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galactic-academia · 3 days
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it is not your job - caitlyn siehl
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galactic-academia · 10 days
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I want a story about a king whose son is prophesied to kill him so the king is like “whatever what am I supposed to do, kill my own kid wtf is wrong with you” so he just raises him as normal, doesn’t even tell him about the prophecy, and instead of some convoluted twist of events that leads to the king’s murder the son grows up and when the king is very old and dying and in excruciating pain the kid is just like alright I'mma put him out of his misery.
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galactic-academia · 16 days
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forever in awe of people who pay attention. people who wait for you while you tie your shoes while the others have walked away. when they continue listening intently while the rest of the group stopped listening. noticing your moments of silence when everyone else hasn’t. “this made me think of you” noticing things you never even noticed about yourself. people who say “text me when you get home safe.” people who make you laugh until you cry. childhood friends who keep in touch. people with genuine intentions. people who are soft when the world has given them every opportunity to turn hard. the “let’s get ice cream” at 3am friend. the turn up the music in the car and sing friend. people whose actions match their words. people who make the world feel less chaotic. kindred spirits. the trustworthy and honest. hard workers. good listeners. clear communicators. people who love you for who you are. people who don’t ask you to be anything other than yourself. people who choose you. people who stay.
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galactic-academia · 19 days
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via radiantsomatics
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galactic-academia · 20 days
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The Lord of the Rings: The Fellowship of the Ring (2001)
🎬 Peter Jackson
+ IMDb trivia
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galactic-academia · 21 days
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Have a lovely day <3
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galactic-academia · 28 days
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TIMOTHY OLYPHANT AS RAYLAN GIVENS JUSTIFIED, SEASON ONE, EPISODE SIX, "THE COLLECTION"
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galactic-academia · 28 days
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if you don't get many (or any) asks, tags, comments, or chain mail, and especially if you ever feel left out, this is for you. you're worthy, you're a valuable part of your fandom(s), and i'm glad to share a corner of the internet with you. ty for being here.
💐🌷🩷💕🫶
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galactic-academia · 1 month
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Shout-out to multilingual writers who are writing in their second (or third and so on) language.
The frustration of speaking it fluently, but still having to google basic words when you're writing.
The absolute joy of finding a word that sounds just perfect and conveys exactly what you mean.
Doubting all your grammar and being afraid to post it or even send it to a beta reader.
The euphoria of someone calling your use of this language, that is not your mother tongue, beautiful.
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galactic-academia · 1 month
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are u ever sick w longing. and i don't just mean romantic longing. i mean longing for a place you barely get to see, longing for friends you no longer have, longing for feelings you might have left behind in your childhood, longing for creativity, longing for a rich and more expansive life, longing for less inhibition. longing for more passion. longing for ur life to be so incandescent w something it thaws all the frost in ur bones. are u ever so consumed w it it rends ur heart in two. do u understand me
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galactic-academia · 1 month
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Something that people don't talk about enough is that when you're raised to be mature from a young age, your parents just become any other figure in your life and even if you have a seemingly peaceful relationship with them, there's absolutely no comfort you can find under their shade. You'll never get to be immature and childish and helpless with them because that dynamic was never set in the first place and all the validation you ever had from them was from parentification.
So even at your worst moments in life, you will be left alone with no place to seek refuge and you'll have to constantly find it in yourself to be strong enough to deal with everything alone.
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galactic-academia · 1 month
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Do you guys remember how kidnap fantasies were popular on wattpad because young girls and queer teens were both made to feel shame at the thought of their own sexualities, so the fantasy of being kidnapped totally against their will was a way for them to engage with a romantic or sexual fantasy without feeling morally in the wrong for doing so? Added bonus that the fantasy involved being whisked away from repressive environments like home or school, right?
Finding out that Bram Stoker was in a sexless marriage and that scholars believe that he very likely was closeted gay puts the entire book into perspective as to WHY it reads EXACTLY like a self insert wattpad Dracula kidnap fic:
“I TOTALLY love my wife and would never do anything that an upstanding Good Straight Working Man wouldn’t do but oh nooo, big strong man with broad back and strong enough arms to carry me back to bed like a princess trapped me and claimed me as his, completely against my will 👉👈 But he protects me against the bad evil sexual women (who I assure you, I am TOTALLY sexually attracted to, as any straight man with a choice would be) but trust me, I do NOT want ANY of this. What’s that? The Count is not capable of feeling love? Would be a shame if I had the special ability to change tha-”
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galactic-academia · 1 month
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galactic-academia · 2 months
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There is a fury to Terry Pratchett’s writing: it’s the fury that was the engine that powered Discworld. It’s also the anger at the headmaster who would decide that six-year-old Terry Pratchett would never be smart enough for the 11-plus; anger at pompous critics, and at those who think serious is the opposite of funny; anger at his early American publishers who could not bring his books out successfully.
The anger is always there, an engine that drives. By the time Terry learned he had a rare, early onset form of Alzheimer’s, the targets of his fury changed: he was angry with his brain and his genetics and, more than these, furious at a country that would not permit him (or others in a similarly intolerable situation) to choose the manner and the time of their passing.
And that anger, it seems to me, is about Terry’s underlying sense of what is fair and what is not. It is that sense of fairness that underlies Terry’s work and his writing, and it’s what drove him from school to journalism to the press office of the SouthWestern Electricity Board to the position of being one of the best-loved and bestselling writers in the world.
It’s the same sense of fairness that means that, sometimes in the cracks, while writing about other things, he takes time to punctiliously acknowledge his influences – Alan Coren, for example, who pioneered so many of the techniques of short humour that Terry and I have filched over the years; or the glorious, overstuffed, heady thing that is Brewer’s Dictionary of Phrase and Fable and its compiler, the Rev E Cobham Brewer, that most serendipitious of authors. Terry once wrote an introduction to Brewer’s and it made me smile – we would call each other up in delight whenever we discovered a book by Brewer we had not seen before (“’Ere!’ Have you already got a copy of Brewer’s A Dictionary of Miracles: Imitative, Realistic and Dogmatic?”)
Terry’s authorial voice is always Terry’s: genial, informed, sensible, drily amused. I suppose that, if you look quickly and are not paying attention, you might, perhaps, mistake it for jolly. But beneath any jollity there is a foundation of fury. Terry Pratchett is not one to go gentle into any night, good or otherwise.
He will rage, as he leaves, against so many things: stupidity, injustice, human foolishness and shortsightedness, not just the dying of the light. And, hand in hand with the anger, like an angel and a demon walking into the sunset, there is love: for human beings, in all our fallibility; for treasured objects; for stories; and ultimately and in all things, love for human dignity.
Or to put it another way, anger is the engine that drives him, but it is the greatness of spirit that deploys that anger on the side of the angels, or better yet for all of us, the orangutans.
Terry Pratchett is not a jolly old elf at all. Not even close. He’s so much more than that. As Terry walks into the darkness much too soon, I find myself raging too: at the injustice that deprives us of – what? Another 20 or 30 books? Another shelf-full of ideas and glorious phrases and old friends and new, of stories in which people do what they really do best, which is use their heads to get themselves out of the trouble they got into by not thinking? Another book or two of journalism and agitprop? But truly, the loss of these things does not anger me as it should. It saddens me, but I, who have seen some of them being built close-up, understand that any Terry Pratchett book is a small miracle, and we already have more than might be reasonable, and it does not behoove any of us to be greedy.
I rage at the imminent loss of my friend. And I think, “What would Terry do with this anger?” Then I pick up my pen, and I start to write.
Extracted from Neil Gaiman’s introduction to A Slip of the Keyboard: Collected Non-fiction by Terry Pratchett
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galactic-academia · 2 months
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ROBERT DOWNEY JR. wins the award for Best Actor in a Supporting Role at the 2024 Oscars
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galactic-academia · 2 months
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that james baldwin quote where he says, “it took many years of vomiting up all the filth i’d been taught about myself, and half-believed, before i was able to walk on the earth as though i had a right to be here.”
#ah
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galactic-academia · 2 months
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"Nice characters are boring" to YOU. I love characters who no matter what, will always have genuine love for humanity in their heart. Characters who dance and laugh and sing with sincerity. Characters who believe in others, and are willing to extend a helping hand to people when no one gave them the same luxury. Characters who have gone through so much but believe, no matter what, that humanity and life is something beautiful and worth protecting
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