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Detalle de la fachada principal, Casa Juan O'Gorman, av. San Jerónimo 162, Jardines del Pedregal, San Ángel, Ciudad de México 1952
Arq. Juan O'Gorman
Detail of the main facade, Casa Juan O'Gorman, av. San Jeronimo 162, Gardens of Pedregal, San Angel, Mexico City 1952
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Still life with skull, 1943, Georges Braque
Medium: oil,canvas
https://www.wikiart.org/en/georges-braque/still-life-with-skull
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Joan Hernández Pijuan, Untitled, 1993 [Sylvan Cole Gallery, Sitges]
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resurrection of the dead
book of hours, Bruges ca. 1440
Besançon, Bibliothèque municipale, ms. 151, fol. 54v
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Carthusian Monks - The Livre De La Vigne Nostre Seigneur, 1450. “Le Livre de la Vigne Nostre Seigneur” is a 15th century French manual describing the end of the world, the last judgement and the punishment of the wicked in Hell. Illustrations show the activity of the Antichrist, the signs of the Apocalypse and the Last Judgement. After the Last Judgement the illustrations show in graphic detail the terrible punishments and tortures that lie in wait for the damned.
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“I don’t like ingénue people and I don’t like to see them in the movies. I like people with heart and soul, and character work is soul.”
-Susan Tyrrell
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Storytime with Rick; “Susan Tyrrell, March 18, 1945 - June 17, 2012.
My God, what an actress, what a woman. Susan had generously kicked her SAG checks back into the Forbidden Zone budget and after shooting we took her to Paris as partial repayment. My ex-wife (Frenchy in FZ) comes from a high-society French family and we were at a party filled with young snobby French blue bloods, some of whom gave Susan attitude in a way that only the French can… just enough to feel yet so subtle the perpetrator will deny it. A young countess bitch asked Susan for a light from her cigarette. Susan dragged deep on her smoke making a nice hot ember, took the girl’s hand to light the smoke, then BURNED the girl’s wrist instead– she screamed like murder. I pulled Susan off her before further damage was done. What fucking passion! And one of the great talents I have ever had the honor to work with…” (Facebook post 19.06.2012)
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When Britain’s railway system expanded through St. Pancras Church’s graveyard in the 1860s, Thomas Hardy had to exhume hundreds of bodies and bury them in another cemetery. He decided to place the old headstones around an ash tree in the churchyard, where they formed a haunting root system that’s lasted for centuries. Source

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