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Umineko solutions (Part 1)
About the 8 episodes and the world of Umineko
The following solutions try to follow the official solution and the additional material and hints given by Ryukishi07. However here and there, when there’s no clear answer from the official material, it can end up proposing popular theories and beliefs. Due to length this will be cut in more parts. Also keep in mind this is still a tentative version so it can and likely will be get edited in the future. Mind you, having read the visual novel is a requirement to understand the following solutions. Beware of spoilers of course and remember, the best solution/truth for Umineko is the one you decide yourself.
In case you’re interested here there’s Part 1, Part 2, Part 3, Part 4, Part 5 & Part 6
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Dua Lipa - Break My Heart (Official Video)
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Florence + The Machine - High As Hope (2018)
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Florence Welch in The Odyssey (2016) dir. Vincent Haycock
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You need a big god, Big enough to hold your love.
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Oh, do you know what I have seen? I have seen the fields aflame But everything I ever did Was just another way to scream your name
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Florence Welch in The Odyssey (2016) dir. Vincent Haycock
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Say my name As every colour illuminates
Florence + The Machine - Spectrum | Open'er Festival 2016
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Florence Welch on Late Night with Seth Meyers
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‘On stage, she says, she always felt absolved – nobody was angry with her up there. It was her offstage life that she had to work on. Up there she will climb the scaffolding, holding on with one hand, leaping into the crowd and ripping her top off when she gets too sweaty. After those nights it’s quite hard for her to return to earth. Everything, she explains, starts to take on a magical significance. There will be moments – sitting in a friend’s room watching TV, for instance – when, sleep-deprived and sober, she will be suddenly awed. “Mundane moments become incredibly profound. The performing, the transcendence, then sitting watching TV – all can coexist, and the mundane makes the magical. Maybe I’m trying to hold on to normalcy. Maybe because being onstage has become normal, the pockets of peace seem really wild. But I treasure them.”’ - Florence Welch photographed by Phil Fisk for The Observer (June 2018)
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