He/Him/His mlm transman.You know who this is if you found this account.You will not discuss the thing I post or repost on here.
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“Laios is such a freak, he’s too weird” OH NO! my steak is too juicy, my lobster is too buttery! What’s next? The sexy hunk is too autistic? GET OUT OF HERE!!
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Every cutscene in mgs2 looks humid as hell, please let him take those layers off for a bit or something
also. his packer pack.
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Ema skye, the icon you are
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scoliosis
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some classic legally blonde/ace attorney crossovering
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redrawing an old drawing i made for @lopsaii as a comic this time.
productive interview!
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i know i dont go here that often but take these pollys
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gq china photoshoot has been going around and everyone's drawing them as their anime blorbos. well... ciao!!
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Obsessed
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Surprise it’s Klavier again
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klavier gavin diva crash out moment…
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thinking about kristoph and klavier. it's just the two of them. just a boy and his sweet little brother. no apparent family, origins, place to go, anywhere to belong.
thinking about kristoph developing the idea at a young age that his brother depends on him. no parents to take care of them, most likely they pass away in one way or another. and his brother is innocently young, too young. so kristoph becomes a parent, on top of a sibling. he is the only front, the only defense between his brother and whatever cruel world betrayed them. kristoph can't falter, can't disappoint, can never be unsure. for his brother, he learns to be cold. steadfast, and strong. unbreakable. to be a foundation for a boy to rely on.
he tells himself klavier depends on him to survive. to succeed, to make something of himself, all of it falls on kristoph's shoulders. and control becomes a theme of his life. it's his responsibility to make sure klavier lives his life right, well. and the pressure of that seeps out through judgement.
he tells himself klavier depends on him, so he can ignore the fact he depends on klavier too. he can't feel any sort of weakness. so he judges klavier, when he pursues music. he's critical of him, detached. seemingly uncaring. he protects klavier, and he punishes him when he endangers that concept of protection. he keeps him in line, because only kristoph knows what best for klavier.
klavier, for kristoph, is always that innocent, sniveling child. who doesn't know better, who needs to be guided. because at the worst of it all, it was kristoph and his little brother. no one would know him better. and he would do anything to protect him
and that control becomes obsessive. kristoph needs to control everything in his life. his work, his image, his protégé, and always his brother. he spites things that escape his grasp. he spites klavier when he leaves to tour his music, because he can't admit he needs him too. at the end, klavier will return to him, eventually. because klavier needs kristoph gavin to survive.
he forges evidence, to protect the success and image of his career. even for a case against his own brother, he cheats. because it's not about what's right. it's not about anything but control, for kristoph. because there's no way he could be anything less than perfect. kristoph can't falter, can't be weak, or the world will eat you alive. and when zak gramarye veers out of his grasp, over something he can't control, the nature of who he is, he spites him too, and the man he chose. he forces his way into the case to make sure he can enact control, to protect his view of the world, and of himself.
and klavier, of course, comes back to him. believes in him, follows his word, even with doubt in his heart, a doubt that haunts him for years to come. he destroys phoenix's career, has his brother back, and protects himself from facing a truth he can't handle. he wins.
and it's not enough. he plots out the murders of his forgers, stalks every involved person of interest on the case, and plants himself right by the biggest threat: an unpredictable, awfully lucky man. someone who never did anything to him personally, but whose mere nature is contradiction to the ideals kristoph has pledged himself to. he does this because he isn't confident, perfectly conniving and infallible. for the first time in a long time, kristoph feels control slip out of his fingers and it terrifies him. he obsessively intangles himself with the case for seven years, watching, waiting, for loose ends to be cut.
this need is so intense that when he passes by zak, his first instinct is to murder him in cold blood. for no reason other than he is a threat to the stringing web of sanity kristoph is holding himself by. if he were more clever, more careful, he might've stayed, listened in, found out zak had no intention to do anything but give one last thing to his daughter, before he disappeared again. none of that mattered. because kristoph panics, at the idea that someone, anyone could do something to destroy his image, his life, his control. he's paranoid, and as thorough as he's been, he's sloppy.
and as he thought, phoenix is his perfect downfall. kristoph seemingly loses everything, he's found guilty of murder. his protégé, who he raised up strictly and intensely to follow in his steps, accepts this and is the falling blade to his final bow. but he doesn't snap. he doesn't break his illusion, his facade of poise and composure.
because he still has klavier. klavier, who returns to law after years to meet the man who sent his brother to prison. klavier, who believes his brother is innocent. klavier, who still depends on him. once again, it's kristoph and his little brother. he's already done the unspeakable to protect their lives, to sustain all he's built for him.
klavier visits him in prison, feeds him information, holds faith that he is good, even after he is betrayed by his closest friend. even as things lead to an awful conclusion klavier denied for too long. and when everything plays out the way it does, kristoph at the stand, he still sees klavier the same. he speaks for him, calls him incapable, believes he doesn't know better. because klavier will always come back to him. klavier needs him to survive, to be succeed in life, klavier depends on him.
until he doesn't. the one thing kristoph has always had control over, the reason he needed to be in control of it all, leaves him too. through his never ending desperation, he has become unforgivable. he threatens klavier, demeans him, humiliates him, but none of it works. everything is, as he says, spinning out of his control. he has nothing left, but the ego he's created for himself.
the jury system is the final blow. the idea that no matter what he could do to ensure his victory, the neverending upkeep of his perfect, unfaltering persona, he was at the whim of someone else. his control, completely stripped away from him. because without that, what is he?
when phoenix asks him why he killed zak gramarye, five black psyche locks appear, chains barred and tight. he claims he is simply an evil, cold-blooder murderer. a simple, unsatisfying thing. it's snide, and spiteful, and it's a lie. kristoph's secret, held so close to his heart that he doesnt even know he's keeping it. why did you kill a man, after seven years, when he had done nothing but hurt your pride?
he needs control. somewhere deep down, there's still that teenager, panicked and unsure, staring down at his brother with pleading eyes, deciding that he needs to become inviolable. like the law, absolute and unwavering. and in that he became unreachable. he emotionally neglected and abused the only family he had left, and told himself it was for his sake. he's insecure, entitled, angry; he's vengeful, petty, neurotic. so caught up in the fantasy he created to eliminate what was weak in him, he saw weakness in everything, in everyone.
to admit that would be suicide. it would be a complete mind shatter. he laughs hysterically out of the courtroom, out of acceptance for what he's lost or denial of everything he is, he breaks in one way or another. the places he was led to by love, by responbility, a bloodied bottle in his grip, poison on lips, standing alone at the end of it all.
to shield himself from cruelty, he became cruel himself. kristoph loved his brother, and that too, became a weakness to snuff out.
that is. if. they had actual backstories to explain why they are the way they are. foams at the mouth and collapses
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i've seen a couple of people drawing apollo smoking, i think it's kinda fun to consider...
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KLAVIER GAVIN YOU ARE THE PRETTIEST GIRL
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Actually God bless Hexhomos cause that's how I got introduced to vikjayce back in the day
I remember you liked vikjayce before it was cool I will never forget you soldier
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My piece for @/AAcalendar2024 thats out now. You can download it here: Link I got to draw for the month of August. Super happy I got to draw my favorite lawyers in my favorite season with my favorite flowers :)
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This was one of my first instances of drawing Klapollo. I still think this ones pretty cute
This one was made on February 14th, 2024.
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