They are officially organized by season!
Slowly but surely organizing all my scripts ā¦. I think the autism won, yāall.
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Have to worm my way back into Will's brain and then get to writing here soon.
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Sacrifice of Isaac (1603)
ā by Caravaggio
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¤TheĀ Ā intimacyĀ Ā wasĀ Ā striking.Ā Ā š§ššĀ Ā šš”š§šš ššš¬Ā Ā šŖšš¦Ā Ā š¦š§š„šššš”š.Ā Ā ItĀ Ā wasĀ Ā withĀ Ā unbridledĀ Ā tendernessĀ Ā thatĀ Ā HeĀ Ā touchedĀ Ā Him,Ā Ā andĀ Ā WillĀ Ā couldĀ Ā onlyĀ Ā recountĀ Ā aĀ Ā slimĀ Ā handfulĀ Ā ofĀ Ā timesĀ Ā throughoutĀ Ā theĀ Ā durationĀ Ā ofĀ Ā hisĀ Ā lifeĀ Ā thatĀ Ā heādĀ Ā beenĀ Ā caressedĀ Ā withĀ Ā suchĀ Ā intenseĀ Ā care.Ā Ā
(Ā š°š»š¼š¾ššĀ Ā š°š»š»Ā Ā š¾šµĀ Ā šš·šøš²š·Ā Ā šš“šš“Ā Ā š±šĀ Ā š·š°š½š½šøš±š°š»āšĀ Ā š·š°š½š³.Ā )Ā
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¤HeĀ Ā wouldĀ Ā notĀ Ā recoilĀ Ā fromĀ Ā theĀ Ā handĀ Ā thatĀ Ā fedĀ Ā him,Ā Ā notĀ Ā thisĀ Ā time.Ā Ā ššš”Ā Ā šš£ššĀ Ā ššššš.Ā Ā HisĀ Ā heartĀ Ā paralleledĀ Ā aĀ Ā Ź°įµįµįµį¶¦āæįµįµį¶¦Ź³įµāĖ¢Ā Ā Ź·į¶¦āæįµĖ¢ ,Ā Ā thoughĀ Ā heĀ Ā heldĀ Ā noĀ Ā fearĀ Ā inĀ Ā theĀ Ā darkeningĀ Ā cavernĀ Ā ofĀ Ā hisĀ Ā chestĀ Ā (Ā Ā š¹šš
Ā Ā ššš¶šøĀ Ā )Ā Ā ā¦Ā Ā itĀ Ā wasĀ Ā burstingĀ Ā withĀ Ā pureĀ Ā anticipation ;Ā Ā theĀ Ā thrillĀ Ā ofĀ Ā beingĀ Ā close.Ā Ā TheĀ Ā warmthĀ Ā ofĀ Ā įµįµį¶¦āæįµĀ Ā Ź°įµĖ”įµĀ Ā hadĀ Ā causedĀ Ā himĀ Ā toĀ Ā shiver.Ā Ā AĀ Ā contradictionĀ Ā inĀ Ā itsĀ Ā ownĀ Ā right,Ā Ā butĀ Ā heĀ Ā welcomedĀ Ā theĀ Ā internalĀ Ā dissent.
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¤ āĀ Ā WhatāsĀ Ā yourĀ Ā planĀ Ā nowĀ Ā thatĀ Ā youĀ Ā haveĀ Ā meĀ Ā įµĖ”Ė”Ā Ā įµįµĀ Ā ŹøįµįµŹ³Ė¢įµĖ”į¶ Ā Ā ? Ā Ā āĀ Ā HadĀ Ā heĀ Ā fallenĀ Ā victimĀ Ā toĀ Ā HannibalāsĀ Ā stratagemĀ Ā ā¦Ā Ā orĀ Ā hadĀ Ā heĀ Ā simplyĀ Ā allowedĀ Ā himselfĀ Ā toĀ Ā becomeĀ Ā entangledĀ Ā inĀ Ā theĀ Ā webĀ Ā theyādĀ Ā spunĀ Ā intoĀ Ā theirĀ Ā homeĀ ?Ā Ā WillāsĀ Ā intentionsĀ Ā wereĀ Ā clearĀ Ā nowĀ Ā onlyĀ Ā toĀ Ā himself,Ā Ā andĀ Ā heādĀ Ā neverĀ Ā tell.Ā Ā ItĀ Ā didnātĀ Ā matterĀ Ā anymore.
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¤ @plesytojas : SenderĀ cradlesĀ receiverāsĀ face.
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¤ āĀ Ā š”šš©šš„Ā Ā šš¦ ...Ā Ā āĀ Ā Ā Ā BatteredĀ Ā andĀ Ā bruised,Ā Ā anĀ Ā appearanceĀ Ā thatĀ Ā wasĀ Ā nothingĀ Ā moreĀ Ā thanĀ Ā aĀ Ā productĀ Ā ofĀ Ā excessiveĀ Ā violence ;Ā Ā aĀ Ā stateĀ Ā ofĀ Ā beingĀ Ā thatĀ Ā wrappedĀ Ā hisĀ Ā shouldersĀ Ā likeĀ Ā aĀ Ā šššššĀ Ā šššššššĀ Ā meantĀ Ā toĀ Ā comfortĀ Ā duringĀ Ā theĀ Ā worstĀ Ā momentsĀ Ā ofĀ Ā yourĀ Ā life.Ā Ā It didn't ever seem to do much for him. HeādĀ Ā beĀ Ā fine.Ā Ā HeādĀ Ā survive.Ā Ā (Ā šøšµĀ Ā š·š“Ā Ā šš°šĀ Ā š»šš²šŗš.Ā )Ā Ā ButĀ Ā atĀ Ā whatĀ Ā cost,Ā Ā heĀ Ā wasnātĀ Ā sure.Ā Ā WillĀ Ā shook,Ā Ā anxiousĀ Ā Ė”į¶¦įµįµĀ Ā įµĀ Ā įµįµįµĀ Ā įµįµįµĀ Ā snappingĀ Ā and Ā Ā bitingĀ Ā offĀ Ā moreĀ Ā thanĀ Ā heĀ Ā couldĀ Ā chewĀ Ā atĀ Ā theĀ Ā commandĀ Ā ofĀ Ā hisĀ Ā ownerĀ Ā boss.Ā Ā NeverĀ Ā mindĀ Ā whatĀ Ā wasĀ Ā goodĀ Ā forĀ Ā him,Ā Ā theyĀ Ā neededĀ Ā results.Ā Ā HeĀ Ā laughedĀ Ā butĀ Ā thereĀ Ā wasĀ Ā littleĀ Ā amusementĀ Ā orĀ Ā lifeĀ Ā behindĀ Ā it,Ā Ā bringingĀ Ā aĀ Ā strawĀ Ā toĀ Ā hisĀ Ā lipsĀ Ā asĀ Ā heĀ Ā sippedĀ Ā water.Ā Ā
āĀ Ā You know, thisĀ Ā isĀ Ā startingĀ Ā toĀ Ā feelĀ Ā likeĀ Ā aĀ Ā badĀ Ā caseĀ Ā ofĀ Ā ššššĀ Ā š£š¢Ā Ā ā¦Ā Ā orĀ Ā maybeĀ Ā thisĀ Ā isĀ Ā justĀ Ā myĀ Ā regularĀ Ā TuesdayĀ Ā now,Ā Ā šššĀ Ā š¼āšĀ Ā ššš”š”ššĀ Ā ššš”Ā Ā š¢š ššĀ Ā š”šĀ Ā šš”.Ā Ā ā
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¤@susponte : ā Today isnāt your day, is it? ā
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¤ššĀ Ā šššš”āš§Ā Ā šš”š¢šŖĀ Ā šŖššš§Ā Ā ššĀ Ā šŖšš¦Ā Ā š§ššš”ššš”š.Ā Ā CollectingĀ Ā anotherĀ Ā strayĀ Ā dog,Ā Ā maybe.Ā Ā ThisĀ Ā littleĀ Ā habitĀ Ā ofĀ Ā hisĀ Ā neverĀ Ā ceased,Ā Ā notĀ Ā evenĀ Ā onĀ Ā theĀ Ā road.Ā Ā DespiteĀ Ā allĀ Ā theĀ Ā atrocitiesĀ Ā heādĀ Ā witnessedĀ Ā firsthand,Ā Ā every Ā Ā statisticĀ Ā inlaidĀ Ā inĀ Ā theĀ Ā backĀ Ā ofĀ Ā hisĀ Ā brainĀ Ā aboutĀ Ā theĀ Ā dangersĀ Ā ofĀ Ā hitchhiking,Ā Ā WillĀ Ā GrahamĀ Ā couldĀ Ā notĀ Ā resistĀ Ā Ė¢į¶įµįµįµį¶¦āæįµĀ Ā įµįµĀ Ā suchĀ Ā innocentĀ Ā creaturesĀ Ā āøŗĀ Ā foldingĀ Ā hisĀ Ā wingsĀ Ā overĀ Ā toĀ Ā protectĀ Ā themĀ Ā fromĀ Ā harm in ways nobody had ever done for him.Ā Ā (Ā š°šĀ Ā š±š“ššĀ Ā š·š“Ā Ā š²š¾šš»š³,Ā Ā š°š½ššš°š.Ā )Ā Ā
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¤SheĀ Ā seemedĀ Ā niceĀ Ā enough.Ā Ā MaybeĀ Ā aĀ Ā littleĀ Ā tooĀ Ā nice,Ā Ā ifĀ Ā not,Ā Ā severelyĀ Ā sheltered.Ā Ā SheĀ Ā wasĀ Ā aĀ Ā child.Ā Ā UntouchedĀ Ā byĀ Ā theĀ Ā šššššššššĀ Ā ššššššĀ Ā ofĀ Ā humanĀ Ā existenceĀ Ā inĀ Ā aĀ Ā wayĀ Ā heĀ Ā hadĀ Ā notĀ Ā beenĀ Ā inĀ Ā aĀ Ā very,Ā Ā veryĀ Ā longĀ Ā time.Ā Ā HeĀ Ā wonderedĀ Ā ifĀ Ā sheĀ Ā wasĀ Ā betterĀ Ā offĀ Ā forĀ Ā it,Ā Ā orĀ Ā ifĀ Ā sheādĀ Ā beĀ Ā moreĀ Ā likelyĀ Ā toĀ Ā putĀ Ā herselfĀ Ā inĀ Ā harmāsĀ Ā wayĀ Ā ā¦Ā Ā hell,Ā Ā sheādĀ Ā gottenĀ Ā inĀ Ā theĀ Ā carĀ Ā withĀ Ā him,Ā Ā hadnātĀ Ā sheĀ ?Ā Ā NotĀ Ā theĀ Ā wisestĀ Ā decision,Ā Ā butĀ Ā thereĀ Ā wereĀ Ā į¶ įµŹ³Ā Ā Ź·įµŹ³Ė¢įµĀ Ā įµāæįµĖ¢Ā Ā toĀ Ā beĀ Ā made.Ā Ā
āĀ Ā NotĀ Ā runningĀ Ā awayĀ Ā fromĀ Ā home,Ā Ā įµŹ³įµĀ Ā ŹøįµįµĀ ?Ā Ā ThatĀ Ā neverĀ Ā works.Ā Ā ā
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¤ @amoresis : [Ā ROADĀ TRIPĀ ] The sender and receiver embark on a road trip together; the purpose could be anything at all, but whatās important is that the journey lasts at least several hours. Additionally, the sender and receiver are the only people in the car!
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TheĀ Ā factĀ Ā thatĀ Ā WillĀ Ā hasĀ Ā suchĀ Ā a massiveĀ Ā softĀ Ā spotĀ Ā towardsĀ Ā childrenĀ Ā andĀ Ā wantsĀ Ā toĀ Ā protectĀ Ā themĀ Ā fromĀ Ā theĀ Ā harshnessĀ Ā ofĀ Ā theĀ Ā worldĀ Ā inĀ Ā waysĀ Ā heĀ Ā wasĀ Ā neverĀ Ā protectedĀ Ā asĀ Ā aĀ Ā childĀ Ā isĀ Ā somethingĀ Ā soĀ Ā personalĀ Ā toĀ Ā me.Ā Ā EspeciallyĀ Ā becauseĀ Ā heĀ Ā getsĀ Ā deeplyĀ upsetĀ Ā andĀ Ā angryĀ Ā withĀ Ā himselfĀ Ā whenĀ Ā he'sĀ Ā unableĀ Ā toĀ Ā protectĀ Ā them,Ā Ā orĀ Ā unableĀ Ā toĀ Ā giveĀ Ā themĀ Ā backĀ Ā theĀ Ā thingsĀ Ā or the childhood thatĀ Ā wasĀ Ā stolenĀ Ā fromĀ Ā them.
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[dreamily] not only is he amoral cruel violent and manipulative, heās also extremely annoying in his day-to-day interpersonal conduct
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Daphne du Maurier, from Rebecca
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¤ āĀ Ā šŖššš§Ā Ā ?Ā Ā āĀ Ā Ā Ā Ā Ā ReturningĀ Ā toĀ Ā realityĀ Ā wasnātĀ Ā unlikeĀ Ā breakingĀ Ā theĀ Ā surfaceĀ Ā ofĀ Ā theĀ Ā oceanĀ Ā afterĀ Ā nearlyĀ Ā drowningĀ Ā beneathĀ Ā theĀ Ā waves,Ā Ā saltwaterĀ Ā į¶ Ė”įµįµįµļæ½ļæ½āæįµĀ Ā įµŹ°įµĀ Ā Ė”įµāæįµĖ¢Ā Ā andĀ Ā darknessĀ Ā submergingĀ Ā allĀ Ā ofĀ Ā hisĀ Ā senses.Ā Ā HeĀ Ā couldnātĀ Ā tellĀ Ā youĀ Ā whatĀ Ā heādĀ Ā beenĀ Ā doing,Ā Ā heĀ Ā justĀ Ā knewĀ Ā thatĀ Ā heĀ Ā hadĀ Ā aĀ Ā ššššš-šššššššš
Ā Ā ššššĀ Ā onĀ Ā theĀ Ā endĀ Ā ofĀ Ā WinstonāsĀ Ā leash,Ā Ā whoādĀ Ā beenĀ Ā busyĀ Ā sniffingĀ Ā curiouslyĀ Ā aroundĀ Ā theĀ Ā nearbyĀ Ā telephoneĀ Ā pole.Ā Ā
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¤ āĀ Ā OhĀ Ā āøŗĀ Ā sorry,Ā Ā IĀ Ā āøŗĀ Ā zonedĀ Ā out. Ā Ā āĀ Ā ItĀ Ā tookĀ Ā aĀ Ā momentĀ Ā forĀ Ā hisĀ Ā mindĀ Ā toĀ Ā returnĀ Ā toĀ Ā hisĀ Ā body,Ā Ā readjustingĀ Ā toĀ Ā hisĀ Ā surroundings.Ā Ā NewĀ Ā city,Ā Ā newĀ Ā houseĀ Ā ā¦Ā Ā ššš¤Ā Ā ššššāššš¢šš .Ā Ā SomethingĀ Ā heĀ Ā definitelyĀ Ā wasnātĀ Ā usedĀ Ā to,Ā Ā andĀ Ā wasnātĀ Ā sureĀ Ā heĀ Ā likedĀ Ā allĀ Ā thatĀ Ā much.Ā Ā ItĀ Ā remindedĀ Ā himĀ Ā ofĀ Ā growingĀ Ā upĀ Ā nearĀ Ā NewĀ Ā Orleans ;Ā Ā shotgunĀ Ā housesĀ Ā andĀ Ā crampedĀ Ā alleyways,Ā Ā streets Ā įµįµĖ¢įµĖ”į¶¦āæįµĀ Ā withĀ Ā peopleĀ Ā atĀ Ā allĀ Ā oddĀ Ā hoursĀ Ā ofĀ Ā theĀ Ā night.Ā Ā
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¤āĀ Ā āøŗĀ Ā IsĀ Ā thatĀ Ā aĀ Ā DucatiĀ Ā ?Ā Ā ā
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¤(Ā Ā š²š·š°š½š¶š“Ā Ā šš·š“Ā Ā ššš±š¹š“š²š.Ā Ā )Ā Ā WillĀ Ā soundedĀ Ā almostĀ Ā perplexedĀ Ā uponĀ Ā asking,Ā Ā adjustingĀ Ā theĀ Ā framesĀ Ā ofĀ Ā hisĀ Ā glassesĀ Ā asĀ Ā hisĀ Ā gazeĀ Ā flitteredĀ Ā downwardĀ Ā toĀ Ā theĀ Ā sleekĀ Ā bodyĀ Ā ofĀ Ā theĀ Ā motorcycleĀ Ā currentlyĀ Ā gettingĀ Ā someĀ Ā maintenance.Ā Ā ItĀ Ā wasĀ Ā aĀ Ā wonderĀ Ā theĀ Ā manĀ Ā hadnātĀ Ā beenĀ Ā robbedĀ Ā yet.
āā. @riselazarus : ā like what you see? ā
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¤ šŖšššš š¦š¬š šš¢ššš šš„šØšš§ šš„š š¬š¢šØ ?
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¤TheĀ Ā appleĀ Ā isĀ Ā mostĀ Ā commonlyĀ Ā knownĀ Ā forĀ Ā beingĀ Ā associatedĀ Ā withĀ Ā theĀ Ā forbiddenĀ Ā fruitĀ Ā thatĀ Ā EveĀ Ā eatsĀ Ā inĀ Ā CatholicismĀ Ā whichĀ Ā castsĀ Ā herĀ Ā andĀ Ā AdamĀ Ā outĀ Ā ofĀ Ā heaven:Ā Ā originalĀ Ā sin.Ā Ā However,Ā Ā applesĀ Ā areĀ Ā alsoĀ Ā symbolicĀ Ā toĀ Ā PaganĀ Ā fertilityĀ Ā goddesses,Ā Ā theĀ Ā seedsĀ Ā ofĀ Ā whichĀ Ā areĀ Ā fiveĀ Ā andĀ Ā showcaseĀ Ā aĀ Ā pentagramĀ Ā whenĀ Ā cutĀ Ā horizontally.Ā Ā TheĀ Ā appleĀ Ā inĀ Ā anyĀ Ā case,Ā Ā representsĀ Ā wisdomĀ Ā andĀ Ā knowledge,Ā Ā independentĀ Ā desireĀ Ā andĀ Ā curiosity.Ā Ā YouĀ Ā areĀ Ā someoneĀ Ā whoĀ Ā seeksĀ Ā toĀ Ā understandĀ Ā theĀ Ā worldĀ Ā better.Ā Ā YouĀ Ā believeĀ Ā inĀ Ā independentĀ Ā thoughtĀ Ā andĀ Ā askingĀ Ā questionsĀ Ā whichĀ Ā toĀ Ā someĀ Ā mayĀ Ā beĀ Ā hardĀ Ā toĀ Ā answer.Ā Ā
There'sĀ Ā beenĀ Ā timesĀ Ā whereĀ Ā youĀ Ā mayĀ Ā haveĀ Ā persecutedĀ Ā forĀ Ā beingĀ Ā differentĀ Ā fromĀ Ā howĀ Ā othersĀ Ā expectĀ Ā youĀ Ā toĀ Ā act,Ā Ā butĀ Ā haveĀ Ā neverĀ Ā letĀ Ā thatĀ Ā stopĀ Ā youĀ Ā fromĀ Ā speakingĀ Ā yourĀ Ā mindĀ Ā andĀ Ā takingĀ Ā whatĀ Ā youĀ Ā want.Ā Ā However,Ā Ā beĀ Ā waryĀ Ā ofĀ Ā leapingĀ Ā intoĀ Ā thingsĀ Ā youĀ Ā don'tĀ Ā understand.Ā Ā KnowledgeĀ Ā isĀ Ā aĀ Ā wonderful,Ā Ā illuminatingĀ Ā thing,Ā Ā butĀ Ā knowingĀ Ā tooĀ Ā muchĀ Ā canĀ Ā beĀ Ā aĀ Ā burdenĀ Ā toĀ Ā some.
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After four hours, his Carrd is finally done.
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"THE LAST TIME I SAW YOU, YOU HURT ME" PROMPTS
* Ā assorted dialogue for painful conversations, adjust as necessary
we didn't exactly part ways on a good note.
i'm still waiting for my apology. you know. the one you owe me?
i hated what you've done to me.
the guilt eats me up inside.
you put me in an awkward position.
i thought i told you i never wanted to see you again.
this isn't what i had in mind.
don't you have somewhere else to be?
i want you to leave me alone.
you haven't apologized for what you did.
i don't want to see you. i never want to see you.
i said it once and i'll say it again. leave me alone!
go away, and never come back here!
i can't forgive you.
you're just sorry you got caught.
if you're looking for forgiveness, you won't find it here.
you broke my heart. what part of that do you not understand?
how am i supposed to just look the other way?
i stuck my neck out for you, and this is the thanks i get?
you were never going to apologize.
can we speak of this another time? i'm busy.
i never want to see your face again.
you know what? lose my number.
get out of my face.
you're not welcome here anymore.
i should have apologized ages ago.
you missed your chance to apologize to me.
you had plenty of opportunities to say sorry.
you're not sorry for what you did.
can't you just leave me alone?
i'm here to apologize to you.
i'll do anything you ask of me.
you know i had no other choice.
go somewhere else. not here. you're not welcome here.
don't come any closer.
turn around and walk straight out the door.
i said get away from me.
i just need five minutes of your time.
i think i owe you a pretty substantial apology.
the last time i saw you... i hurt you. i didn't mean to hurt you, but i know i did.
could you give me a second chance to make it up to you?
i can still see the hurt on your face.
you didn't deserve the way i treated you.
i should have come to you sooner, i'll admit.
is there any way we can talk about what happened?
i never should have done what i did.
you have no idea the damage you caused.
i think it'd be best if we never spoke again.
delete my number.
what i did to you... is unforgiveable.
could you at least listen to me for five minutes?
i never meant to hurt you like this.
you didn't deserve the way i treated you.
you deserved better than that. i know that now.
what if we tried again?
maybe i don't deserve forgiveness after all.
i don't even want to hear it.
don't say another word.
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&. šÆšš«š¢šØš®š¬ šŖš®šš¬šš¢šØš§ š¬šš§ššš§šš š¬ššš«ššš«š¬.
(Ā aĀ mixĀ ofĀ angst,Ā fluff,Ā andĀ plotĀ focusedĀ dialogueĀ promptsĀ inĀ theĀ formĀ ofĀ questions.Ā feelĀ freeĀ toĀ changeĀ howĀ youĀ seemĀ fit.Ā )
ā what are you listening to? ā
ā canāt sleep? ā
ā how did you get this scar? ā
ā are you sure this is a good idea? ā
ā do you mind if i sleep here tonight? ā
ā what are you doing out here by yourself? ā
ā are you wearing my shirt? ā
ā donāt you know what you mean to me? ā
ā will i see you again? ā
ā are you comfortable? ā
ā are you trying to get us in trouble? ā
ā do you enjoy playing with peopleās hearts? ā
ā donāt we deserve to be happy? ā
ā why canāt i come with you? ā
ā are you here to kill me? ā
ā you think iām jealous? ā
ā do you want to share this? ā
ā is that blood? is it yours? ā
ā how do you know my name? ā
ā youāre an asshole, you know that? ā
ā like what you see? ā
ā was that your first kiss? ā
ā are you happy here with me? ā
ā sorry, did you want to be alone? ā
ā do you want my jacket? ā
ā how are you still alive? ā
ā youāre beautiful, you know that? ā
ā what are you so afraid of? ā
ā today isnāt your day, is it? ā
ā how does it feel to be in love? ā
ā youāve been crying, whatās wrong? ā
ā do you remember when we first met? ā
ā isnāt this amazing? ā
ā did you miss me? ā
ā alright, who am i beating up? ā
ā that was a close call, wasnāt it? ā
ā am i worth so little to you? ā
ā how is it youāre never scared? ā
ā do you ever think about the future? ā
ā can you look at me? please? ā
ā you got me flowers? ā
ā well, how do i look? ā
ā what arenāt you telling me? ā
ā how about a kiss before i go? ā
ā you donāt know who i am, do you? ā
ā may i have this dance? ā
ā whoās going to stop us, huh? ā
ā wait, youāre leaving already? ā
ā itās my fault, isnāt it? ā
ā have you ever lost someone? ā
ā do you think iām a good person? ā
ā what are you thinking about? ā
ā is it really you? ā
ā what if i hurt you? ā
ā if you wonāt take care of yourself, then who will? ā
ā have you come to laugh at me? ā
ā will you still look at me like you do now? ā
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¤āĀ Ā IfĀ Ā IĀ Ā wantedĀ Ā toĀ Ā ššššĀ Ā ššš,Ā Ā IĀ Ā wouldnātĀ Ā doĀ Ā itĀ Ā likeĀ Ā this.Ā Ā TooĀ Ā manyĀ Ā įµįµŹ³į¶¦įµįµĖ”įµĖ¢Ā Ā inĀ Ā aĀ Ā roadsideĀ Ā ambush,Ā Ā andĀ Ā notĀ Ā veryĀ Ā ššššššššĀ Ā either ...Ā Ā āĀ Ā HisĀ Ā focusĀ Ā isĀ Ā notĀ Ā drawnĀ Ā towardsĀ Ā herĀ Ā threats,Ā Ā flashlightĀ Ā beamĀ Ā highlightingĀ Ā theĀ Ā engineĀ Ā asĀ Ā heĀ Ā shovedĀ Ā theĀ Ā endĀ Ā ofĀ Ā theĀ Ā torchĀ Ā intoĀ Ā hisĀ Ā mouthĀ Ā andĀ Ā beganĀ Ā rummagingĀ Ā toĀ Ā confirmĀ Ā hisĀ Ā suspicions.Ā Ā BehindĀ Ā hisĀ Ā eyes,Ā Ā thereĀ Ā wasĀ Ā vastĀ Ā wealthĀ Ā ofĀ Ā knowledgeĀ Ā gainedĀ Ā fromĀ Ā yearsĀ Ā ofĀ Ā fixingĀ Ā šššš”Ā Ā ššš”ššš Ā Ā andĀ Ā carsĀ Ā alike.Ā Ā TheĀ Ā sentimentĀ Ā lingersĀ Ā asĀ ļæ½ļæ½ heāsĀ Ā nearlyĀ Ā transportedĀ Ā backĀ Ā toĀ Ā hisĀ Ā youthĀ Ā ā¦Ā Ā momentsĀ Ā withĀ Ā hisĀ Ā father,Ā Ā whereĀ Ā heĀ Ā hadĀ Ā fashionedĀ Ā himselfĀ Ā intoĀ Ā anĀ Ā įµįµįµįµŹ³Ā Ā į¶ Ė”įµįµįµĖ”į¶¦āæįµĀ Ā takenĀ Ā underĀ Ā theĀ Ā wingĀ Ā ofĀ Ā theĀ Ā manĀ Ā whoĀ Ā seemedĀ Ā toĀ Ā haveĀ Ā allĀ Ā theĀ answers.Ā Ā
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¤ āĀ Ā BatteryāsĀ Ā dead.Ā Ā WeāreĀ Ā gonnaĀ Ā needĀ Ā aĀ Ā jump. Ā Ā ā
030, an empty stretch of road beside a broken down car.
"you have got to be fucking ā" mary slammed the car door shut, somehow resisting the urge to let her heel dig into the door after she stumbled out, staring at her travel companion. the cold air hit her cheeks like nails, digging in and flushing her pale skin in what was mere moments. "ā kidding me!"
her heels dug into the soft, damp dirt beneath her, and a trail of curses left her lips as will popped the hood of the car. "i swear to god, will graham, if you fucking brought me out here to kill me ā " she stumbles, slightly, her heel getting caught in the change from dirt to pavement. "you have your fucking work cut out for you!"
her gaze hardens, and she's staring icily at the back of his head, vaguely wondering what he'd look like strung up by the sinews of his shoulders before she snaps back into reality. "you better figure this shit out fast."
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¤Ā PROMPT ā @heuretourne
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¤ThereāsĀ Ā aboutĀ Ā šššĀ Ā šššššššĀ Ā worthĀ Ā ofĀ Ā whiskeyĀ Ā inĀ Ā hisĀ Ā system,Ā Ā andĀ Ā heĀ Ā hadĀ Ā hopedĀ Ā toĀ Ā GodĀ Ā itĀ Ā wouldĀ Ā doĀ Ā moreĀ Ā thanĀ Ā itĀ Ā did.Ā Ā NotĀ Ā evenĀ Ā enoughĀ Ā toĀ Ā coatĀ Ā hisĀ Ā nerves.Ā Ā TheĀ Ā manĀ Ā standsĀ Ā beneathĀ Ā aĀ Ā nearbyĀ Ā tree,Ā Ā branchesĀ Ā loweredĀ Ā andĀ Ā įµŹ³įµįµįµį¶¦āæįµĀ Ā toĀ Ā frameĀ Ā himĀ Ā likeĀ Ā aĀ Ā š āššš”šš.Ā Ā HeāsĀ Ā gotĀ Ā hisĀ Ā coatĀ Ā drapedĀ Ā overĀ Ā hisĀ Ā arm,Ā Ā standingĀ Ā rigidlyĀ Ā asĀ Ā heĀ Ā observesĀ Ā theĀ Ā womanĀ Ā strewnĀ Ā inĀ Ā theĀ Ā grass.Ā Ā ShouldĀ Ā heĀ Ā pickĀ Ā upĀ Ā herĀ Ā heels,Ā Ā makeĀ Ā sureĀ Ā nobodyĀ Ā elseĀ Ā takesĀ Ā themĀ ?Ā Ā šāšš¢ššĀ Ā āšĀ Ā šššš£šĀ ?Ā (Ā Ā š·š“āš³Ā Ā š»šøšŗš“Ā Ā šš¾Ā Ā š»š“š°š
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¤āĀ Ā Well ... disruptsĀ Ā circadian rhythms,Ā Ā migrationĀ Ā patternsĀ Ā ā¦Ā Ā turnsĀ Ā outĀ Ā šššš
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¤āĀ Ā ā¦Ā Ā ShouldĀ Ā IĀ Ā callĀ Ā youĀ Ā aĀ Ā cabĀ Ā ?Ā Ā ā
"this is what i hate about cities," the words are liquor-loose in her mouth, though it's a bit of an affect ; irene is no lightweight, and she's only had two drinks. it's easier to be truthful if people think you're tipsy. they excuse more. you become charming and silly rather than abrupt. fingers splay and she looks up at the dark-dark-dark sky through them from her spot in the grass, her heels abandoned by her side and her hair spread out across the ground behind her. little pocket of a park isn't enough to escape the urbanity of it all. "light pollution. you can hardly see the stars."
@heuretourne
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