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A warm soothing hum filled the space around me as the crystal bowl was struck. The sound engulfed me and I figure began to manifest before my closed eyes. It was fluid, feminine and black. Not the simple black that would be seen in the living world, be the pure absence of light in the void. I was only able to see its contours and features as it was covered in a fine oily sheen that caught and reflected the lights from its adornments. 

Atop it's head was a tall golden crown, seeming more at place amongst art Deco architecture, it displayed 8 veins in a symmetrical array. Starting shortest at the outside they rose with each successive set until an undecipherable symbol of electric green light was seen between the space of the central veins.

It was dressed in a long flowing cloak, the collar of which rose up much like the crown with more symbols flicking and dancing in the spaces between the protrusions. Although the cloak was golden where it was draped across the figures shoulders, it transitioned to the same otherworldly green glow of the glyphs the further it went down the figures body. As I gazed upon this manifestation I came to realise there was a pattern on the cloak, a descending spiral of Fibonacci fractals. This was hard enough to comprehend on the body of the figure but it was at the trailing end of the cloak it truly fractured reality. I marvelled at the ethereal green glow of the eternal sequence of mathematical precision and became quite entranced. 

After falling for and aeon through the gateway of green and gold a stern but guiding voice resonated through my consciousness.

"Your attention to detail is commendable but do not let it become a distraction"

Shaken by this interruption I saw that I once again stood before the void maiden. She reached out a hand towards me, the green fractals spiralling from her fingertips as she spoke once more

"Come along little technomancer, we have worlds to change"

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Crimson Peak Directed by Guillermo del Toro (2015)

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"Total Enlightenment" Oliver Wetter

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{syd}ona

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“Centaur” is the work of Maurice Montero Sauvage. More than 120 pieces assembled. One of his biggest challenges as he says himself.

Steampunk Tendencies on Instagram 

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District 666 by James Abels

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∞

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“When you love someone, you are sure. You don’t need time to decide. You don’t say stop and start over and over, like you’re playing some kind of sport. You know the immensity of what you have and you protect it.”

— Nina LaCour

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Death’s head moth brooch by KindHeartsEmporium on Etsy

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Hell’s Monarch by Andres Rios

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Behind The Scenes Photos from Classic Universal Monster Movies

Spearheaded by producer Carl Laemmle, Jr. and visionary makeup artist Jack Pierce, Universal Studios’ series of monster movies were responsible for giving the world of cinema its first true horror icons, laying the groundwork for all other iconic boogeymen to follow. 

Beginning in 1925 with the Lon Cheney fronted silent horror classic The Phantom of the Opera, Universal Studios churned out a series of monster movies that were heavy in tension, suspense and atmosphere, setting the ominous mood and tone for each film by way of thick fog, classical music scores and towering gothic castles. Adapting the works of such prominent literary figures as Mary Shelley, Bram Stoker and H. G. Wells, Universal effectively established itself as Hollywood’s ‘House of Horrors’ and continued its landmark series through the 1960s, the last of its original iconic monsters arriving in 1954 with Creature From the Black Lagoon.

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Tfw she wakes you up in the middle of the night by purring "Daddy, I need your cock in my ass" in your ear

🖤🖤🖤🖤🖤🖤

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https://instagram.com/satans__temple

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I dreamed of you

I dreamed you were wandering in the dark

And so was I

We found each other

We found each other in the dark

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