icouldbemoreclever

[icouldbemoreclever]

*in the middle of a breakdown* Omg wait. this is just like the character

[icouldbemoreclever]

the animals r his besties

[icouldbemoreclever]

i don’t know how to explain to you people that no matter what a country’s government is like i do not and will not support the US indiscriminately bombing that country’s civilians and i don’t know why that’s a controversial take tbh

[icouldbemoreclever]

[icouldbemoreclever]

[icouldbemoreclever]

writing is so funny because i could write nonstop for 9hrs and then hit a block where im like "how do i transition between this moment and the next?" and then i just dont touch it for 6 months

[icouldbemoreclever]

it is honestly amazing how much of writing and editing is just. logistics. like... do i use a name here or a pronoun? if i move this dialogue tag to the middle of this line and break it in half, does the end of the line hit harder that way? what if i move the tag to the front? what if i remove it entirely? ...wait, whose point of view am i in; can i reasonably say this character is appalled, or must i say they look or seem or sound appalled? is this a deliberate action or a step-removed one; is her hand closing on his shoulder, or is she closing her hand on his shoulder? environment environment environment, we need to break all this dialogue up with some narration, the scene is coming untethered. what! are! they doing! with! the rest of their bodies that are not hands! fuck fuck fuck FUCK i forgot we covered this two chapters ago and now i either need to cut this whole chunk or find a reason to reprise the conversation from earlier. name or pronoun? name or pronoun? name or pronoun? move this clause around in this sentence? oh i'll add this phrase-- nope, never mind, past!me added the same phrase two lines down. okay, if i add too much environmental narration it's going to take away from this bit, but not enough and it won't feel grounded. what if i move this to its own line? where the FUCK are their hands?

[icouldbemoreclever]

[icouldbemoreclever]

i will never understand how kishimoto so perfectly captured the struggle of sakura battling misogyny in her attempts to be just like other girls even though she’s fucking insane and has such a rough, not traditionally feminine personality and then completely dropped the ball w every other aspect of writing women

[icouldbemoreclever]

Ага, ага, медленно становлюсь скуфом

Yeah, yeah, I'm slowly becoming a scuff

[icouldbemoreclever]

I LOVE PART 1 IT’S MY FAVORITE I like to think that Erina and Speedwagon become best friends and they like to go out drinking together and cause problems

I’m so fake because this took me like 2 weeks to even do, I had terrible yaoi bara brainrot it was like torture having to draw anything else 😓

I also feel like it took Erina awhile to warmup to Speedwagon, she probably thought he was such an embarrassment to be around and was like “how did Jojo deal with this homeless guy and why is he sleeping on our couch…”

[icouldbemoreclever]

Hello I made a quiz!! Which Horrible 1D Lyric Best Encompasses Your Soul?

[icouldbemoreclever]

Jotaro Kujo didn’t write a thesis on the Morioh starfish while investigating a series of murders just to be banned from Wikipedia’s list of marine biologists

[icouldbemoreclever]

vague giorno sketches coz fuck yoy 🖕🏽

[icouldbemoreclever]

Anybody else have a growing fear of updating their tech cuz everything seems to be getting worse and worse

[icouldbemoreclever]

★ 164 // “Stop giving me your toughest battles” (evil version below the cut)

[icouldbemoreclever]

check out the mourning doves’ new single “hooOOOO hoo hoo hoo” if you get the chance. sound of the summer.