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Cantina Creative worked closely with Marvel Studios to design and animate all of the UI and graphics content for 138 unique shots in the final film of the Captain America trilogy; Civil War. We implemented a variety of Stark Tech throughout the film, in multiple HUDs and screens. CREDITS LIST CLIENT: Marvel Studios VFX Supervisors: Stephen Lawes, Alan Torres VFX Producer: Donna Cullen Executive Producer: Sean Cushing Designers: Sang Yup Kim, Shawn Lee, Sang Youb Shin VFX Artists: Julianne Dome, Aaron Eaton, Matt Eaton, Jay Grunfeld, Jennifer Kennedy, Fernando Raigoza Jr. © 2016 Marvel Studios

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Showreel covering Territory's UI concepts, design and animation for both on-set playback and VFX shots for Marvel Studio's 2014 blockbuster, Guardians of the Galaxy. http://ift.tt/2mBLPFf Territory Credits - Creative Director: David Sheldon-Hicks Motion Designers: Peter Eszenyi, Nick Hill, Ryan Rafferty-Phelan, Marti Romances, Martin Aggerholm, Yugen Blake, Jay Dingle, Gabor Ekes, Ryan Jefferson Hays, David Penn, Alasdair Willson Font Designer: Lee Fasciani Playback Credits - Compuhire Marvel Credits - Director: James Gunn Production Designer: Charles Wood Set Decoration: Richard Roberts Art Director: Alan Payne VFX Supervisor: Stephane Ceretti VFX Producer: Susan Pickett Reel Credits - Edit: Cristina Casanova, Marti Romances Sound Design: Zelig Sound © 2014 Marvel Guardians of the Galaxy

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© All Rights Reserved to Warner Bros. Entertainment No copyright infringement intended. Designer: http://ift.tt/2iyqJme

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Working on Assassin’s Creed was an immensely rewarding creative experience for me. Being such a big fan of Director Justin Kurzel’s work, it was amazing to be able to immediately establish a great working relationship together. Our mutual trust and open dialogue with one another made this one of my personal favorite feature film projects to date. For more information, design frames, process details please visit - www.ashthorp.com THE TEAM - Design/Direction - Ash Thorp Graphics Programmer/Animator - Ryan Cashman Producer - Monica Thorp VFX Cinematographer - Kevin Joelson Reel Edit - Franck Deron Music - Plaid - Tokyo Drive

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Spov were tasked with providing a suite of graphics for each section of the ISS, giving each module a defined look whilst creating a unified and restrained kit of parts with which to illustrate the increasingly tense narrative as the movie unfolds. Huge thanks to all the team for another fantastic job well done.

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Spov are proud to announce our involvement with the amazing Dr Strange from Marvel Studios. We were tasked with designing and animating the screen graphics for a number of scenes depicting medical procedures and experimental techniques throughout the film. Many thanks to all the Spov team for their continual dedication to the craft and magical prowess. We would also like to thank Art Director Alan Payne, Production Designer Charlie Wood, the wizards at Compuhire UK and the masterful team at Marvel Studios for the opportunity to assist in designing the wondrous world of Doctor Stange.

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Some choice cuts from the last few years. Some old, some new and lots of blue. I tried to focus more on the animation in this reel. Much of the content in this reel are graphics for on set playback so they're typically interactive and lower resolution (thus the 1280x720 resolution).

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In early 2016, Infinity Ward (IW) wanted to discuss working together on the designs for their latest Call of Duty project, Infinite Warfare. I instantly jumped on board and felt that I could greatly help with their interesting design needs and goals. There was a massive list of tasks, and we worked on everything from the startup screen to HUD + GUI design. Here is a glimpse of some of the work created for the project. Thank you to the entire team at Infinity Ward for inviting me onto their project, and congratulations on all the hard work achieved to bring this project to life. Client - Infinity Ward Art Director - Thomas Szakolczay Design - Ash Thorp Alasdair Willson Music - Jamie XX

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Directed by: Aggressive Production: Aggressive VFX: Loop Creative Directors: Alex Topaller, Dan Shapiro Producer: Robert Berman DP: Eli Born Editor: Erik Auli  Production Designer: Geoff Flint  Art Director: Alex Mikhaylov CG Supervisor: Max Chelyadnikov Design: Alex Mikhaylov, Denis Khramov 3d Animation: Dmitry Kulikov, Artur Zhamaletdinov, Dmitriy Paukov, Evgeniya Zhukova 2d Animation: Alex Frukta, Vladimir Tomin Rendering: Dmitry Kulikov, Artur Zhamaletdinov Compositing: Max Chelyadnikov, Dmitry Kulikov, Artur Zhamaletdinov, Roman Senko Production Manager: Dustin Pownall Color Grade: Alex Bickel  Sound Design: Wesley Slover

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お祝いのお返しいただいた！ これ美味いやつだ～嬉しいぃぃ( ^q^)

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これどゆこと？

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倉持キョーリュー@コミティア_め07aさんはTwitterを使っています: “この絵はホビージャパンさんから発売されている「ロボットを描く基本」に掲載してみては？ と編集さんからご提案いただいたのですが、 いや・・・・これは勘弁してくださいというものです。 https://t.co/LkrZY9144j”

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友達とお喋りがてらアクアパーク品川に行ってきました 意外とがっつり楽しんでしまったwww イルカショーすごいよかった！ 水のかけ方がわりと容赦なくて草

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ほしいものメモ

リテリング フェルト・アートの世界

posted with amazlet at 15.11.04

インゲル・ヨハンネ・ラスムッセン 若井浩子 青幻舎 売り上げランキング: 752,095

Amazon.co.jpで詳細を見る

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関電工も電気設備や通信などの工事を引き受けを主な業務にしている東京電力系の企業。その社風を、社員はこう語っている。　「長時間労働できることが美徳。でも仕事をしていないでダラダラしているだけ。技術の関電工を歌いながら、現場では当然何もしない」　こう証言しているのは、設備施工管理を担当する20代後半の男性社員だ。ちなみに年収は600万円という。さらにこう続けている。　「上司は、カネの話しかしない。相談しても無駄。最後には『で、いくらもうかるの？』でおしまい」　この男性の学歴は大学院修了。勤務経験はおそらく4～5年だ。その給与明細はこうだ。・基本給：17・5万円・職務給：4万円・残業手当：20～30万円　つまり、「ダラダラしているだけ」の長時間労働で、基本給の2倍近い残業手当をもらっているのだ。しかも、これでもすべての残業時間をつけているわけではないという。　「残業代は申請すれば全部出るが、工事費の管理をしているのも自分なので、赤字になるのが分かり、それはそれで怒られる」　どうやら、やりたい放題の会社のようだ。

「業務時間中にマッサージが受けられる」　堂々と自慢する東電グループの勝手放題 | ニコニコニュース (via mysmn)

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かわいすぎるだろ…

Video: Tiny Hamster and His Friends Go Trick-or-Treating