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We looked inside some of the posts by grad604-jasdeepdhaliwal and here's what we found interesting.
Average Info
Notes Per Post
1
Likes Per Post
1
Reblog Per Post
0
Reply Per Post
0
Time Between Posts
3 days
Number of Posts By Type
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17
Last Seen Tumblr Blogs
Fun Fact
The “We are the 99%” Tumblr blog became the slogan for the Occupy Wall Street movement.
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Second Formative
Draft of your poster - Print Out
Max 2000 words - 10% less is minimum
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Themes in my Objects
Categories
Symbolic
Value
Cultural
Backstory
Place
Characteristics
Material
Symbol/idea
Defined
Influences
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Project Development Intensive
Elements/Objects
Symbolic
Values
Cultural
Religions
Sustainability
Media
Place
Context
Environmental
Politics
Gender
Well being
Graphic elements
Communication
strategies
characters
How effective is your graphic system in classifying your elements. and communicating their stories and meanings (both individually and collectively) to an audience?
Copy Writing
explain the origin of the element?
Where did you get this element from?
Why is the element significant?
How is this element significant to your creativity?
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A2 Poster Montage and inventory
A diptych A2 poster of 20 elements montaged as a designed artefact
Paired with a contextual inventory of each element
It must include your name:
What does that look like?
Presenting your research findings and practise:
(Joseph Kosuth - example of ideas of representation - 3 contributing factors)
Montage to assemble
What system are we going to start to help us position a platform?
Select a graphic system
Ideas that relate to my practise: (how I can present my work)
Look at mimicking a typeface specimen sheet - maybe in a pop way
In a scientific way
Informational graphic
Experimental publications
Materiality
Grid and juxtaposition
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WK 7 Lecture
What we were assessed on?
Contextual Enquiry
Investigating - Delve deeper into our artists rather then finding ones that are introduced to us
Research Skills
Communicating - Didn't unpack where the images actually came from and the underlining message they've created the work/how they created the message into the work
Critical Analysis
Reflecting - why is a certain artist useful, why is a particular colour important, justification on pieces of work when reflecting on others work
Synthesis
Integrating - research methods/methodologies
How are you addressing these questions?
The Creative
Who is doing the creative practise and underpinning research?
Who am I as a creative?
What are the influences on me as a designer and where do they come from?
The Creation
What is the nature of my communication design practise?
What key themes, ideas are speaking in or through my work?
What specialist subject knowledge do I want my work to convey?
Are there specific techniques and crafts within my practise?
How do my environmental?
Creative Communities
Who inspires your work?
What excites you in the design and creative communities you follow?
Who would you want to work with?
Look at contemporary designers in Aotearoa, and globally as well as examples of historic influences, asking how legacies of design history and theory impact of creative community today.
What is the relationship happening with the time and place, investigate further in terms of context, how can you connect your context with others.
Objects of significance and how they're produced, push ideas further.
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Feedback from presentation
What's working good
Good logo design
Like your blue and hand drawing
Strong use of typography
Cultural Identity - Mental Health - Combine these
Clean design
Abstract
Really well presented
Clear design style
Good use of design terminology
Illustrator suits my sort of style
Can see the relationship between your practise and your inspiration
Social change - theme
Playful
How to progress further
The black poster can be bolded
Pattern research?
Try play more on illustrator
Try on typography
Feedback to myself
Add a bit obvious text/caption - presentation - visually clear on when it was made etc.
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Formative Presentation
How I connect to these designers as a whole is the themes behind their designs, sadness, using humour, culturally significant on wanting to make an impact as well as their styles such as typography being the vocal part and bringing abstract illustrations combined with typography.
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What is material thinking?
Material thinking is the process of turning ideas and fresh insights into works of art using your own experiences and mental imagery.
Making to see how we think
Relationship between the maker and material
Mental fibre
Choose one of the creatives from the lecture and describe their material thinking?
David Sinfield - Typography + Film David's material thinking is using the human condition.
Environment + setting
How can material thinking be seen through your own work?
My work is very simplistic either if its typography or if I'm included illustrations although I try to make it abstract and get away from that clean look.
How would you reference the reading from today? Bolt, B. (2006) Materialising pedagogies
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WK 5 Lecture
Methodolgy
Research Paradigm = The reasons behind your method
The group of ideas that inform your work - "framework and motivation behind your work."
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20 Objects
Showing my identity through Punjabi Sikhi culture
The space between.. grew up in western culture although my parents were raised in India, Punjab
Hockey stick
Salwar Suit
Phulkari Duppata
Photo of my grandpa
Kajal
Belna
Turban
Khanda
Nose ring
Henna
Punjabi Handwriting
Gold jewellery
Bindi
Long hair/parandhi
Kundha
Steel utensils
Peacock Feathers
Manjha
Jhanjher
Punjabi Jutti
Explain why and how these objects show who I am.
Think about the stories behind the objects
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New Inspirations for my creators
Aakifa Chida - Graphic Designer (New Zealand creator)
I was so intrigued when I saw Aakifa talk about her work in the lecture today as this is the route that I want to go to when I design my work and that I feel like also speaks back to me because as I'm trying to research more about Punjabi graphic designers I realised there's not many designers that I can get inspired and although Aakifa is a different religion I love how she shows her belonging of her culture through clean illustrations and proudly represents her cultural writing and getting more into depth and actually exposing how in different countries thee crimes society creates towards the islam. I feel like there aren't many Indian designers overall where these issues can be talked about from a design perspective where it easily catches eyes and attention and I love that this is the direction she went towards as it's very broad but she took control over it very well through her project. I also just love the type and illustration combination that she used throughout her publication as I myself love creating publications.
Rupi Kaur - Poet + illustrator (Practicing today)
Although Rupi Kaur is a poet she does incorporate small line drawing illustrations which I have slowly started to enjoy designing, but its her poets that related to me more on a deeper level within my culture that made me pick her as one of my creators. Rupi herself is a Punjabi women who had come from an immigrant family herself which is why I feel as I relate to her so much as she tries to show that we aren't alone in experiencing this in a 'desi' household. Even her abstract use of illustrations I can take this inspiration through when I create my poster and how I layout my artefacts. Besides her actual work Rupi as an individual as she feels like your mother or you feminine solder sister when your reading her poets.
Stevan Sagmeister - Graphic designer + Typographer (Practicing today)
I've been inspired by Stevan's work since I was in high school but growing in the design area as compared to thigh school I've also expanded on why I really feel inspired by his work. I love that he expresses his expressions through typography and photography images and the fact he actually uses himself through these projects. As much as I love my work to look clean I love the feel that there's more of a human touch to the work and that's where the handwritten typography comes through and pen/paint marks that are seen in some of his pieces as scribbles and especially for this project of showing my identity as a creative I feel like I use my Punjabi Sikhi handwriting and incorporate them into my pieces. Also my goal for this project is to use real life imagery and although I don't want to use a grid system, I want to attempt combining handwritten typography like Stefan with real life images.
Joel Kitto - Graphic Designer
This project that Joel Kitto worked on with Stevan McCarthy is one of my favourite projects as not only how society got to engage with the pieces but again knowing that it just looks like it's got the human touch and I wanna explore in using bright neon one colour palette, sometimes less is more and that's what this project reminds me of. Not every poster has to be ideally identical when the design system is into play, you can have fun and spread just as a meaningful message.
Bob Gill - Graphic Designer (Dead)
Bob
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Presentation
What are things that influenced you?
Creative communities that influenced you
How do you create?
Week 12 Formative - Draft poster
Summative - Poster and essay (2 parts) - 2 xA2 sheets
MIND MAP
Websites
Mentor
Teachers/family
Images of your work
Selected practitioner works - creative community
My curiosity map
Be sure to identify all images that aren't your own, with captions:
Include draft versions of your A2 poster designs
Creatives - examples of your work
Creators - Influences
X1 NZ creator
X2 Practising today
X1 historical/retired/dead
Communities - that you want to be part of - Eg NZ Health Foundation
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What did you find out about them?
Desna Whaanga-Schollum (Chairperson)
Study and expression of cultural identity
She works on projects with a variety of communities, business and design experts, artists, and academics to produce outcomes that affect people, practise, and place.
Actively engaged in Maori identity design, debate, and stakeholder engagement in Aotearoa.
Tyrone Ohia
Creative Director and Founder of Extended Whānau in Tāmaki Makaurau (Auckland)
Raised in Whanganui but from Tauranga
Computer Graphic Design at UCOL
Worked in various design studios in Wellington
Part of the award winning team the alt group (recognised at NZ best awards)
Now living in Japan
Visual identity for the Toi Tū Toi Ora: Contemporary Māori Art exhibition
Created some reo Māori resources for everyday uses in our lives
Creates work for the similarity between the Maori and English language and people
Graham Tipene
Ta moko Installlments
Culture and identity
Johnson Witehira
Zoe Black
How does this group of designers EXPAND your understanding of design?
More culture into our own surroundings
Do you use culture and identity in your own work and how?
Mythology
Use patterns
The space between.. grew up in western culture although my parents were raised in India, Punjab
SELF
Emotional
Physical
Social
Environmental
Spiritual
Mental
Communities behind our artwork
What is your why?
5 works
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WK 3 Lecture
How we find our content for our research?
Level 5 and 6 in the library - 741.6 -Graphic Design
Broad searching
Library Search (articles, databases)
AUT Google Scholar (academic/scholarly writing)
Google (try internet archive for primary material)
Subject specific searching
Bloomsbury Design Library (articles from design encylopedias)
Artstor - Databases in AUT library (Galleries, museums - history research)
Image/multimedia
Jstor
Kanopy
Digital NZ (NZ based designs)
Nz research.org
Example Search:
Tactile Picture Books < Critical idea
Building a collection of keywords that relate to these ideas
Tactile - Sensory, body, pressure, interactive, blind, visual impairment
Picture books - Board books, children's books, pop up books, illustrated books
“ Put in quote marks in your phrases to get the most accurate search ”
Jump from one source to another
Check reference list/bibliography
See who else has cited his work at AUT google scholar
The author
Check abstract/introduction for keywords
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