henricavyll - Tumblr blog

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MONKEY MAN (2024) dir. Dev Patel

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Oppenheimer (2023) dir. Christopher Nolan

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Crimson Sky is already finished. With the Regents united, I could never send an army to Osaka. It would have meant certain death. So I sent a woman to do what an army never could. SHŌGUN | 1.10 A Dream of a Dream

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EMMA STONE Behind the Scenes of Poor Things Yorgos Lanthimos - Dear God, the Parthenon is still broken

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FILMS in 2024: 24 | Kimi no Na wa 君の名は (2016) — dir. Makoto Shinkai

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HUGH JACKMAN as Wolverine

X-Men (2000) X2 (2003) X-Men: The Last Stand (2006) X-Men Origins: Wolverine (2009) X-Men: First Class (2011) The Wolverine (2013) X-Men: Days of Future Past (2014) X-Men: Apocalypse (2016) Logan (2017) Deadpool & Wolverine (2024)

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“So I sent a woman to do what an army never could.”

Shōgun (2024) | E10 | Dir. Frederick E.O. Toye

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Some places are like people: some shine and some don't. THE SHINING 1980, dir. Stanley Kubrick

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AYO EDEBIRI

By Tyler Mitchell for Beyond Noise Magazine (April 2024)

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TRUE BLOOD | 3.03

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BABY REINDEER episode 1 Some people run away by packing their bags. Others run away by standing in the same place for too long.

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🌈SEND THIS TO OTHER BLOGGERS YOU THINK ARE WONDERFUL.🌈✨❤️🧡💛💚💙💜

aww thanks Helen, right back at you 🌈✨❤️🧡💛💚💙💜

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WALTON GOGGINS as Cooper Howard/The Ghoul in Fallout (2024)

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Well I know this sounds corny, but whenever I feel the temptation of peer pressure, I turn to God and he helps me through the problem.

CRUEL INTENTIONS (1999) dir. Roger Kumble

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Academy Award Winners for Best Cinematography: 2005 — Robert Richardson, ASC The Aviator (2004) Directed by Martin Scorsese Aspect Ratio: 2.39 : 1

“Prior to my involvement, Marty designed a color timeline that influenced every creative department. He wanted the progression from a two-color palette to a three-strip palette to approximate the technological advances of the film industry at that time, but more importantly, he felt it would mirror the characters’ emotional evolution. The first act, which covers Hughes’s early career in Hollywood, was supposed to have Technicolor’s two-color look. With the second act, which begins after Hughes sets a speed record flying across the continental United States [in 1937] and goes with Katharine Hepburn to Connecticut, we transition to that vibrant, three-strip look that most of us associate with the glorious Technicolor years. Then, when Hughes almost dies crashing the XF-11, we were going to cut into a more contemporary look without either Technicolor process applied.”  — Robert Richardson for American Cinematographer, January 2005

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🎬 Aftersun 2022, dir. Charlotte Wells

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X-Men: First Class (2011) | Deadpool & Wolverine (2024)