goodoldfashionedloverboysstuff
goodoldfashionedloverboysstuff
you make stede happy
248 posts
OUR FLAG MEANS DEATH ADDICT | GOOD OMENS 2 SUPREMACY | classic rock stan | multifandom | kinda random
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#as if
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I was just now debating who should receive my therapy bills for the kiss scene in ep6...
Ofc there is David Tennant, full of desperation, grasping at straws. We cannot see his eyes, but we know damn well that they are watery and full of fear and awareness that this may be his last chance.
But then there is Michael Sheen whose conflicted attitude already prompted me to write a (not so) short analysis in my notes. Aziraphale whose yearning and longing for Crowley is so palpable, whose hands look for some sort of contact and embrace, whose pain we can see so clearly when he pushes Crowley away and whose entire body language is just filled with dilemmas, with antonyms, whose internal conflict is so tangible.
And then there is Neil, the mastermind. The one who is there pulling the strings. The one who made this scene a parallel of the scene from s1 where Crowley pushes Aziraphale to the wall, saying "I'm not nice", but this time he just wants him to understand, that Aziraphale is nice, more than nice, moreover that Crowley MAY BE nice, but they are just not fit for Heaven, they belong only in eachother. And the hurt after Aziraphale doesn't accept this unspoken but so clearly communicated argument...
In conclusion, they should just split it
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if someone wants to share the spoiler...well my DM's open
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DOES ANYONE HAVE THE "EVERY" CLIP? DM ME PLSSS
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Humbly asking for a cheeky Staged 3 GoogleDrive link if anyone has one… 🙏🏼🥺
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I CANT OPEN THE DRIVE PLEASE SOMEONE HELP!!😭😭 gimme the link or the video pls
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Screams forever
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Masterlist of Taika/Rhys content I’ve posted on tumblr
Because I do so love archiving things.
(If putting anything on Twitter, especially photo edits/vid compilations please give proper credit)
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Videos
Compilations (do not repost without credit)
Us Against the World: Interview compilation part 1
We’re in this Together: Interview compilation part 2
We were there for each other: Interview compilation part 3
We have similar souls: Interview compilation part 4
A Taika gushes over ofmd & Rhys 15 min supercut
Rhys + “the managerial role”
Rhys + “the managerial role” - the WWDITS edition
Rhys & Taika + working together
Taika + Rhys + “perfect”
Taika + Rhys + “great(est)”
Yet another casting related compilation
“Taika and I get each other’s vibe” -Wilderpeople bts compilation
“Do i ever make you laugh that hard?”
“It’s one of my favorite scenes in the film, because of him” - What we do in the shadows directory commentary compilation
Taika + the most fun being with Rhys
“You weren’t acting there, were you?” - in which the FYC q&a is like an established relationship romcom
Clips
“I never want those moments to end”
Rhys and the blackbeard bar & grill scene
“I was doing an erotic dance for my friends” vibes
“It was always the most exciting - for me- when it was just me a Rhys”
“We’re gonna work together forever. I know that.” 
“Having Taika there made it easier to do. Because we’re in this together.”
“Put your Kraken arms around me… and take me… and squeeze me”
“This is all perfect” | full version 
“The parallel between fiction and fact and life and creativity was so close”
Rhys discussing 2002 Fringe Fest and Taika
“We met on the comedy circuit in New Zealand”
“To trust each other”
“I spoke to you bro!! 🥺”
“He invites me into his special tent” (private 🔒)
Rhys discusses OFMD beginning of filming (private 🔒)
Rhys discusses adjusting to the filming schedule & guest stars (private 🔒)
Compilation of Rhys’s OFMD talk on The Cryptid Factor (private 🔒 )
“When’s the werewolf question coming up?”
“I only come here for the ring toss!”
Wilderpeople Sundance compilation
“One of the reasons he probably said yes is because he was opposite me”
Rhys discusses being cast in ofmd
“Finish each other’s sentences”
“I DO take direction well!”
“We had a each other to lean on”
“There’s just this synchronicity between our brains and the way that we act or improvise where we always seem in tune”
Rhys discussing scenes with Taika and next goal wins
Taika discussing Rhys during Wilderpeople DVD commentary
the FYC private foot tap
Other Collabs
Rhys’s part of 2015 Taika directed charity vid
Rhys in Crazy Domains commercials directed by Taika
Audio
“I love how he makes movies, he’s fucking fantastic”
“I always knew i’d end up working with Rhys. I always do.”
Rhys talks being directed by Taika
“We really dig a lot deeper in this show to get into the psyche of these two characters” (Takes place right after the above audio)
“Thanks, Taiks!”
“I love him”
Taika on being able to have fun acting, fanart, and s2
David and Taika discuss the romance aesthetic and the end of episode 1
Rhys discussing his ghost experience at 2002 Fringe fest
Rhys discussing early comedy days with Taika and next goal wins from 2020
WWDITS Australian promo tour compilation
“He’s an amazing artist and I’ve seen everything he’s done”
“We haven’t changed who we are.”
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Picspams
Keep reading
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The Art of Buggery
Strap in, my very dears. We’re getting cheeky today. All of this has been a mere preamble to what I really want to talk about: the “you wear fine things well” almost-kiss and what follows after. I know it’s Word of God that Stede is unwittingly and unintentionally seducing Ed, and I've seen others talking about how confused Ed must be about all of Stede's mixed signals. I’m not convinced Stede is so guileless as all that. In fact, I think he’s thirsty af, and I have receipts.
So let's set the stage prior to the Moment. We’ve had a very full day for the boys, and watch them making good on their bargain to show one another their respective worlds. Ed takes Stede on a proper raid, and while they’re there, Stede avails himself of the captain’s dining service to teach Ed about the pageantry of dining. Then the French captain has to open his vile mouth and spit poison into Ed’s heart. Even after Ed’s initial fight-response reaction, the sting stays with him, sending him into an emotional flashback, 
His mother shows him the scrap of silk she stole - tells him that it’s God’s will that some people should have fine things like this, and some (them) shouldn’t. But is it not by the grace of God that she didn’t get caught taking it? So she could bring it home and give it to Ed? Doesn’t that mean that God WANTS Ed to have nice things like this? Doesn’t that mean he’s just as good as those fancy people on the estate? Then Frenchie shows up. He’s got an invitation! To a fancy party for hoity-toity people! And Ed immediately lights up. He’s anxious to put all of Stede’s posh lessons to the test, but even more, he’s emotionally raw from the French captain’s insult and desperate to prove him wrong and fulfill the promise of his mother’s scrap of silk. This is Ed’s Cinderella moment. They pull the big guns out of Stede’s closet and dress Ed in purple velvet and satin like a Phoenician prince with enough thread-of-gold embroidery and sequins to ransom a small island nation, the frothiest of impeccable white Mechlin lace, flowers in his hair and bows in his beard.
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And then it all goes to shit. Cinderfella’s metaphorical gown turns back to rags right in front of all of those fine people and they laugh him out of the party. Turns out he never belonged after all, doesn’t it? But wait! Here’s Abshir and Frenchie to unveil all the shameful secrets the hoi-polloi conceal beneath their finery and painted faces. And here’s Stede to work with them and hold his fellow fancy folk to account. Embezzlement and piracy are just two fancy words for stealing. Doesn’t that mean these hoity-toity people are no better than Ed? Maybe he’s even better in some ways? At least Ed isn’t fucking his sister.
But still the poison is under his skin, and he toys with his silk when back on the deck of the Revenge. Does he not belong with “those kind of people”? Does he not deserve fine things? And then there’s Stede. Telling him “I think you’re very sophisticated.” Telling him his tatty old scrap of silk is lovely, and “sometimes old things are the best,” gently pulling the silk from between his fingers, the tactile sensation as it slides across his fingertips soft and sweet as a lover's sigh. Closing the distance between them to tuck the silk over his strangely pounding heart. Telling him “You wear fine things well,” and giving him a smile so warm and sincere Ed feels himself melting into it. Maybe Stede is the fulfillment of the promise of his mother’s silk. Maybe Stede is the nice thing that he can have. He leans in.
Allow me a small digression as I unlock personal backstory for strangers on the internet. When I was a freshman in college, I went with some friends to a winter dance. As the music was truly awful, we spent most the night chatting amongst ourselves in a corner of the vestibule, but at one point, I broke away from the group to go get myself some punch at the table across the room. It was at this point that an unknown person grabbed my arm and dragged me beneath one of the arches that led to the dance floor. Reader, my brain froze. He stood before me and pointed up, which I robotically followed with my eyes. I noted that there was something hanging above our heads, but my frozen brain refused to decipher what it was. I looked back down, and he walked away. All of this took maybe 5 seconds, but it wasn’t until he was gone that my brain unfroze and I realized, “Oh. That was mistletoe.” Reader, I submit that this?
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Is “Someone wants. To kiss? Me??? Does not compute. Unrealistic. Computer, end simulation” brain-freeze face. Raised eyebrows, and jaw slack in surprise, not leaning in, but more importantly, NOT leaning away. In the stress of an unfamiliar situation (someone expressing desire for him, when everyone, his whole life through, has made it clear that nothing could possibly compensate for his many and storied deficiencies), Stede’s traitor brain opts for the Freeze coping mechanism that it turns to so frequently and RUINS EVERYTHING.
And this?
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5 seconds later, lips pressed together but not turned down, eyes soft and averted from where he’s going as though focused inward? That’s introspection face. This is his “Oh. That was mistletoe” moment.
And then he turns back! If he really was an “unwitting seducer,” oblivious to the vibe, why would he turn back? If it was the writer’s intention to convey that dynamic, it would more likely go something like: Stede blithely bumbles off to his cabin with a smile on his face, secure in the knowledge that, in spite of a rough patch, the night has turned out just fine, and he made his best bro Ed happy; focus shifts over his shoulder to Ed looking back at him from across the deck, longing painted plainly on his face. The fact that he looks back TOO implicitly signals that the pining is MUTUAL. This is Stede going “”Wait - that was a Moment! Maybe I can still…? No.  It’s over. Fuuuuuuuu….”
Which leads us directly into the Art of F**kery. Arguably? The horniest episode, with its surfeit of blades and masts and tentacles and insert your metaphor for penises here (no, a little to the left). A few quick tableaus overlaid with Izzy’s aggrieved narration and then we get to the first extended scene: swordplay between Stede and Ed. And, yes, “Advanced trick of the trade,” and “Stab me” and “How does one get it out?” and Izzy’s gay panic freak out about what he assumes he overhears, and all that ripe, delicious innuendo, but I want to focus on one very small moment that comes before all that. Ed’s parry throws Stede off his balance, finding Stede bent over a cannon, and Ed swiftly pivots before swatting Stede on his ass with the flat of his blade to which Stede exclaims:
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It’s a very deliberate choice of curse word in a show replete with fucks and shits, and liberally peppered with all manner of other invectives. Bugger is, by comparison, to a modern viewer's ears, a bit of a silly, old-fashioned kind of swear, which has lost much of its original weight of meaning, to the point where it would not be out of place in a children’s movie, out of the mouths of children (e.g. - “Bludgers. Nasty little buggers.” says Oliver Wood in Harry Potter and the Sorcerer's Stone, 2002). And, interestingly, it’s only employed three times in the whole of the first season of the show, twice in this episode, both times by Stede.
The first time, obviously, is during the sword fight as described above. I don’t think it’s a mistake that Ed swats Stede across the ass with his metaphorical penis and Stede’s mind jumps to “Bugger!” He missed his moment in the moonlight, dammit, and in the meantime, he and Ed have only been spending more time together and growing closer, and yet, still not as close as he so very desperately wants. Later, Frenchie is sent to collect Ed in advance of the fuckery. “So Captain figures that this will be the best view for you when they come aboard,” he says. And where is “this”? The nook where Stede’s bed is built into the wall. Stede thinks the best place for Ed to experience the fuckery is in his bed with the opaque draperies drawn. I mean to say, really. Abandon all subtlety ye who enter here.
Stede joins him after the preliminary scene on the deck, and this is where we get the second instance of “Bugger.”
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He’s referring to Lucius who has just cut off his engorged member finger and spurted across the faces of the unsuspecting Dutch. And yes, Lucius is the most unapologetic and (bravely) openly gay member of the crew, so the terminology is apt, but still. Stede has sectioned himself off from the rest of the crew with Ed mere inches from his bed, and what term springs to his thirsty, thirsty lips? Bugger.
But what clinches the intentionality of the use of the word bugger for me is this asshole:
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Stede’s word out of this scoundrel’s mouth, but now it has teeth. Now it’s unavoidably, unquestionably given the weight of its original meaning. And in doing so, it recontextualizes the times when Stede was using it earlier.
Just before Jack drops this bugger bomb into Stede’s psyche, he asks Stede what’s going on between him and Ed. Stede’s face is solemn, almost sullen; his brows are drawn, eyes downcast. Then Jack asks if they’re buggering one another, and Stede’s eyes FLY open. Remember, he’s not a delicate flower who fusses about cursing, and this is a word he’s used himself, so it’s not the shock of hearing naughty language. He knows and loves his crew, so doubtless he has at least some idea what goes on below decks, so I doubt this is shock about the implications of male relations. No, I think this is the surprised face of a man who has had his secrets laid bare. And by this guy? THIS guy? This loud, vulgar lout has somehow READ his MIND and just put his deepest desire out there so casually? HOW did he KNOW? Stede has been SO. CHILL!
And, tellingly, Stede doesn’t say no. He doesn’t get nervous or insist that “it’s not like that” or “we’re just friends” or any of the no homo safewords we’ve come to expect from countless queerbaiting shows in the past. What he says is “I don’t know what you’re talking about.” in a light, offhanded way, which is rich, white dude for “I am not going to talk about this with YOU.” And when Jack tries to bait him with implications about his sexual history with Ed, Stede says “Ed’s past is Ed’s business, and I respect that.” He clearly has no problem with Ed being intimate with other men.
His problem is believing Ed could ever want that with HIM.
Yes, they had that Moment in the moonlight, but Ed had quite a lot of champagne at the party, and was emotionally vulnerable, and Stede was just being SO SLUTTY and OBVIOUS, wasn’t he, and Ed pulled himself back anyway, didn’t he? And Ed has credibly threatened to kill Stede TWICE since then (pulling a gun on him when Stede was reluctant to run him through, and then the whole confession in the bathtub). And so what if he’s flirty with Stede? He’s just a flirty guy. I mean, the others didn’t see him at the party, so full of esprit, so charming, that even brother-fucker Antoinette said he could finger her dents any time like an absolute TROLLOP.
Consider the scary story Stede tells the crew the night before Ed shows them how to stage a fuckery. What does he find scary? What’s his greatest fear? A weird, old guy who no one likes, and no one wants to kiss.
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(my sweet baby boy. Please stop telling on yourself. Also, can we please take a moment to appreciate the HARD side-eye Lucius is giving Ed here? Epic.)
So it’s not that Stede is an unwitting seducer, or even that he’s the king of mixed signals. It’s devastatingly low self esteem come to ruin the day once more. He wants Ed SO BADLY, that it’s spurting out of him in ways he can’t control, and is apparently obvious even to the most casual observer, But a gentleman doesn’t press his suit unwanted. And who could possibly want a weak, soft-bellied, yellow, craven, weak-hearted, soft-handed, lily-livered little rich boy like him?
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IF I SPEAK-
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You make Stede happy
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enjoy!)
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The word "seduced" can have such an interesting negative connotation because it implies that it's being done intentionally against someones will for self serving purposes. That's how Izzy sees what Stede's done to Ed, that's how Badminton sees it, and that's how Stede himself sees it when he realizes what he's done.
That guilt that you've nefariously lured someone into loving or desiring you is so steeped in the history of homophobia as well because queer people have been painted as predators who seduce others into the "lifestyle"- how many kids come out to their parents who blame the crowd they hang around. how many gay men are assumed to be child predators. how many butch lesbians are blamed for "stealing" men's girlfriends or wives. Even though Stede KNOWS that Ed is already queer, he cannot shake the thought that he's tempted his best friend into something sinful, rather than believing Ed has the autonomy to simply love him back.
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some people out here talking about how Stede was just one hundoes oblivious about the sexual tension or feelings until ep. 9 or 10…
but, like
the opening of episode 2 is explicitly him imagining an almost comically large codpiece on ✨☠️Blackbeard☠️✨ and, like, if we are to imagine the camera as his inner eye in this moment… that pan-up shot lingers. it is very noticeable. there is a skull dangling off of his belt so that it rests against the codpiece…
in the moonlight, Ed is looking at Stede and his breathing flutters and he nods to himself, psyching himself up to act on what he thought was an obvious come on, and goes to move in. and then Stede makes a little “oh?!” face, a small, sharp, slightly surprised intake of breath. that tiny shock of recognition is what scares Ed off from following through, why he has to wait for Stede to look away at the beach before he goes in for the proper kiss. Stede felt it, he just couldn’t believe it, and then it’s okay yup night night.
when Calico Jack asks if he and Ed are buggering each other or what, it isn’t the concept that shocks Stede, it’s the impropriety of the question. also, directly comparing how attractive he himself is to Jack upon confirmation that Ed does the sex with men. the thought of being with Ed (carnal) seems very much to have crossed his mind.
when Ed kisses him, he almost immediately recognizes what is happening, leans into Ed with his whole body, brings his left arm up behind Ed’s back to draw him closer. he is ready and he does not hesitate. he only wavers once there’s been time and external pressure for the dread of expectation and self-loathing to kick in.
with Mary, Stede isn’t asking what it’s like for her to be in love with Doug, but what it’s like for her to be in love with Doug; that is the experience she describes. he already knows he and Ed love each other…’s company. and they’ve already kissed, he knows that they’re attracted. he didn’t know they were in love.
the fact that he is a little horny gay is absolutely present in Stede’s mind somewhere. he simply tries really hard to not think about it directly because he genuinely believes that nobody could really ever love him, regardless of sexuality or gender. and so he just writes off all the UST he feels as his overactive imagination. the revelation is that he’d really managed to find mutual love.
whoops that was like 5 times longer than intended…
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rip Edward teach.NO RIP ALL OF US😭😭😭😩😩
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I see the take on here a lot that the kiss in ofmd isn’t passionate because of the awkwardness.
I do think that the awkwardness feels natural and real in a way that’s beautiful. But I have a slight counter-take:
I think this kiss is actually incredibly passionate. Ed in particular has a pained look on his face at first contact. I’ve never had the experience of already knowing I was in love with someone before I kissed them for the first time, but man that has to be intense as shit. Like sensory overload, getting to be that close to someone, not as a trial “am I into this person?” way but already knowing “fuck I am in love with this person.” And even if Stede hasn’t cognitively realized it yet, he’s gotta be feeling it to his core.
I don’t think either of them could have handled a deeper kiss in that moment. That light touch is profound enough.
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