impassive-aggressive

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Lots of my favorite vines are old ones, so here are some that I didn’t want lost to the wind

Might make part 2 w/more modern vines(?)

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Periodic rent-lowering-gunshots:

Fiction is not reality.

You can enjoy things in fiction that would be awful in the real world. Like playing a murderhobo in a game! In the real world, being or supporting a murderer-thief would be pretty damn awful, while in the game it's just good fun. Same with anything else you choose to do with the pixels on the screen, like kinks that don't affect anyone real, so they're okay in fiction, but would be pretty damn bad in real life.

No one else is responsible for your online experience. They are required not to harass you, but they are not and never will be obligated to not post about ships, kinks, or tropes you dislike just to avoid you seeing them. It's up to you to blacklist words or phrases, block tags, or even block users as needed to avoid seeing content that upsets you.

No one can force you to read anything against your consent. Any content you don't like seeing can be instantly avoided by closing out of the offending post/fic.

You are not owed an online experience free of discomfort.

Nothing that happens in your imagination can ever make you a bad person. Words you write or read about fictional characters will never make you a bad person.

The claim that media consumption influences real-life behavior is intellectually dishonest and serves only to excuse the behavior of real offenders.

Fiction is a safe way to explore horrifying or confusing concepts. Therapists agree that fiction, even (or especially) about taboo topics is a good coping mechanism, especially, but not exclusively, for trauma survivors. Fiction is to adults what play therapy is to children. This doesn't stop being true if the work in question is of a sexual nature.

Sex isn't an inherently worse or better motivation than anything else. A work written to create feelings of arousal isn't dirty, shameful, or in any way less pure than works written to entertain, provoke moral questions, or for other reasons. And worth noting is that multiple purposes can exist in the same story, especially fanfiction.

You aren't entitled to an explanation for why someone reads, writes, or otherwise enjoys certain works, kinks, tropes, ships, etc.

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"if you're going to write dark fiction you should explicitly state that it's not okay to do in real life so that a child doesn't see it and think it's okay"

actually i don't cater my art to children, my art is not intended for children, and it's not my responsibility to parent them. hope this helps

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Here’s something cute

When lockdown happened in the UK it happened very suddenly. At the law firm I work at, our office building emptied overnight when everyone was told to work from home. No time to clear our desks, no time to bring office plants home.

Fast forward three and a half months - everyone assumes that their plants are dead.

But then! An email goes round! It’s turns out that one of our security guards is a florist, and -

-the security team has moved EVERY SINGLE PLANT from all 12 FLOORS of our office building into the cafeteria. It’s been turned into a temporary greenhouse. Cacti and succulents and spider plants and terrariums and potted ferns

AND! Each plant has been INDIVIDUALLY LABELLED by hand with post-it notes with name and desk location so the plants can go home after lockdown ends

To give some indication of the scale of the endeavour:

If you zoom into the centre right photo you can see one of our security team happily waving

The plants are being taken care of tenderly. They get sun and water and are spending happy times with other plant friends

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Redraw of an old piece back in 2010-ish! 

I’ve been drawing Yosuke Hanamura for over five years now let that sink in.

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i fell asleep, then woke up again way early. so i put on defying gravity and drew yosuke with his Wind while giving myself a 30 minute time limit. 

INSERT YOUR APPROPRIATELY MELODRAMATIC/BADASS CONTEXT HERE, ‘cuz I got nothing. I choose to believe it’s a self portrait: my true self!!!, by yosuke hanamura (age six)

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I’m barely awake right now. why do i always draw when i’m barely awake.

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got home super late, have a weird yosuke sketch???

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the most high-effort shitpost ever, posted here without context. because why not. Brought to you by @impassive-aggressive

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How to Write OCs With Trauma

Just as I had shown with the 3 love posts for this series, there are a ton of ways that trauma can be shown through character behaviors or even speech patterns. Different people react differently when it comes to trauma, and you should also keep in mind what kind of trauma the character had gone through and what they were like before it occurred before deciding how they would be like now.

In the following post, I will be giving some different responses to trauma that your characters could display.

I. The “IDGAF Anymore” Trauma Response

Perhaps one of the most used responses to trauma that you see in characters in media is the character that blocks off their emotional responses to anything thereafter. They may fall in love with someone but they’ll never admit it because they don’t wish to be hurt. They may find a new family to love them but they shut themselves off from expressing said love because they are afraid of being hurt again.

Essentially what this response boils down to is a fear of being hurt again. Most people that shut down emotionally have been abandoned or abused or betrayed by someone they once trusted in some way; sometimes the thing that makes them feel betrayed isn’t even the other person’s fault such as an older sibling moving out of the house and away from their family once they get older or the death of a loved one.

II. The “Anger Issues” Response

I have known 2 people personally really well that have had this response to trauma. This response is where a person is so emotionally shut down (much like the last response spoken about) that they won’t allow themselves to show any emotion other than anger.

I once had a therapist tell me “usually when a person is angry, there is another emotion behind the anger, whether it is fear or depression or otherwise.” So the first question you should ask yourself when making a character with the rage response is… why are they angry? What emotion is being masked by the explosion of their anger? What are they trying to hide from? What traumatic experience is making them feel this way and how do they really feel about said experience? Depending on your answers and the kind of character you’re writing about, the angry outbursts can be different.

Some people will yell, some will get violent, some will punch holes in walls and doors and furniture… some will scream into a pillow… some will storm away in the middle of a conversation or hang up the phone if someone says just the wrong thing. Really think about what your character is like, how they respond to tense situations, before you lean into their anger response because some anger responses do not fit certain personality types.

III. The “Sensitive One” Response

Some people, when dealing with tense situations, become intensely emotional. They may cry easily when someone just looks at them cross-eyed. They might go quiet when they’re anxious. They might get really defensive at the smallest things. The Sensitive One can be shown in many, many ways, as there are lots of different types of sensitivity, so really consider your character and what they’ve been through before you decide which type of sensitive person they are.

IV. The “Unmasked Hero” Response

Not all heroes wear capes… that’s the saying, right? These people are the activists. These are the people that will talk to anyone for hours and hours just to talk them down. These are the people you always hear saying “I never want people to feel the way I felt when I went through this.” These are the people that become therapists to help others going through their issues. The Unmasked Heroes live their lives to make it so that no one has to experience the pain that they felt, if they can help it.

V. The “Rebel” Response

I do what I want. That’s the theme song of the Rebel. They lash out, usually acting like the victim no matter what happens (sometimes they really are, but sometimes they aren’t). Trauma can completely rewire a person’s brain, but with the Rebel, they often felt repressed before or like they were unable to fully be themselves and when something traumatic happens, something snaps in them to trigger that “I don’t give a flying fuck” response in their brain and suddenly they’re doing anything and everything they ever wanted to do (and sometimes even didn’t want to do) just to spite the rest of the world and if you don’t like it, you can kiss their ass. This can also be shown through a runaway after something traumatic happens.

This is another very common, often used trauma response.

VI. The “Mental Breakdown” Response

As a mentally ill woman myself, I want to emphasize: not all who go through trauma get mental illnesses and not all with mental illness went through a mental break. That being said, it is very common for an extremely traumatic experience (or life, in some cases) to give someone a mental illness. Or rather, to bring it out of them. There are illnesses like Bipolar, PTSD and more that come to the surface after an extreme mental break, PTSD being the more famous for this very situation.

What is important here is that there is no one situation that will cause a mental break. Depending on the person, it can be something that would be nothing to one person but would completely break another down while a third person might be going through 5 things all at once and seem to be handling it well. There are so many different illnesses out there, and a lot of them are very similar, so what I think is most important is that you do your research before you write an illness you have not personally seen or experienced. If you know someone with an illness you want to write about, ask them if you can run some idea by them and make sure it isn’t stigmatizing the illness, as mental illness gets stigmatized left and right in media.

VII. The “Class Clown” Response

Another common thing that is shown in media - and I’ve noticed is very common in real life - is the depressed clown. There are so many people that listen to society telling them it isn’t okay to not be okay, so they laugh and clown around to make others laugh and just like a lot of people need others’ compliments to feel validated, these people often need laughter to feel validated.

Some people that become the Clown type will deflect their sadness by making dumb jokes. Maybe, if you write about your character texting or on social media, you can show them in a downward spiral and just get on their social media page to post a dumb pun to negate the negativity. Or make a joke at their own expense, which is also common. A lot of people will make others feel bad for not being able to laugh at themselves, and these people are [often] great at doing exactly that, even if they end up in tears later on when they’re by themselves.

VIII. The “Angsty Artist” Response

As I’m sure a lot of you are aware, a lot of artists have a lot of emotions they are processing and a lot of them will use their art (whether it be visual or writing or otherwise) in order to process it.

You may have a teenager writing angsty fanfiction or poetry. You may have a young adult opening their first blog where they write about their life beginning adulthood. You may have a person that is drawing dark, gory artwork. Whatever it may be, the art can either directly reflect the way they feel, such as the dark artwork, or they may do the opposite and write about their personal idea of a utopia and use art to escape. Either way, the art is a means to process and understand themselves better and/or escape from reality for however long they do it.

The only good and bad thing about using this response is that a lot of people that use art end up getting lost in it. They end up becoming obsessed and never cease to work on the art or think about the art and may become consumed by their own processing creativity.

IX. The “Addiction” Response

Addiction can come in so many forms. It can be the typical drugs, cigarettes, alcohol… or it can be addiction to getting lost in a hobby (see #8: The “Angsty Artist”)… or it can be becoming a workaholic. Honestly, anything can become an addiction if you let it consume you, so keep that in mind. It could even be something such as them becoming a hoarder because they are afraid to let their past go, so they won’t let anything go.

There are so many other responses to trauma. There are billions of people in the world, and tons of them have trauma in their lives. To say that it all boils down to these responses would be silly, but these are some common responses to trauma that would be a great starting point if you’re trying to figure out how to have a character of yours going through trauma.

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Model of a decomposing Tyrannosaurus rex at the Altmühltal Museum by Aart Walen. Bavarian Forest, Germany

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they should give every weird gay person with a niche media interest $1,000,000,000 and a production company

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Yu-Gi-Oh! GX Episode 13: Judai plays a card game with a very smart monkey.

Yu-Gi-Oh! GX Episode 151: Distraught with agonizing guilt over the murders he has committed as the Supreme King, a manifestation of the darkness inside his heart that gained dominance after Judai succumbed to despair due to the death of nearly all of his friends, Judai vows to redeem himself by saving one of the only people he has left in the world, his best friend and heavily implied love interest, once thought dead, from the vengeful dragon spirit Yubel, who is possessing him in an attempt to win Judai's affection and fuse all dimensions, which would subsequently result in the destruction of the entire universe.

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g gundam is literally the greatest show of all time

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Lots of Reddit threads on FFN recently having trouble.

Last May there were posts about FFN being abandoned. Anyone have links to those?