Sus, 40s, London-based, Australian-born. BtVS, 18th Century anything, OTT 90's action movies, costume dramas, Veronica Mars, The Police, The X-Files, Joan Jett, selected films of Ridley Scott, bluegrass, hot tea, cold lemonade, Shakespeare, Jane Austen, Philip Pullman, Patrick O'Brian, the teen movie oeuvre from any decade, the first 2 Terminators, ditto Alien(s), Viggo Mortensen, Indiana Jones and Dorothy L. Sayers. [disclaimer: not the HV who writes fic on AO3 or FF. Same handle, different animal]
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June was dying among the roses, the hedges were darkening to a duller green; the blatancy of red brick sprawled along the highway was a reminder that the present builds inexorably over the empty fields of the past.
Dorothy L. Sayers, Gaudy Night
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persuasion (1995) dir. roger michell
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Woman’s Day, June 1976.
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I'm sorry, I just cannot get over Ratthi's face when Murderbot sasses Pin-Lee
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Whose blood is this?
#constance and d’artagnan in this show are really something#the musketeers#baroque boyband#urge to rewatch INTENSIFIES
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I just want you to know I went and watched Saving Grace tonight thanks to your post and it was absolutely delightful. The music, the town, the surprise Bill Bailey, the best pair of sproingy fake glasses ever put on screen. I loved every minute of it. I want to make a double feature evening and watch it again with Greenfingers immediately
OK so I just want YOU to know that this ask a) made me realise Saving Grace and Greenfingers were both released in the same year?? What a year for Gardening & Crime movies! There was something in the water!
and b) it made me go and rewatch Greenfingers just now, what a great double feature idea. Absolutely prime early-career Clive Owen. Post those breakout British TV roles, pre-Gosford Park, working that classic Clive Owen vibe of 'the less he says, the more magnetic he is'. He's 50% legs, 50% wordless intensity, and the suggestion (though rarely demonstration) of violence. Also Helen Mirren is there! And lots of shots of high summer Cotswold gardens.
Saving Grace though - absolutely everyone, every side character, every bit part, literally everyone on screen is TOP SHELF. Watch Craig Ferguson (also writer!) go off on some spectacular high speed scottish rants! Watch Phyllida Law get absolutely shitfaced! Watch Diana Quick be Diana Quick! Martin Clunes literally launching an entire 'doctor in Cornwall' TV franchise with the strength of his scenery eating! Technically sold as a comedy but like all great British ones it's a little bit sad, and there's a bittersweet shadow sort of creeping in at the edges, which just makes it more lovely.
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Practical Magic (1998) 28 Days (2000)
#1) sally creeping around the door jamb like that is iconic#and 2) re: 28 Days I can HEAR alan tudyk as gerhardt wailing in that florists#‘I DONT EVEN THINK HE LAAIKES MEEEEEE’
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Saving Grace (dir. Nigel Cole, 2000)

I can’t believe your friend fainted. Do I look like I would cut someone’s finger off?
…Oh, yes.
Thank you.
#no one in the history of all cinema has anyone looked at someone with such immediate and profound attraction#as tcheky karyo looking at brenda blethyn in this little ealing-esque comedy#about a widow in a cosy cornwall town growing insane amounts of high quality pot to make ends meet#she slaps him at one point and I swear you can see his eyes dilate he is INTO HER#goddddddd I have such a situation about this little seen british ensemble caper from 2000#and the protagonist’s INSANE chemistry with a guy who’s in it for 10 minutes max#INSANE CHEMISTRY#saving grace
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Gardens in the remains of the medieval tithe barn, Sudeley Castle, Gloucestershire
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#dude screenwriters think because marion and indy have a combative dynamic that they can write bickering romance#but they cannot#and they just end up writing ‘two people who show clear irritation’#which - shockingly - doesn’t read as romance to a viewer#so they think they’re writing han and leia and they end up with jurassic world#‘but look! they’re contemptuous and dismissive! and they do the yelling! i did a romo yes?#no. you did no romo.#you missed the key leavening agent which is vulnerability#either TO each other (you saw something about me i intended to keep hidden! will you tell anyone else? drama!)#or ABOUT other (oh no the other is in peril i am distraught about it! because they are special!)#without any vulnerable baking powder in the mix you just usually just get flat shouty heteros#WITH vulnerability mixed into your stompy antagonism and you get rick and evie#or indy/marion or han/leia or beatrice/benedick or elizabeth/darcy#who all have that key ‘i am able to be hurt because of you’ moment on screen at some point#they get sad! or embarrassed! handle something badly and get humiliated! lost for words! disappointed!#(importantly none of these are aspirational situations or power fantasies for dude screenwriters)#(no one likes to be embarrassed - it lacks the immediate glamour of Cool Guy Anger which is a much easier 'bad' emotion to add)#the dude screenwriters who try and write a combative pair but refuse to allow any breathing room for a character to be upset in a weak way#all you get is sort of vaguely unpleasant people with little to recommend them - either to us or to each other#rick stole some archaeology tools for evie and nearly fell over while all 6-feet of him blushed from accidental feelings display#indy thought marion died at one point and sobbed openly in centre frame to a pet monkey for 5 minutes#your characters can shout at each other as much as you like and still read as a romance as long as there's exposure to *emotional risk*#leia yells at han like an absolute banshee but you ALSO see her embarassed when she falls on him and he sasses her#and she has no immediately comeback and is tongue tied and and she gets a moment on screen alone to be like 'goddammitttttt'#a private moment of just utter shame#which gives the shouting a stomping a context and fun frisson of romantic tension (as opposed to just like i-hate-my-coworker tension)#it's why her yelling at han and yelling at tarkin have fundamentally different energies - though admittedly equal volume
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Take my heart when you go. Take mine in its place.
Westworld season 2 episode 8 "Kiksuya" (2018) dir. Uta Briesewitz
#kiksuya episode of all time#and it's no use going 'oh i'll only watch the Good episides of westworld' and skipping the rest#because the eps like kiksuya are so great specifically because they play with what's already been established for other characters#and parts of the worldbuilding that you already take for granted#westworld
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“How’s your faith now, Templar?”
James Purefoy as Thomas Marshall >>> Ironclad (2011)
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wall tile with lotus flower, iran c. 1300-50.
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We always find greatness in the dead. In the end, we forgive them. I don't want anyone to forgive you.
#was wondering if it was just the ambient movie theatre high but I rewatched it via dvd/small screen and it’s still great!#so much fun! music! costume! textures! swashbuckling! revenge!#le comte de monte cristo
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I've often admired St Olaf's House, an Art Deco building near London Bridge, but today I had an exciting opportunity to go inside it.
Designed by H.S. Goodhart Rendel and built for the Hay's Wharf Company in 1931, the building now houses the admin departments of London Bridge Hospital. On the inside, there are lots of stylish Deco fittings, a cool stairwell, and a beautiful high-ceilinged boardroom that looks out onto the Thames. From its little balconies, you can get a close-up view of some of the decorative ceramic panels on the riverside facade.
#oh hey I know you! they have some diagnostic in there as well#source: me being diagnosed#these photos are great#I wanted to take some but only managed a few#london tag
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CHARLES FRÉGER
http://www.charlesfreger.com/portfolio/lepopee-de-jeanne-darc/
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