howtopatyourself

[howtopatyourself]

NWR #01 - Duy Vu x Taia - phim bên ngoài rạp chiếu by Union Hub by COMPLEX 01 Trong số podcast này, hai khách mời: chị Taia - cộng tác viên chương trình chiếu phim Không gian điện ảnh - Trung tâm Hỗ trợ Phát triển Tài năng Điện Ảnh TPD, và anh Duy Vũ, một nhà làm phim trẻ đang sinh sống và làm việc tại Hà Nội, sẽ cùng nói về sự thâm nhập của các phòng chiếu độc lập vào văn hóa đô thị, cũng như những giá trị mà nó mang lại cho sự phát triển của điện ảnh Việt Nam.

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Lỡ Yêu - Trang Thiên by Hieu Tran Music Producer Like, Share, Re-post & Follow my Soundcloud!!! <3 <3 <3 Lỡ Yêu Singer - Songwriter: Trang Thiên Arranger, Guitarist, Bassist: Hiếu Trần Recording, mixing & mastering: Nguyễn Minh Đạt

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i'm gonna die tonight (demo) by cribabbbbbe I’m gonna die tonight. would you mind if I say a few more words? althought it doesn’t make sense, but I still gotta pretend, that I’m not scared. 24h was not enough for me to say that I’m in love with you, but what can I do? my doctor said I need a break but I know that it will take forever. I started to miss you more than ever. I’m closing every door, laying on the floor, spending my last breath to think about you. I’m gonna die tonight. would you mind if I say a few more words? althought it doesn’t make sense, but I still gotta pretend, that I’m not scared. look at the sky tonight, we should be dancing in the moonlight, althought it doesn’t make sense, but I still gotta pretend, that I’m not afraid. But it was too hard for me, too hard for me to say.

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Tambour - Ursa Minor (Caroline's Theme) by Moderna Records From Tambour's upcoming EP 'Constellations (ou comment arrêter le temps)' out August 23 Spotify: https://spoti.fi/2Yg4aWN Pre-order: https://ift.tt/2SVcl9G Composed and produced by Tambour (Simon P. Castonguay) Additional electronic production by Thomas Haahr 'Mommies on the run' string quartet Engineered by Pietro Amato Mixed by Mark Lawson, Montréal Mastered by Martyn Heyne at Lichte studio, Berlin

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Sylvia Monnier présente Mes Huit Défenses d'Eléphants by acloserlisten Straight from the south of France, Sylvia Monnier weaves together some deep cuts into this incredible mix. Read more: www.acloserlisten.com

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Steve Gibbs - Patterns (Cyrus Reynolds Remix) by Steve Gibbs Remixed by Cyrus Reynolds http://bit.ly/1crXkVy Cello: Mike Kaufman Viola: Virginia Rockwell Track taken from 'Adrift Reworks', released on Injazero Records. http://bit.ly/2B9FuGB

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Time Keeper - 2014 Pt.3 by Time Keeper New album " 2014 " http://bit.ly/2AgTf5Q ----------------------- Recorded in January 2014 Released in 2018

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Tie a yellow ribbon round the ole oak tree (Cover) by Kiên Em yêu dấu! Ba năm đằng đẵng đã trôi qua và anh sắp được tự do. Anh biết anh không xứng đáng với tình yêu của em. Nhưng nếu em vẫn còn yêu anh, thì hãy buộc một dải ruy băng vàng quanh cây sồi già ở quảng trường thị trấn vào ngày anh trở về. Nếu vậy, anh sẽ dành cả phần đời còn lại để bù đắp cho em. Nếu không, anh sẽ biến mất và không bao giờ làm phiền em nữa.

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Tan (demo) by Minh Nguyệt viết cho những ngày chờ đợi trong miên man cảm giác như tất cả mọi thứ mờ nhạt dần, rồi biến mất mình tan đi, và trở nên vô hình. ***khuyến cáo trước khi play: #1: đeo tai nghe để nghe rõ hơn... chất lượng âm thanh hơi tệ do tớ tự thu bằng điện thoại, và sau giờ làm việc, lúc đồng nghiệp bên cạnh đang chơi đế chế . _ . #2: tớ chơi đàn cũng tệ, nên kb làm gì ngoài vẩy vẩy... --------------- Tan Hạt mưa rơi xuống thềm Ngẩn ngơ hoa lắng nhìn Nặng trĩu cánh mong manh Tan, vào mưa Và gió ru em về Một giấc mơ trong lành Không có sầu lo Thiên đường mơ Tình yêu là gì Mà ngồi thẫn thờ Tình yêu là gì Mà tìm hoài chẳng thấy nhau Anh có nhớ tôi Hay chơi vơi riêng mình tôi Tôi mong nhớ anh Miên man ngàn xa Tình yêu là gì Mà hoài nhớ mong Tình yêu là gì Mà tim này mãi đau

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heart negotiation by Tùng Uyen wrote and sang her first sad song. I just sang along. the original: http://ift.tt/2iPLZFL

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i love those days, by karrot là ngày em tìm được anh.... / / / / / / / / / / / sample from Den - di theo bong mat troi

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On Talent and Success

Over the last few months, I’ve been noticing something. I’ve been seeing writers who are less talented than others find more success. At the same time, I’ve become more aware of talented writers, smart writers, or passionate writers who sort of drift away. Since I left high school, I’ve come in contact with a lot of people who dream of being writers. And over the years, I’ve seen many educated and intense aspiring authors … just stop pursuing. Sometimes these are people who have all the right personal qualities to succeed. They are sharp, driven, dedicated, passionate, and they have critical thinking skills. Sure, they may need more practice, but that comes with time. Perhaps, though, it is because they are so intense and critical, they stop believing they can succeed. They don’t think they can actually “make it.” A few weeks ago, I was talking with a family member about the fact that we as human beings often (and sometimes unknowingly) limit ourselves and what we can accomplish. Mentally, almost silently, we think, I can’t do this, and in just believing that, we cut short our abilities. The mental energy we spend thinking about what we can’t do takes away from the mental energy we could use simply pursuing what we want or need to do. What’s strange is that over time, I’ve seen people who appear to lack a skill or quality find more professional success than their peers. They might win an award. Get a steady readership. Make more professional sales than people of higher writing abilities. I don’t think this is because the world has gone all topsy-turvy. I think it’s because these people don’t limit themselves as much, in that way. Maybe they are blind to their weaknesses, or maybe they aren’t. Whatever the case, they don’t let those weaknesses hold them back. They don’t let fear of not being good enough hold them back. Lately I’ve been thinking about people I’ve met, in college, in day-to-day life, wherever, and how some could be doing what they dreamed of doing, if they simply pursued it a bit more carefreely as some of the people I meet at writing conferences do. But they never gave themselves permission. Of course, life happens, and priorities can happen. Everyone writes differently and every writing career is different. I’m not saying we need to run out of our houses and throw crappy first drafts out everywhere. I’m just saying give yourself the permission to jump in. For some, that might mean allowing yourself to begin taking writing seriously–to take yourself serious as a writer. For others it might mean finally submitting a story somewhere. For another, it might mean allowing yourself to self-publish. For someone else it might mean allowing yourself to write and enjoy writing. On occasions, I have talked to instructors that say the most talented people are the ones who are hardest on themselves. And it makes sense. They have a strong eye for criticism. They expect a lot out of their work. They demand a lot of themselves. And they don’t settle. In contrast, the students who are less talented may be the ones who think they deserve the highest marks in the class. This seems backwards, but it’s often true. This second group ends up pursuing all kinds of avenues, because they believe they deserve it, or simply because they give themselves permission to. They are more likely to find success than the talented person who never submitted, published, or shared anything. Years ago, a family member and I used to repeat this observation to each other. “Why is so-and-so a bad-a**? Because he thinks he’s a bad-a**.” The idea is that everyone who seems to act like they are awesome and cool are simply that way because they believe they are. In some sense, that same principle can be applied to other areas. Why is that person a writer? Because she thinks she’s a writer. Why is that person successful? Because he think he’s successful. There are limits to how far this principle can extend, of course, and there are exceptions, but in some ways, following it is like starting on training wheels. It slashes down limits you’ve put on yourself. You are what you are because you believe you are. Now success might not mean the same thing to everyone. Success to one person might be selling a lot of copies of her book. Success to another person might be being able to write full-time, regardless of exposure. It might be becoming the best current writer in that genre, even if the genre has a small readership, like weird west fiction. Ideally, we become the best of both groups of students mentioned earlier. People in the first group may need to let themselves take a chance to pursue. People in the second group may need to sharpen their critical eye and dedication, because while they may already have found success, that success will have a ceiling based on their talent. Whatever kind of writer you hope to be, whether it’s a bestselling, award-winning writer, or fierce fanfiction writer, decide today to give yourself permission to pursue success.

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Insta: @ericnguyenillustration

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Lydia Edwards’ How to Read a Dress covers nearly five centuries and makes quick work of some complex sartorial times. Critic Genevieve Valentine says, after you read it, “Period-piece TV will never look the same.”

‘How To Read A Dress’ Connects Centuries Of Women Through Fashion

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The disappointment is real :))

http://iglovequotes.net/

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‘No One Can Pronounce My Name’ Is A Charming Take On Loneliness and Connection

Fresh Air book critic Maureen Corrigan says: 

“Rakesh Satyal’s new novel checks off a lot of boxes, but its charm lies in the fact that it wears all of it various identities so lightly. This is an immigration story, a coming-out story and something of an old-school feminist story about a timid woman learning to roar.

Yet, there’s nothing preachy or predictable about Satyal’s novel; rather, the most cumbersome thing about it is its title, which I’ve delayed saying for as long as possible. It’s called No One Can Pronounce My Name, which sounds aggrieved when, instead, this is novel that invites readers to be amused. Satyal wants us all to laugh, together, about the comedy of errors that often typifies everyday life.”

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Murasaki Shikibu was a writer during the Heian era of Japan, born in 973. She is most famous for writing the epic classic Tale of Genji, which is considered to be the first novel ever written. Murasaki was from an aristocratic family. She disliked men and mostly kept to herself, spending much of her time at Imperial court writing new chapters for the Tale of Genji. She passed them on to friends, who in turn copied them out and passed them on to their friends to read and copy, and it quickly became popular. Women were thought to be too stupid to learn the traditional written Chinese kanji characters and were taught phonetic kana instead. But Murasaki learned Kanji easily and taught it to the princess Shoshi in secret, causing outrage when she became empress and used it publicly. Murasaki is largely credited for developing Japanese into a written language. She earned herself the nickname “Our Lady of the Chronicles”.