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I was surprised to find that many people didn't notice that Pag had a pigtail?

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Musician quotes but Florida men ranking...

（From the "High Tier" things gradually becomes more bizarre...）

inspired from wikipedia every-day quotes, some of them were too sacrilegious and it's hard to understand why they're famous...

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Counting Stars

(the song fits him and fits the day.)

(It's too rushed but I finished, I cannot express as clearly as I thought.)

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Translated and drew a drawing-game template.

The original pictures↓

Some blanks have references (the concert of Young Joachim, portraits of the deaths of Paganini and Sarasate, and "May 3, 1808" by Goya)

Other characters: Brahms and Amalie (Joachim's ex-wife)

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La Chimera

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Sarasate 2025 but I finished this drawing in Febuary.

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made some emojis recently, I will continue...

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Water disappears in water

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copy old picture

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Pag of my friend's story Generation V

The worldview on twitter:

originally created by @진림

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have seen this meme before but a version that is more suitable for the violinists

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9.20 Sarasate's death

Fake Blossoms & Strangled Orphelia.

It was said that Sarasate wasn't really dead of emphysema but was murdered. Multiple bruises were found on his neck before his death and no autopsy was conducted. The reason was unknown but have connection with his will.

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Some supporting roles：

Miguel & Amalia

Both of Martha's parents were born into wealthy families. Her mother was a baroness (originally surnamed Lopéz), and her father was a cabinet member. He was also good at music and was often invited to various royal activities. They were very good to Martha, and she inherited their excellent musical genes. They had sufficient financial resources to support her music, but they did not seem to really understand that their daughter's love for music was not just a hobby. They still hoped that she could help her father to sort out and organize his materials and ancient books, and thought that it would not be bad for her to read more of those books. Martha was steady and showed a relatively precocious personality. They trusted her very much and relied on her to take care of the family affairs in the future. The couple had a very close relationship and relied on each other.

Miguel had joined the army, and it was not easy for him to come back alive. He knew the pain that war would bring. He was politically anti-war & conservative. In simple terms, his personality was also the type of meek and submissive man.

Miguel would think twice before making any important decision, but sometimes he would think too much and would need the advice of his wife Amalia. Amalia behaves like a strong woman in public and can handle various affairs skillfully. But she is also a gentle and loving wife and mother, and has very high expectations for her children.

Marino

Marita's younger brother, a writer and critic, is 5 years younger than Marita. He is kind and gentle, and likes his sister very much. He understands his sister's musical dream and treats her loyally. He is used by Tonio because he wants his sister to succeed.

Camilo & César Sancho

The two sons of the local church organist.

Camilo is fond of mineral research and specimen preparation, and has put a lot of effort into it. He has read a lot of books and written many articles, but he has not made any great achievements. The good thing is that the articles he writes are well written, and later he became Marino's colleague. Camilo was stubborn and believed that he had to be a great and noble man. He had high moral standards (but he could not always do it). He also had an inexplicable idea that sacrifice would be respected (probably related to the death of his younger brother). Caesar was interested in poetry and drama and had some talent. He sang in the choir in his early years. He was born with a serious lung disease. He was a little timid but had a good mind. After he became an adult, he began to concentrate on his opera career. He was not only an excellent actor, but also a director, screenwriter, and costume designer. When his career reached its peak, he faced countless commissions and invitations. He was overly anxious and smoked a lot of tobacco, which aggravated his condition and caused him to die young.

Maximo Blanco The son of Miguel's colleague, he looked a little serious. When he was a child, he often sneaked to the church with Marta to play with the Sancho brothers. Influenced by the other three, he also had the idea of ​​​​opera, so he gritted his teeth and wrote scripts, but gave up because he couldn't hold it in. Later, he followed his father and became a politician in a proper manner.

Giuseppe Giordano Born in a bourgeois family, he is considered a drinking buddy of Tonio, but he is not inferior to Tonio in violin. He is jealous of Marta's talent, just like Salieri's jealousy of Mozart. Later, he learned that Tonio and Marta were "having an affair" and became even more resentful, but he did not dare to do anything blatantly. He just secretly tripped Marta up everywhere and did not want Tonio to get close to Marta. Tonio co-funded a theater with him and invited him to be the honorary manager. After that, he became more suspicious and felt that everyone was plotting against him. In the end, he even began to suspect that his wife was unfaithful, but he always asked Tonio. The two always quarreled and reconciled (because they were forced to ask each other for help). The last quarrel between the two occurred on the eve of the theater's closure due to Giordano's reasons. At that time, Tonio could only pin his hopes on Marta. But one day after that, Marino discovered the truth and had an argument with him. Under the double blow, Tonio announced that "Paula Solano is dead".

Federica Crespi Tonio's student, also considered a talented violin player. After Tonio and Marta became acquainted, Federica met Marta by chance, but she told Marta that she was about to leave Tonio, she planned to give up the violin, study medicine, and become a nurse. In fact, she was always thinking about the violin and Marta. She had the ability to derive many different melodies from a melody, and she would write some difficult pieces and then label them with the names of classical composers to pretend to be famous pieces - Tonio had never done this.

Juan Alvarez Marta's violin teacher, professor at the Conservatory of Music, was also a famous musician when he was young. He had a wide network of contacts and was familiar with an heir of the Stradivari family. As he and Marta met more and more, he gradually began to say that he could no longer teach Marta because she could not learn anything from him (the original meaning of this sentence was that Marta's skills were already very mature, but some people with ulterior motives misinterpreted it to attack and ridicule Marta). Of course, this was just his subjective opinion. Objectively speaking, he still taught Marta many qualities that musicians must have.

Miguel & Amalia referenced to Sarasate's father & Emille de Lassabathie.

Camilo Sancho referenced to Saint Saëns (if without talent),

and César Sancho referenced to Bizet & Pergoleisi.

Maximo Blanco referenced to Bruch (if hadn't pursued a career in music).

Giuseppe Giordano referenced to Joachim.

Federica Crespi referenced to Kreisler.

Juan Alvarez referenced to Jean Alard.

details of my two ocs

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Sarasate& his quartet

Sarasate& Saint Cecilia Orchestra

Sarasate at the beach of Biarritz

Cigarette card & portraits

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L'Esprit/ Manaña/ Etoile