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''you do, awfully,'' the blonde cuts in, slipping into the space between dialogue and intermission, her presence sleek and yet carelessly ambiguous. she wasn't here just a moment ago, or was she? ''but listen, we can strike up a deal.'' swallowing down the sudden desire to laugh, like something sour, jo anne turns to catch alara's gaze, her soft, delicate edges tinged with mischief. ''everything that you don't want to drink, you can pass to me. i haven't had much to drink in any case, so it won't do me much harm. that'll keep your reputation and driver's license safe. ''
āopen starter ( event one )
āā āĀ Ā location : wicklow ridge's park , mid - evening .
it's not a common occurrence , to spot alara out in town past 9pm . well , it used to be when she was younger & had absolutely no obligations or worries but now at the age of thirty - two , while running a business & raising a 5 year old , things definitely took a different turn . which perhaps explains why she keeps on refusing any strong liquor tonight , opting for a non - alcoholic beer , despite her friends begging her otherwise . " who's gonna drive y'all home , huh ? somebody's gotta' , and besides , i was promised dancing not drinking until morning , " she stands her ground with a sigh , taking a sip of her beverage before turning to the person now beside her . " do i sound like a buzzkill mom right now ? i do , don't i ? "
#ļ¹ . ā ā š¹š¾ š°š½š½š“ š. šµ. ā āāāā ā threads .#ļ¹ . ā ā šš. ā āāāā ā alara balik .
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''i believe i only see a common starling,'' she murmurs in lieu of a gentler greeting, pausing to let the double entendre linger as she catches a glimpse of her own reflection on a polished porcelain plate from the corner of her eye. she laughs then, only a moment later, like a cartoonish cat that ate the canary, one vibrant, yellow feather still protruding from her mouth. ''they're quite beautiful, regardless of their size and black spots.'' it sounds rudimentary, half-hearted at best, of course it does, but that's because it is. it's not their beauty that she covets; it's the wings. ''it was probably the lemon sorbet. it's not what most people would call a proper meal, but i have quite an exquisite palate.''
⤿ open  starter  :  @ wicklow  summer  social
despiteĀ havingĀ livedĀ inĀ wicklowĀ ridgeĀ forĀ justĀ overĀ twentyĀ yearsĀ now,Ā thereĀ wasĀ somethingĀ aboutĀ eventsĀ likeĀ thisĀ thatĀ stillĀ feltĀ specialĀ --Ā theĀ gentleĀ warmthĀ ofĀ theĀ sunĀ againstĀ hisĀ skin,Ā theĀ soundĀ ofĀ chatterĀ andĀ laughterĀ --Ā itĀ wasn'tĀ somethingĀ you'dĀ findĀ backĀ inĀ theĀ frenzyĀ ofĀ inner-cityĀ london.Ā heĀ restsĀ backĀ onĀ hisĀ elbowsĀ whereĀ he'sĀ sprawledĀ onĀ hisĀ picnicĀ blanket,Ā stomachĀ fullĀ fromĀ oneĀ tooĀ manyĀ muffins,Ā eyesĀ trainedĀ onĀ aĀ trioĀ ofĀ birdsĀ onĀ aĀ nearbyĀ tree.Ā āĀ Ā downyĀ woodpeckers,Ā Ā āĀ heĀ thinksĀ aloudĀ toĀ theĀ nearestĀ person,Ā āĀ Ā veryĀ similarĀ toĀ theĀ hairyĀ woodpecker,Ā butĀ these guysĀ haveĀ smallerĀ beaksĀ ...Ā andĀ blackĀ spotsĀ inĀ theĀ tailĀ feather, see ?Ā āĀ heĀ watchesĀ forĀ aĀ momentĀ beforeĀ shakingĀ hisĀ head:Ā snapĀ outĀ ofĀ it,Ā davidĀ attenborough.Ā āĀ Ā anyway,Ā Ā āĀ sheepishĀ grin,Ā āĀ Ā what'sĀ theĀ bestĀ thingĀ you'veĀ eatenĀ soĀ farĀ ?Ā Ā ā
#ļ¹ . ā ā š¹š¾ š°š½š½š“ š. šµ. ā āāāā ā threads .#ļ¹ . ā ā šš. ā āāāā ā cillian sinclair .
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''oh, i'm afraid i won't be of much help,'' she says, swishing a gulp of her espresso in her mouth that, much like her demeanor, has suddenly turned cold. ''i'm not really a foodie.'' which is both simultaneously true and false, verging precariously on the thin line of dialetheism. for instance, jo has never derived any pleasure from the mere taste of eggs as well as minced meat, and she hardly favors soup, no matter the recipe, but her obsession with various sweets has always kept her sated; a trait, of course, she hopes has skipped her son. ''but my son dean really likes the strawberry cupcakes. so, maybe that'll help you narrow down the list.''
š¼š½š²š» šššŗššš¾š āŗāŗ ft. max st. james where: the great ridge potluck status: accepting replies
general displeasure surrounding his current situation had mostly been left behind in his room at the inn, tucked away like an outfit he'd chosen not to wear. a relaxed grin adorned his features instead. there may not be any cameras around but max didn't require one to play a part. he couldn't remember the last time he'd been to a picnic that wasn't on set. it was a pleasant gathering, he supposed; the weather was good at least.Ā āĀ Ā tell me, āĀ Ā elbows rested on the picnic table when he leaned slightly forward toward the other person,Ā āĀ Ā what is the one food you'd say i have to try here? ā
#ļ¹ . ā ā š¹š¾ š°š½š½š“ š. šµ. ā āāāā ā threads .#ļ¹ . ā ā šš. ā āāāā ā max st. james .
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Ā ā§āĖĀ āĀ suki waterhouse.Ā cis woman.Ā she/herĀ ā¦Ā nowĀ playing:Ā no ordinary love by sadeĀ āĀ ohĀ ,Ā thatĀ Ā ?Ā Ā mightĀ beĀ Ā jo anneĀ starling finch ,Ā aĀ thirty-threeĀ yearĀ oldĀ Ā novelistĀ whoāsĀ beenĀ hangingĀ aroundĀ wicklowĀ ridgeĀ forĀ Ā two yearsĀ ,Ā justĀ longĀ enoughĀ toĀ stirĀ upĀ someĀ troubleĀ ifĀ youĀ askĀ me.Ā theyāreĀ aĀ regularĀ atĀ cedarvaleĀ orchardĀ &Ā wineryĀ ,Ā alwaysĀ goingĀ onĀ aboutĀ āno live organism canĀ continue for longĀ toĀ exist sanely under conditions of absolute realityāĀ likeĀ itāsĀ gospel.Ā aroundĀ townĀ ,Ā folksĀ sayĀ theyāreĀ Ā charmingĀ &Ā genuineĀ āĀ butĀ whenĀ theyĀ thinkĀ noĀ oneāsĀ listeningĀ Ā ?Ā itāsĀ moreĀ likeĀ escapistĀ &Ā erratic.Ā Ā areĀ theĀ rumorsĀ trueĀ ?Ā maybeĀ notĀ ā¦Ā butĀ itĀ sureĀ makesĀ lifeĀ aroundĀ hereĀ aĀ littleĀ moreĀ interesting.Ā
NAME JO ANNE STARLING FINCH. ALIAS(ES)Ā /Ā NICKNAMESĀ Ā IT'S COLLECTIVELY KNOWN THAT MOST PEOPLE JUST CALL HER JO, CHOOSING TO OMIT ANNE AGE THIRTY-THREE ZODIAC AQUARIUS SUN. DOB JANUARY 24TH. GENDER CIS WOMAN. PRONOUNS SHE/HER. PLACE OF BIRTH BOSTON, MASSACHUSETTS . OCCUPATION FORMER FLIGHT ATTENDANT, CURRENTLY A HORROR NOVELIST
HEIGHT 173 CM. HAIR NATURALLY DIRTY BLONDE BUT DYED IN A LIGHTER SHADE, STYLED IN A DYNAMIC AND VOLUMINOUS LOOK, 60S INSPIREDĀ . EYES BROWN, ACCENTUATED WITH FALSE LASHES. SCENT GIRL OF THE YEAR BY THIN WILD MERCURY, LOTS OF POWDERY NOTES, WITH IRIS AND AMBER. INSPIRATION / CHARACTER PARALLELS SHIRLEY JACKSON, ANNE RICE, OTTESSA MOSHFEGH, PRISCILLA PRESLEY ( PRISCILLA 2023 ), JO MARCH ( LITTLE WOMEN ), SHARON TATE RELATIONSHIP STATUS DIVORCED CHILDREN TBA FINCH ( 4 YEARS OLD ) PETS ONE CORGI CALLED PLUTO
tw: mentions of postpartum depression, agoraphobia, suicide ( in relation to her books )
she should've been called johanna, or simply joanne, but her father's hand, driven by excitement, had trembled and slipped, and left a spacing on the birth certificate. it's a slapstick tale, of course, spilled yearly over the family table, retold to the point of absurdity with boundless gusto.
the gravitational pull of her father, mother, and most importantly older sister, is what keeps her centered in boston, prompting her to always, no matter how late, come home. at twenty, home is where the heart isn't ā she leaves it sporadically, like a heavy thing you carry, in new york, rome, stockholm, tokyo, and sydney, only to ship it back to boston as fragile goods. the equation shifts suddenly, altering the very reason behind her consecutive returns ā this time it's for love.
her marriage is a lesson in ornithology ā starlings and finches aren't bound to fly together. young and auspicious, she falls fast and marries faster, burning brightly until she starts to feel hollow. she gives more than she gets in return. at twenty-eight, and with child, things come to a halt. she goes from seeing the whole world to only the rooms within her home, confided for her health's sake. so she grows tired, and resentful, knowing that she can never go back to her old self.
unable to part from her newborn son, deeply overwhelmed and nearly despondent, she quits her job and finds solace in writing, publishing her very first book only two years later. the book, titled house fever, tells the tale of a woman named gemma suffering from a severe case of agoraphobia, who resides in an old family manor, which she had inherited like sin, through blood. she and her sister, who attempts to help gemma with her condition, soon discover that the house isn't so keen to let them leave. the house, on the contrary, is alive, and each room is a representation of a past family member and their sins. the house only wishes to feed. ( it's a reflection on generational trauma, and some of the fears that she faced while struggling with the initial stages of motherhood ). it certainly has that shirley jackson / otessa vibe going.
the book is almost an overnight success. jo anne goes from being a former flight attendant and housewife, to the top name on new york times best seller list. it sells in over 20 million copies worldwide and earns her quite a fortune. the same year, she moves to wicklow with her husband, desperate for a change of scenery and willing to initially provide support for him, hoping that things between them would finally get better. they don't. she begins the divorce process a year later. this pushes her to publish a novella. titled, where the forest screams, it's narrated from the point of a mother deer, her struggles with deforestation and loss of home, and the fear of losing her newborn fawn. in 2024, 20th century foxĀ bought the screen rights toĀ house fever. the film is set to premiere in 2027.
just recently, she announced her upcoming book, with my bare feet on the burning roof. it's set to follow a twin brother and sister, and the grief that comes after their parents perish in a suicide pact. many believe that the book is fated to solidify her presence in the horror / mystery genre.
despite the books that she writes, jo's a lively, vivacious woman, oftentimes far too sentimental for her own good. she pours great effort into her style ( think 60s blondes, high-grazing mini dresses, etc. ), living space, and her relationship with her son, which always comes first. she currently rents a spacious house where she spends most of her time writing and making sure that there's always light pouring through the windows. to keep herself additional company, she adopted a corgi, respectfully named pluto.
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Shirley Jackson, from We Have Always Lived in the Castle
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Suki Waterhouse
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The Roman Spring of Mrs. Stone (1961) dir. José Quintero
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