Certainly he believes he can overthrow his adversaries and his enemies by the superiority of his talent.”
The tenderness of this unfortunate girl for her brother was therefore very keen and very blind, she forgot that, a few moments before, she had told Gaillard, with the accent of despair and with eyes filled with tears, that death would seem preferable to the pain of seeing Maximilien dedicate his name to public execration, and yet her brother for his part had devoted mortal hatred to her since the trip she had made to Arras to collect evidence of the massacres carried out by Joseph Lebon.
“In the absence of my brother,” said Mlle Robespierre to Gaillard, would you like to try to see Couthon? He prides himself on being good for me, I will ask him to receive you, he will not refuse me, I will precede you by a quarter of an hour, he will give the order to let you in and we will exit together.”
Gaillard gratefully accepts, takes the address of Couthon who lived at n. 97 of the Cour du Manège, today rue de Rivoli, near rue du 29 Juilliet, and the next morning arrives at the indicated time.
Couthon, whose face was truly angelic, wore a white dressing gown. A child of five or six years old, beautiful as Love, was between his father's legs; he had a young white rabbit in his arms which he was feeding alfalfa. Mme Couthon and Mlle Robespierre stood in the embrasure of a window overlooking the Tuileries.
“You (vous) are,” said Couthon to Gaillard, a friend of Mlle Robespierre, you therefore have every kind of right to my interest, tell me, citizen, how can I be of use to you?”
The fine face, the entourage of innocence, the tone, the manners of good company, this care not to use tutoient when everyone else did so, convinced Gaillard that the slander had attached itself in particular to the person of this worthy M. Couthon, he promises to undeceive all those with whom the deputy had relations.
“Citizen representative, one of your colleagues, Maure, deputy for Yonne, had recalled the former judges, all very honest people, to the courts of Melun, and everyone applauded this act of justice. The popular society was offended by this, it threatened Maure that it was going to denounce him to the Convention as a supporter of Louis XVI and his family, given that these judges had adhered to the address by which the directorate of the department complained of the outrages committed against the king on the day of June 20 1792. The next day your colleague issued a decree dismissing these judges who were not yet installed, and ordered the revolutionary committee to incarcerate them. Can you please tell me by which means these unfortunate judges can escape this act of severity?”
“Admit, citizen,” answered Couthon, “that the Convention is indeed to be pitied for being forced to send as commissioners to the departments a crowd of imbeciles who make it hated and who compromise liberty... Maure doesn’t have the strength to understand that true patriots were saddened and rightly outraged by this fatal day of June 20. The aristocrats, as one said then, were delighted by it, the crimes of the people seemed to them a means of forever losing liberty and reestablishing despotism... It was a duty to rise up against the violation of the home of the first official of the the State and the bloody outrages to which it was subjected that day. I signed an address in which our indignation was expressed in the most energetic terms and I am far from repenting of it. Have the judges you are talking to me about been arrested?”
“No, citizen.”
”That’s what I suspected, they will have been warned; in fact, one is not going to prison automatically, one will have their homes sealed and perhaps not be very eager to arrest them?… Can you assure me, citizen, that these judges are honest men?”
”The most honest people in the country!”
”Well, on reflection, I was going to give you bad advice... based on the distance from Melun to Paris, this is where they will come to hide, one will find them, there is no safety in the prisons of Paris. They'd better go home, they shall be given a guard, they won't even be incarcerated... but once again, how can it be made a crime to have signed these addresses?”
“Citizen,” continues Gaillard, with great emotion, you are convinced that the signatures of these addresses have not committed a crime, you are all-powerful in the Committee of Public Safety where your opinion always prevails. Today, seventy unfortunate people are being led to the scaffold, their condemnation based on nothing other than the signing of these addresses…”
Couthon's face changed, he suddenly takes on the tiger's mask, makes a movement to grab the bell pull... Mlle Robespierre rushes at him to stop him (he was paralyzed from the legs down), turns towards Gaillard and says to him: “Save yourself!” In the confusion into which all this throws him, Gaillard takes Couthon's hat, she notices it, warns him, he runs across the apartment and reaches the stairs. He had barely gone down eight or ten steps when he heard Mlle Robespierre shouting to him: “Go and wait for me at the Orangerie.” (The courtyard of the Orangerie was located at the end of the Terrace des Feuillants where Rue de Rivoli now meets Place de la Concorde).
When Gaillard was able to think, he wondered why the various sentries posted along the Feuillants terrace had not stopped him. A glance in a mirror while picking up his hat in Couthon's salon had told him how altered his face was. Even after leaving the deputy, he did not think he was safe, he did not take four strides without wondering if he was being pursued. He has barely gone down into the courtyard of the Orangery when he goes back up onto the terrace, looking anxiously to see if his good angel was arriving. As soon as he sees her, he runs towards her, loudly asking her five or six questions at the same time without paying attention to the crowd around them. Mlle Robespierre, calmer, tells him in a low voice that she will answer him when they have reached the Place de la Révolution.
“Explain to me, please,” said Gaillard to Mlle Robespierre as soon as they were offshore, ”your haste to tell me to take flight flee and why you held back Couthon in his chair?”
“You were fooled, my dear monsieur, by the profound hypocrisy of Couthon, I was completely fooled myself; I believed your judges saved and you forever at peace like all the signatories of these addresses to Louis XVI... Couthon only showed himself to be so good-natured in order to get to know the depths of your thoughts, you fell into his trap, I could not have avoided it more than you. Your bloody and so justly deserved reproach regarding the 63 victims of today struck in the hearth, my presence, even my confidence could not have stopped his vengeance. The members of the Committee of Public Safety each have five or six men at home who are resolute at their command, because they are constantly trembling. Had he reached the bell pull, this very afternoon you would have been placed in the tumbril alongside the 63 unfortunate people you wanted to save... Fortunately, I succeeded in making him ashamed of the crime he was going to commit by immolating a friend that I had brought to his house... Will he keep his word to me? I followed your conversation very attentively, you did not say a word from which Couthon could conclude that you do not live in Paris... Return home quickly, do not follow the ordinary route out of fear that, remembering the name of the city where your judges were to sit, he sends for men to follow you on the road to Melun.” (1)
Mlle Robespierre barely gives her protégé time to thank her and does not want him to accompany her back to her house. Gaillard leaves immediately without seeing his sister or the two dismissed judges, who have taken refuge in Paris.
(1) The story of Gaillard's visit to Couthon is reproduced almost word for word by M. Lenôtre, in his Paris révolutionnaire, vielles maisons, vieux papiers, 1900, La Brouette de Couthon, p. 279.* Mr. Lenôtre draws his story from the collection of Victorien Sardou's autographs. The note appearing among these authographs which speaks of Couthon comes from Fouché's papers: it is in fact Gaillard who, at the request of his friend Fouché, recorded in writing for him the narration of his interview with Couthon. Gaillard took pleasure in often recounting to the people with whom he was in contact this scene of which he had always retained such a terrifying impression of; this is the reason why it appears today in his memoirs.
*Worth noting is that Charlotte’s identitity is kept a secret in this account, she’s simply described as ”a lady.” This account also includes the detail of Couthon’s son starting to cry and the bunny he was holding getting pushed to the floor once his father gets mad.
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frevandrest · 2 days
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Are there any actual biopics/movies about Lord Nelson?
Hi, if i see it correctly, there are no current big productions, but there are three smaller documentaries about him on youtube, which i personally find quite ok. I have linked them for you.
youtube
youtube
youtube
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frevandrest · 2 days
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one thing in particular I hate more than your ordinary run of the mill historically inaccurate costuming in movies (and find far more unsympathetic tbh) is when the leads are dressed to appeal to modern fashions and beauty standards but the the comedic or villainous characters are styled in period accurate clothing to make them look bad or silly by the contrast. like oh okay so we Could have done period clothing. the understanding was there. And Yet.
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frevandrest · 3 days
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This is.....niche. Do period-appropriate chickens even still exist? Idk anything about chickens. I like the fancy ones.
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frevandrest · 3 days
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Me explaining, once more, that being interested in a particular historical figure or era does NOT necessarily equate to supporting it ‼️ Creators shouldn’t have to make a piece of work “clean” just because some readers may get uncomfortable. If anything, we should be promoting the exploration of uncomfortable topics- proper research and portrayal should be praised. Bring back historical and media literacy.
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frevandrest · 3 days
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Does anyone else ever think about this drawing of Charles Lee done by Tadeusz Kościuszko? I think about it a lot. I want to know what he was going for. Clearly this isn't meant to be flattering...but like, why is he in a giant boot? For context, the guy could draw. The illustration below is one he did while in art school in Paris. I have so many questions.
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frevandrest · 4 days
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Napoleon and general Desaix at the battle of Marengo, illustration by Job.
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frevandrest · 4 days
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Goujon's beautiful head, — fine, feminine, beardless, a straight aquiline nose, above a small and serious mouth, a strong chin, and, framing this calm face of such a charming resolve, long hair, that we divine silky, much like the hair of an Erminia escaping from her helmet, — rises above this group. This firm and soft Spartan walks to the front row. Over the benches of the Assembly stood his six-feet* tall figure.
Jules Claretie, Les derniers Montagnards: histoire de l'insurrection de prairial an III (1795), 1867
*probably pied-du-roi, which means Goujon's height was approx. 195cm/6.4ft
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frevandrest · 5 days
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Tell me less about how we don’t know how they would identify today (a statement that can be made about literally every historical figure) and more about how they expressed themselves in their lifetime.
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frevandrest · 5 days
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This portrait of Saint-just is SO underrated, it's like my favourite portrait of him. He's so cute with his thin eyebrows and gigantic cravat.
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frevandrest · 5 days
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Goujon and Tissot make their cottagecore fantasy come true
Money was lacking; for one year, Goujon saved up on his clerk wages; Tissot received financial help from his family. On the first days of Spring 1790, they strolled around the Parisian suburbia looking for a suitable lodging to retreat to; in early May, they left the prosecutor's office and moved away from Paris.
They didn't venture too far to find their "Thebaid". They rented to the Countess of Coubron a small house in Meudon, on a hillside by the Seine riverbank, near to the entrance to the woods. From there, in just two hours, Tissot could walk to Versailles and Goujon could visit Mongez, who was taking care of his mail and of questions from prying folks. Jean-Marie hadn't given his new address to anyone; he couldn't even bring himself to announce his leave to his terrible Aunt Cottin. He only informed his mother at the end of May, without saying yet where he had gone to. Mrs Goujon received the news with surprise and without pleasure; she assumed that some suspicious adventure was going on, and that the "intimate friend" Jean-Marie was telling her about for the first time could well actually be a female friend; she judged her son based on young people of the same age, a mistake only someone who didn't know him too well would make. He protested vehemently and begged his mother to calm down and trust him.
Le conventionnel Goujon (1766-1793), L. Thénard, R. Guyot, 1908
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frevandrest · 5 days
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I relized I have drawn Prieur so many times and his best friend not even once.
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This took me way more that it should have. I'm tired af >.> Also Year II hairstyle, because he's never depicted with it v_v
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frevandrest · 5 days
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POV: you are at Lavoisier's place and forced to hear the reactionary nonsense of your colleagues from the Weights and Measures Commission.
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frevandrest · 6 days
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Please have some original content for my "suggestive catholic art" segment: the delightful St. Sebastian at the St. Agnes Church in Piazza Navona, Rome
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