hraphoto

[hraphoto]

© Dan Farnum

[hraphoto]

“When I first heard about the attack [in Charleston], I felt an overwhelming anxiety about a continuum of violence occurring on black bodies in America.” —Deana Lawson: ss1.us/a/vPF8makW  #VisionJustice

One year after the church shooting in Charleston, South Carolina, Deana Lawson speaks to Nikki A. Greene about her powerful portraits of the victims’ families.

[hraphoto]

Morning Mist // Joao Maia

[hraphoto]

Osborne Park, March 2016

[hraphoto]

“The Open Road” at Crystal Bridges Museum of American Art surveys the relationship between photography and the American road trip. Read about the exhibition on view through May 30 in The Wall Street Journal.  

Learn more about The Open Road by David Campany (Aperture 2014) on the Aperture book page.

[hraphoto]

Reddish Knob, Virginia 

[hraphoto]

A Lover’s Discourse: Neon Text Installations by Jung Lee

[hraphoto]

Savannah, Ga

on 35mm film

[hraphoto]

Oglethorpe Speedway Park // 04.08.16

[hraphoto]

Simon Deadman

Meckering, December 2015

[hraphoto]

morning fog

12/7/15

[hraphoto]

Brooklyn Thrifting on 35mm

[hraphoto]

Photographer William Eggleston

[hraphoto]

January 2016 / KATIESIVITS.COM · INSTAGRAM

[hraphoto]

Lyle, Washington

[hraphoto]

Friends, (June 1983). Joel Sternfeld. Dye coupler print

[hraphoto]

The Disappearing Post Offices of the Rural South

When she needs a break from photography or from teaching art at Lincoln Memorial University, Rachel Boillot hangs out with an older crowd.

“I spend Saturday nights with 95-year-old women,” she said.

Part of that has to do with another job Boillot has: She’s the assistant producer at a record label that represents old-time folk musicians. It’s also a photography project, “Silent Ballad,” about traditional musicians from the Tennessee Cumberland Mountains. She finds it refreshing to be a part of such an interesting circle of people.

(Continue Reading)