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grocery run

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🏠 SHARE CHALLENGE 🏠

Thanks for all the support so far for "Goodbye, Hello", our No Home fanzine! ❤️ From now until the end of preorders, we have a challenge for you to complete! If we reach 500 shares on this post across all socials, we will add this free postcard to all physical orders!

Get the zine now on our shop!

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ANNOUNCEMENT: Preorders for our No Home fanzine, "Goodbye, Hello", will be open May 16th until June 16th! Stay tuned for more announcements and reveals, and mark your calendars! 🏠 (Cover art by @krsworks)

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sf chinatown

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ah!

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me!

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gabbyyy

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well I have news for you

spirits and such

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late afternoon

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spirits and such

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thinking of them again

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through the sierras

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airing out the dirty laundry

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Props Design by Stefano camelli (https://www.stefanocamelli.com/)

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fucking jentry chau. just finished it.

god this show is amazing. the characters are insanely likable and just the right amount of messy i adore, the action is fantastic and well-directed, the drama and emotional moments are tense and well-earned, and overall it feels like the exact type of original teen action drama cartoon everybody's been begging studios to make in the past couple years with the rise of popularity in anime but now in the current landscape we practically have to be on our hands and knees so it doesn't get canceled because of some stupid shit like "the algorithm said so". so please spread the word about jentry chau. it's the best western cartoon we've gotten in a long time, and we need more of it and more like it

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Character design by Kal Athannasov

(https://www.instagram.com/p/DDNMy6MyzMy/?img_index=4&igsh=ZmhqNmgxYnQ2aDEy)

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I wanna share some of the drawings in the animatic I did that I liked; the one where Jentry is posing in the very beginning was totally a self indulgent drawing I did and McKenzie was like “We HAVE to put this in” so we did, and it stuck lol (we figured out a way for it to flow well with everything else too, with the hand move as a hook up into the next scene)

The kaleidoscope bit and the going through Michael’s eye and to kits eye were ideas I had as well and it was well received at the initial pitch, so we rolled with it and added to it with some of Yvonne’s pitches of scenes to continue the bit; I pitched how we might phase through each scene to continue the camera working through z space, and I think it turned out really well!

Guh I wanna do more shit like this it was so much fun

Although the kaleidoscope thing was hell to figure out, the amount to test drawings I had to do and give McKenzie to apply in order to figure out how to make it work? It was time consuming to say the least