They/them, NSFW. I apologize if you expected a theme for this blog. pro tip: if you want to tag something [blank]core, just tag it [blank]!
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Is this furry stuff? If so, does reading and liking it make me a furry? I don't really have anything against furries, but I am very much so not one.
whos gonna tell them
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it's been one of those weeks... pass the furry porn!!!!
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meow 🐈🌴☀️🌅
Traditional art
20 x 30 cm canvas, acrylic
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"it's concerning if university students are genuinely struggling to read full adult-level books for class" and "don't overstate the reporting of a single news article" and "if this shift is genuinely real, it's reflective of broad curriculum changes in lower education levels, probably at least in part due to remote schooling during COVID, and doesn't mean the new generation is being willfully Stupid and Vapid" and "when reading for personal pleasure people should read whatever they like without shame" and "reading from a broad variety of genres, styles, and authorial backgrounds will improve your understanding of both literature and the real world" and "actively mocking people for their tastes in books does not encourage them to become more adventurous you're just being mean" and also "but seriously adult books are not just boringly pretentious nothingburgers padded with pointless sex scenes, and claiming they are just shows how little you've read" all can and should co-exist.
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Saying that "America/The West is uniquely evil" is just another form of American/Western exceptionalism.
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I had absolutely zero desire to see Megalopolis, but reactions like this are intriguing me. Just a little.
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I was making this one before all the sketches of Lamb stealing the hoodie I swear. Leshy can't see but can feel how dumb Narinder looks
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Dorothy's Big List of Comic Book Recs - DC Comics Edition
I often get asks about getting into comic books, and how daunting it seems, given the huge back catalog of titles and issues available. I'm here to tell you it doesn't have to be scary! From miniseries that act as good introductions to characters to runs on ongoing titles by individual creators that serve on jumping-on points, there's lots of ways to get into comics without having to have a lot of background knowledge, and I'm going to give you a lot of potential places to start. Please note that this post only covers DC Comics; Marvel and indie lists will follow! Also note that I haven't read everything, and I won't recommend something I haven't read, so a few runs or books some consider must-reads may not be on here. This is based purely on books I have read and enjoy, and that I think are suitable for new readers. I'm also not including books from the Milestone and Wildstorm imprints as they're kind of a separate sphere to me, although some Vertigo books may be included.
SUPERMAN
All-Star Superman by Grant Morrison and Frank Quitely: This is the book that made me a Superman fan. It is an out-of-continuity celebration of Superman and his world, and an exploration of why Superman as a character has endured for nearly a century.
Superman For All Seasons by Jeph Loeb and Tim Sale: A gorgeously-illustrated and Americana-flavored recounting of Superman's early years in Metropolis, anchored narratively by the changing of the seasons.
Superman: Birthright by Mark Waid and Lenil Francis Yu: For my money, the definitive origin story for Superman. Great characterization of the entire supporting cast, including Lex Luthor, make this a perfect entry point into the character and his world.
Action Comics (1939) and Superman (1939) by Jerry Siegel and Joe Shuster: The earliest Superman stories are still really great, and have a populist edge that many later stories sanded down. They're pulpy and fun and I recommend them!
Action Comics (2011) by Grant Morrison: This run spans issues 1-18, plus a special issue 0, of the series launched as part of DC's mostly-failed 2011 reboot, and covers Superman's early years in this continuity. The early issues bring back some of the edge that was present in the Golden Age comics, and the rest of the run is solid stuff as well. Morrison always comes highly recommended.
Superman: Red and Blue: An athology series that focuses on a broad sampling of Superman's world and supporting cast, written and drawn by various creators.
Action Comics (1939) by Geoff Johns: Specifically, I would say that issues 855 to 870 are a good span to be checking out for Geoff Johns' run on the book. These include some great stories focusing on classic Superman villains such as Bizarro, Toyman, and Brainiac.
Superman Smashes the Klan by Gene Luen Yang and Guruhiru: An adaptation of a classic Superman radio story set in the 1940s and focusing on Superman's place as an immigration narrative. And Superman gets to rough up some Klansmen!
Man and Superman by Marv Wolfman and Claudio Castellini: Another story of Superman's early years, this one focusing on his struggles to adapt to life in the big city after moving from Smallville, as well as his first encounters with Lois Lane and Lex Luthor.
Superman: Up in the Sky by Tom King and Andy Kubert: A lovely self-contained story which demonstrates just how far Superman will go to save a single life.
Superman (1939) by Elliot S! Maggin: This mammoth run spans issues 247 to 400 of the classic title, and includes some fantastic stories such as "Must There Be a Superman?" (issue 247), "The Greatest Green Lantern of All" (issue 257), and "The Living Legends of Superman" (issue 400)
Superman (1939), Adventure Comics (1938) and Action Comics (1939) by Mort Weisinger: This run spans a lot of the Silver Age era of Superman, including Action Comics #241-392, Superman #120-231, and Adventure Comics #247-396. It's a lot of issues, but in those days you can mostly read them in any order since they're pretty self-contained. This run includes a lot of classic villains and stories, as well as the earliest adventures of the Legion of Super-Heroes.
Supergirl: Woman of Tomorrow by Tom King and Bliquis Evely: A spacefaring take on a True Grit-style western with gorgeous art, and a definitive story for the Girl of Steel.
Superman’s Pal, Jimmy Olsen (2019) by Matt Fraction and Steve Liber: a madcap romp and a delightful sendup of Silver Age weirdness.
BATMAN
Batman: The Long Halloween and Batman: Dark Victory by Jeph Loeb and Tim Sale: Another Loeb/Sale joint, focusing on Batman's earlier years and the transition of Gotham's underworld from the mob to a coterie of costumed kooks.
Arkham Asylum: A Serious House on Serious Earth by Grant Morrison and Dave McKean: An examination of the facility housing Batman's rogues, and what those rogues symbolize in his world.
Batman (1940) by Dennis O'Neil: This is a classic run which re-established a dark tone for the Dark Knight which has endured to this day. The run spans Batman #224-268, along with a handful of issues of Detective Comics. Among the major developments of this run are the introduction of Ra's al Ghul and his daughter Talia.
Batman: A Lonely Place of Dying by Marv Wolfman, George Perez, and Jim Aparo: The definitive story about why Batman needs Robin. Read it in trade since the story spans both the Batman and New Titans titles.
Batman by Grant Morrison: I'm hesitant to include this because it delves so deep into Batman lore, but it really is essential reading, introducing Damian Wayne along with other concepts. Please do disregard Morrison's frankly appalling characterization of Talia. Read in omnibus format as the run spans multiple titles.
Batman: The Killing Joke by Alan Moore and Brian Bolland: It's cliche at this point but the story still is fantastic and one of the best Joker stories ever written.
Batman: No Man's Land: An epic storyline across many titles dealing with Gotham being cut off from the US after a massive earthquake and Batman's efforts to keep the peace in an abandoned city. Read in trade format.
Batman (2011) by Scott Snyder: This run spans issues 1 through 51 of the New 52 relaunch, and introduces concepts such as the Court of Owls. It's a fun run, including a brief period where Jim Gordon acts as Batman.
Batwoman (2011) by J.H. Williams III and W. Hayden Blackman: A gorgeously-illustrated book about Batman's cousin and her adventures as the Batwoman. Worth reading for the art alone.
Nightwing (1996) by Chuck Dixon: Dixon's a tool but this is still the definitive Nightwing run. This run includes volume 1 of Nightwing, a 4-issue mini, as well as issues 1-70 of volume 2, which establishes Dick's home base of Bludhaven as well as his rogues' gallery.
Detective Comics (1937) by Paul Dini: This run spans issues 821 to 852, and features some great stories by one of the great Batman writers and a co-creator of the classic animated series.
Robin (2021) by Joshua Williamson: A great run that helps to flesh out Damian Wayne's place in the DC Universe.
The Boy Wonder by Juni Ba: A great story with gorgeous art that focuses on Damian Wayne and his relationships with the other members of the Batman Family.
Batgirl (2000): The first series to focus on a Batgirl, specifically Cassandra Cain, the best Batgirl, as she struggles to adapt to life after an abusive childhood being raised as an assassin.
WONDER WOMAN
Wonder Woman (2006) by Gail Simone: Simone's run is the longest that a woman has ever written comics' premiere female superhero, and it's just good comic book fun. The run spans issues 14 to 44.
Wonder Woman (1987) by Phil Jimenez: Jimenez's childhood love of Wonder Woman shines through in his run, which placed a renewed focus on Diana's supporting cast and especially her family. The run spans issues 164 to 188.
Wonder Woman (1942) and Sensation Comics (1942) by William Moulton Marston: Wonder Woman's creator laid down the basics of the character and her world, and those early Golden Age stories are still a great read. They're fun, engaging - and more than a little kinky with hindsight.
Wonder Woman (1987) by Greg Rucka: In the early 21st century, Greg Rucka was The Guy for writing female superheroes, and his run on Wonder Woman is great. It features Diana becoming an ambassador, writing a book, fighting Medusa, and matching wits with Veronica Cale, her own Lex Luthor. The run spans 196-226. I must also mention Wonder Woman: The Hiketeia, also by Rucka, which is a Greek tragedy where Diana finds herself torn between duty and justice.
Wonder Woman Historia: The Amazons by Kelly Sue DeConnick: A beautifully-illustrated story of the Amazons and the Greek goddesses, which lays the foundations for Wonder Woman's world.
Wonder Woman (1987) by George Perez: This run reintroduced Diana after Crisis on Infinite Earths, and the first 25 issues feature Perez's simply-unmatched artwork. The whole run spans the first 62 issues of the book, and serves as a blueprint for most subsequent takes on the character.
THE FLASH
Flash Comics (1940) and All-Flash (1941): The Golden Age Flash and his early stories by his creator Gardner Fox. Must-read if you're interested in Jay Garrick, the first Flash.
Showcase #4, 8, and 13, and The Flash (1959): The Silver Age Flash, Barry Allen, made his debut and early adventures here. Much of the art is by the great Carmine Infantino, and Gardner Fox returned to write some stories. The whole concept of the multiverse debuted in this run.
The Flash (1987) by Mark Waid (as well as Grant Morrison and Mark Millar): This run starts in issue 62 and lasts until 162, with a brief run by Grant Morrison and Mark Millar towards the end. This run is the definitive Flash run, focusing on Barry Allen's protege Wally West maturing in the role of the Flash and establishing himself as the true fastest man alive.
The Flash (1987) by Geoff Johns: This run spans issues 164 to 225, and refocuses the Flash's traditional rogues' gallery, offering modern origins for many of them, while also introducing new foes like Girder, Blacksmith, and a new Reverse-Flash.
The Flash (2016) by Joshua Williamson: This run spans issues 1-88, as well as 750 to 762 of the relaunched volume 1 of the book. I hate the recentering of Barry Allen from 2009 to 2019, but Williamson's run is the most tolerable, and serves as a love letter to the Flash, while also setting the stage for Wally to return as the primary holder of the mantle.
The Flash (2023) by Simon Spurrier: The current run of the Flash, it focuses on Wally as the main Flash and the Flash Family as an ensemble. The extended first arc features a threat to time itself, and goes into some really surreal and experimental territory for a Flash book.
Impulse (1995) by Mark Waid, et al.: A more lighthearted and comedic companion book to Waid's run on Flash, this book focuses on Bart Allen, Barry's grandson, who was raised in the future and has the attention span of a goldfish, as well as his relationship with the zen guru of speed, Max Mercury.
GREEN LANTERN
The Green Lantern (2018) by Grant Morrison: A police procedural starring Hal Jordan that gets into some pretty freaky territory, with gorgeous interiors by Liam Sharp.
Green Lanterns (2016) by Sam Humphries: A buddy cop type title focusing on the team of Simon Baz and Jessica Cruz. Humphries' run spans the first 32 issues of the book.
Far Sector by N.K. Jemisin and Jamal Campbell: A murder mystery in space which establishes a new Green Lantern, Jo Mullein. Super easy to get ahold of since it was rereleased as part of DC's Compact Comics line of $9.99 trades.
Green Lantern/Green Arrow (1970) by Dennis O'Neil and Neal Adams: This run brought a social conscience to comics as Green Arrow was reinvented as a left-winger and a man of the 60s counterculture, joining Green Lantern on a quest across America. The run spans issues 76 to 89 of the book.
Green Lantern (1990) by Ron Marz. Marz's run starts in issue 48, and sees the Green Lantern paragon Hal Jordan descend into darkness before being replaced as defender of Earth by Kyle Rayner. The run lasts until issue 125, and as Kyle is my favorite Lantern I have a fondness for it.
Green Lantern (2005) 1-67 and (2011) 0-20 by Geoff Johns: Johns brought Hal Jordan back as the main GL, and his run expanded the world of Green Lantern by introducing the emotional spectrum. His run is the basis for most Green Lantern lore going forward, and is pretty essential reading.
Green Lantern: War Journal by Phillip Kennedy Johnson and Montos: A 12-issue series featuring John Stewart as he ventures into space to fight a dark force corrupting life in the galaxy. The new definitive John Stewart run.
TEAMS AND TEAM-UPS
JLA by Grant Morrison, Mark Waid, Joe Kelly, et al.: This was a back-to-basics approach to the Justice League with a core group of characters. Morrison's run on the book is probably the best, but Waid and Kelly also bring in some good stories.
Justice League of America (2007) by Brad Meltzer and Dwayne McDuffie: Another relaunch of the time, this time with a large roster inspired by the classic 1970s era of the League. Some great stories in this run, including a crossover with the Milestone characters.
JSA (1999) by Geoff Johns, Paul Levitz: The first team in comics was relaunched in the 90s by Geoff Johns, who established the Justice Society as a family first, later bringing in the Marvel Family for some great stories fleshing out Black Adam's character.
Justice Society of America (2007) by Geoff Johns: Johns' second run on the JSA is a continuation of the first, with a focus on legacy and new heroes reclaiming the mantles of Golden Age heroes. Introduces the delightful Maxine Hunkel as the wind-powered Cyclone.
New Teen Titans by Marv Wolfman and George Perez: Lightning in a bottle. This book likely saved DC after the disastrous DC Implosion. The best Titans run of all time, quality of art and writing that has never been recaptured with this team. If you loved the cartoon as a kid you will love this book.
Young Justice by Peter David and Todd Nauck: For all intents and purposes, the Teen Titans for the 90s generation. Funny, heartfelt, with great cartoony art by Nauck.
Doom Patrol (1987) by Grant Morrison, Rachel Pollack: A truly, wonderfully weird tale of the most off-beat superheroes of all, with themes of identity, life, and art woven throughout.
The Terrifics by Jeff Lemire, Gene Luen Yang: At a time when Marvel was treating the Fantastic Four like dirt, DC put out their own version, which captures the wonderous adventure of a Silver Age science fiction book with some great character work from a great core cast. A thoroughly underrated title.
Suicide Squad (1987) by John Ostrander: An often darkly-humorous book about a team of second-string supervillains coerced into doing the government's dirty work. The definitive Suicide Squad run.
Villains United (2005), Secret Six (2006), and Secret Six (2008) by Gail Simone: A group of supervillains forced together by circumstance and find themselves working together as mercenaries. A real found family of freaks type of situation.
Legion of Super-Heroes by Paul Levitz and Keith Giffen: This run spans issues 282 to 313 of the 1980 book, and 1 to 63 of the 1984 book. Includes some of the greatest Legion stories, including the Great Darkness Saga.
Birds of Prey (1999) by Gail Simone: This run covers issues 56 to 108, and focuses on female heroes kicking ass, basically Charlie's Angels with superheroes.
Batman/Superman: World's Finest by Mark Waid and Dan Mora: A team-up book between Batman, Superman, and the DC Universe, set earlier in their careers.
Justice League International (1987) by Keith Giffen, J.M. DeMatteis, and Kevin Maguire: As much a workplace comedy as a superhero book, this is a very different take on the Justice League, from the time when "bwa-ha-ha" ruled the DCU.
THE FOURTH WORLD
The Fourth World Epic by Jack Kirby: Read in omnibus or trade format. The first stories of the Fourth World from the King of Comics, Jack Kirby. The story spans Kirby's run on Superman's Pal Jimmy Olsen, The New Gods, The Forever People, and Mister Miracle, and ends in The Hunger Dogs.
Orion (2000) by Walt Simonson: A follow-up to Jack Kirby's epic, this book focuses on Orion, the son of Darkseid, and his quest to vanquish his father once and for all.
Bug! the Adventures of Forager by Lee Allred and Mike Allred: With Mike Allred's striking artwork, this book serves as a love letter to Kirby's time at DC Comics.
Mister Miracle (2017) by Tom King and Mitch Gerads: A slightly-psychedelic take on the Fourth World, focusing on Scott Free and his family with the backdrop of a bloody war unfolding between New Genesis and Apokolips
New Gods (1989) by Mark Evanier: This was a return to form for the New Gods, who hadn't had a lot of new stories to themselves since Kirby left DC, and it's a great read.
AND THE REST
Green Arrow: The Longbow Hunters (1987) and Green Arrow (1988) issues 1-80, by Mike Grell: Probably the definitive Green Arrow run. Political, edgy, and mature.
Animal Man (1988) by Grant Morrison: A fun and surreal series of adventures featuring one of the DCU's unsung heroes.
Booster Gold (1986) by Dan Jurgens: A Reagan-era story of a money-obsessed celebrity superhero rediscovering the altruistic spirit of a true hero buried deep within him.
Zatanna: Bring Down the House by Mariko Tamaki and Javier Rodriguez: A quest through the realms of magic as a reluctant witch gets caught in the crossfire of a mystical war.
Amethyst, Princess of Gemworld (1983, 1985, and 1987): For fans of magical girls and sword and sorcery, this is a must-read. A girl from Earth discovers she is the princess of a mystical realm and embarks on a quest to save it.
The Question (1987) by Dennis O'Neil: A grounded, philosophical story of a man trying his best to make things better in a city abandoned to corruption and decay.
Monkey Prince by Gene Luen Yang and Bernard Chang: Drawing on Chinese mythology, this book focuses on an unlikely superhero with connections to the monkey king, Sun Wukong.
Blue Beetle (2006) by John Rogers and Keith Giffen: Giffen leaves after issue 10, but Rogers continues until issue 25, and the rest of the volume is pretty decent as well. It establishes Jaime Reyes as the Blue Beetle, and if the cards had been better he could have easily become DC's answer to Spider-Man. Ah, well. It's always nice when he gets a book, and this is probably the best one.
Galaxy: The Prettiest Star by Jadzia Axelrod and Jess Taylor: a YA graphic novel featuring a transgender alien princess. What's not to like?
Hawkworld (1989 and 1990): A science fiction epic of Thanagar, world of the hawks. A great read on its own, but it unfortunately did a lot of damage to the continuity of the Hawkman family of characters.
Hawkgirl (2023) by Jadzia Axelrod and Amancay Nahuelpan: A fun little miniseries focusing on Kendra Saunders moving to Metropolis and having to deal with the trauma and hardship of her past. Guest starring Galaxy from that other book!
Starman (1994) by James Robinson: A grungy, Gen X book about legacy and what we leave behind, with plenty of hooks for the new reader to investigate regarding the Golden Age superheroes.
The Power of Shazam! by Jerry Ordway: The post-Crisis take on Captain Marvel and the Marvel family. A great read, and the last great run for the classic versions of these characters.
Sandman (1989) by Neil Gaiman. Obligatory Neil Gaiman is a piece of shit out of the way, his Sandman book is a beautiful and at times horrifying read, and its importance as a story manages to outweigh my disdain for its creator.
Swamp Thing (1982) by Alan Moore and Steve Bissette: Moore's run begins in issue 19 and ends in issue 64. This is the definitive Swamp Thing run, which set the standard for all to follow. It's a creepy and often touching story which remains some of Moore's best work in the medium.
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Hi Miles, can I ask you to draw Mordecai crying over spilled Tea ? xD
Ask and you shall receive!
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Praise the Signal which will not cease! Praise the sacred currents!
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Words cannot describe how happy I am that I was finally able to find free time to share the sketch of Hana and Mordecai with you💫
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something you don't learn until you get really far into the making and tinkering life is that there's no such thing as "glue" really. there are so many kinds of substances that stick other substances together and they are all very different and if you just go look at the adhesives aisle in the hardware store the packaging never actually tells you anything useful. it's like "this is SUPER T-REX POWER GLUE" and the fine print says "good for use on wood metal and plastic". okay. but WHICH PLASTICS MY GOOD BITCH,
because SURPRISE, there's no such thing as "plastic" either. every kind of wood is basically the same on a chemical level, but the only thing every plastic has in common is "some of its molecules are long" and that is NOT a quality that determines how things stick together.
I just ordered some stuff I hope will permanently stick a circuit board to a steel sheet and withstand temperatures up to 150 degrees. by the way circuit boards are made of epoxy-bound woven glass cloth which is cool as hell but what the fuck do you glue that with? can any of the 12 kinds of adhesives I currently own do that? no of course not. if I want to stick two pieces of acrylic together so hard they become watertight to a depth of 3000 metres I have some shit that does that, but it does literally nothing else.
anyway. once you start learning how many kinds of sticking things together there are, the people at 3M start to seem like witches and I don't know if they're the kind we can trust with that level of arcane knowledge
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me watching 'gratuitous' sex and violence and ''problematic representation'' in my shows and movies made for adults

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