Lily Gladstone as Cam Bentland
Under the Bridge - 1x03
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thinking abt ezekiel’s poem in the get down. now that was a cultural reset
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My biggest pet peeve about sustainability discourse is that, yeah, a handful of companies are fucking us all over, and yeah, we need fundamental change coming from the government. But also you need to understand that you can't have both things:
You can't have zero single use plastic and only sustainable materials and expect to be able to afford brand new clothes every month.
You can't have an increase in workers rights protections and expect to still get things you order online delivered to your house in a couple of days.
You can't have meat production reduced to the point where it's not environmental destructive and expect to be eating meat more than a couple times a week at most.
We NEED big scale change but that WILL significantly affect your lifestyle. You need to stop living in a fantasy world where fast fashion prices or eating animal products daily can ever coexist with sustainability.
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In her song Rainbow Dress, Taylor Swift describes the position of her purported "straight sex" in relationship to what Gayle Rubin terms the charmed circle of sexuality, wherein any sexual behavior outside an accepted range can only be immoral. When it comes to the vectors of heterosexual versus homosexual and vanilla versus kinky, her "just normal sex, nothing too weird" with a "regular hunk with a beard" is positioned inside this charmed circle. Yet the most glaring exception is that her sex is public--at the gay pride parade, no less. The hunk she desires has no name, no specific relation to her, and she makes no pretense of monogamous attachment. Her apparently ironic participation at the gay pride parade draws from Michael Warner's anti-identitarian critiques of tendencies that elevate sexual orientation above other maligned sexual practices and detach queerness from sex altogether. Swift's sexuality is clearly informed by queer perspectives: the erotic fixation on ball sweat evokes gay sadomasochist "pig" subcultures, and her claim that she hates her own vagina invites a multiplicity of pleasure possibilities that do not involve direct genital stimulation. The push and pull in her lyrics between straight nomenclature and queer imagery builds upon Eve Sedgwick's critiques of heterosexual-homosexual binarism in Epistemology of the Closet, and attuned listeners know that the question of queerness "hidden inside" cannot follow such an either-or formulation.
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easy writing hacks with lucie hidekomoon:
if your character is too perfect and you're struggling to write their character development, just add some more self-hatred
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Songs Lucy dacus writes about men are like “yeah I dated this guy when I was 13 and he sucked what a fucking loser” and “I will jump out of this car and walk home 4 miles in the snow” but the songs she writes about women are like “hey, I will kill your dad if you want just give me the word” and “if you marry your dumbass boyfriend I’ll throw my shoe at you on your wedding day”
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MONKEY MAN
2024, dir. Dev Patel
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you see a flood-lit form
[x] [x]
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Cat's and Jean's friendship is very important to me 🫂
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now why would you comment this Anjana Vasan?
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