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[jaelya]

Anub'azal, The General

[jaelya]

10/10 expansion no notes

[jaelya]

this is so fucking cute thank you hearthstone devs

[jaelya]

listen I just think if Anduin did this for a couple hours not saying it’s a cure but i mean that’s how all the other millennials have gotten through it

[jaelya]

when the actual gameplay loop is closed for the week, i return to monky.

[jaelya]

Just learned that most of my friends keep the WoW error speech on when playing and I feel like I have been playing with complete strangers for 10+ years. That is easily the first dumb little inconvenience I turn off when I reinstall the game. Don't you think it's obnoxious when your character goes :( I CAN'T CAST THAT? as you're hammering the ever loving piss out of your Shadowbolt button????

[jaelya]

f uri ous...

[jaelya]

does anyone have that blackfathom deeps video of the orc failing miserably at the parkour and leaving

[jaelya]

Lord Taran Zhu throwing a Honda Civic Sedan at Vol'jin, 2024, colorized

[jaelya]

HAPPY BIRTHDAY ONYXIA (AND NEFARIAN SINCE THEY'RE TWINS)

[jaelya]

The Ritual

After the second fall of Hakkar one would have assumed that his followers would dwindle. This is not the case his loyal priests the Atal’ai are always around hiding and waiting to provide their master his bloody birthright as the Blood God of the Gurubash

I had the pleasure to work on this piece for the wonderful Arensica . Trolls and stained glass seem to go together quite well, add some blood magic on top and you have a project I REALLY enjoy. I hope you like how it turned out! Thank you for commissioning me.

[jaelya]

Queen Talanji

[jaelya]

well. that's neat.

[jaelya]

POV: Vol'jin just laid you flat on your ass without even trying

like he wouldn't enjoy dishing out an asswhooping to the young and brash

[jaelya]

Delving into Blackfathom Deeps

An excerpt from Glory to the Queen Born of Stars:

"Of the wonders our queen brought to this world, perhaps none was so great as Lathar'Lazal. As masons constructed the temple, Azshara shaped the waters around it with the Scepter of Tides. She spoke the names of the rivers and the seas, and they moved at her command. Salt water from the roaring ocean and fresh water from the mountain streams trickled to Azshara's side. With the flick of her wrist, the queen partitioned them into great lakes that hugged Lathar'Lazal's sturdy foundation."

Architecture:

Blackfathom Deeps, as we know it today, was once called "Lathar'Lazal," or "Seat of the Sky" in Darnassian. Long ago, this was a temple to Elune built by Queen Azshara with the aid of Sharas'dal (her tide-scepter) in the ages before the Sundering. Pelagic imagery still endures in the architecture of these sunken ruins, described at one point to have contained "gem-encrusted bridges and effervescent lakes." Motifs of fish-head fountains, wave-inspired stonework, scale-like patterns, and ionic columns are repeated in the masonry and pottery of the forlorn halls. It is unclear what the seafoam-colored stone the temple is made of, though it is interesting to note that it almost bears a resemblance to a body of water's surface: like the way a pool shifts and shimmers with the light. Some kind of material borne of the sea, melded together with the queen's Sharas'dal, or a common mineral of the region? They could also simply bear cracks and signs of weathering considering the age of the temple, but watery stone would be fitting symbolically.

Azshara's Influence:

"Whenever she [Azshara] walked the bridges of Lathar'Lazal, nearby schools of exotic fish would array themselves in colorful patterns. She even kept a colossal sea giant bound to one of the lakes. She used her scepter to make him perform tricks and feats of strength, much to the delight of the watching Highborne. Curious night elves from the far corners of the empire journeyed to Lathar'Lazal to study the mythical creature and his habits."

Perhaps Lathar'Lazal was a bustling tourist attraction then in the days of the empire, both for education and entertainment. With such tourism drawn to the temple, I wonder if the nearby land/city of Zoram benefited from this economically.

The passage above seems to imply that the Highborne rather enjoyed the spectacle of the imprisoned sea giant, and this poses an interesting dichotomy to the original purpose of the temple: a house of Elune, simultaneously hosting a creature trapped against its will. Such an exhibition created by Azshara here speaks to her penchant for show and amusement, and possible disregard for the faith. If only a historical record existed of a priestess's personal journal or the like; and whether she would be disappointed with such behavior, or complacent in the suffering of other races/creatures as night elves often were during this era.

Tideweaver:

Queen Azshara, even before her naga transformation, always had a fascinating dominion over water, both with her scepter Sharas'dal and the Well of Eternity. Supposedly Xavius was the one who actually gifted the queen with this ornate weapon that later shaped the temple:

"A night elf named Lord Xavius presented the queen with a jeweled scepter, etched with delicate magical sigils. He promised Azshara that so long as she kept it close, it would bring her prosperity and great power. Azshara held the scepter aloft, and the jewels shimmered in the light of the moons like brilliant stars. The sight of the queen and her gift was so beautiful that it brought many of the attendant Highborne to tears."

An enigmatic man of terrifying skill and power, I do wonder where Xavius procured this weapon in the first place; as its design does not appear to be of Kaldorei craftsmanship. Perhaps it hails from the ancient jinyu culture, the primordial titans, or some other past world power. Examining its details, what do you think of Sharas'dal's origins?

"Queen Azshara's enchanted scepter afforded her great power. Imbued with the Well of Eternity's potent waters, it held sway over the rivers and the seas, aquatic creatures of all kinds, and the life energies that stirred within Azshara herself."

In the Tablet of Balancing Tides, it is stated that:

"The whispers of Elune and Neptulon play on the tides, their words etched in stone are a tribute to the balance of their power."

I find it interesting that Azshara utilized a form of magic half-intrinsic to the moon goddess. Did she derive some of her aquatic power from Elune, or use a different magick entirely? The descriptions of Azshara wielding the scepter use language that speaks to a command over water, rather than a unity with the elementals, spirits, and goddess.

This item's flavor text also mentions Neptulon--Elemental Lord of Waters--interestingly now a sworn enemy of Queen Azshara and her naga forces in the present day.

The Moonshrine Ruins:

This place supposedly once hosted a moonwell, with an area known as the Moonshrine. The foundations here might suggest that before the Sundering, Lathar'Lazal could have been built just upon the shores, or expanded out into the sea itself with the tides embracing the temple all around. Swimming beneath the waters of the Moonshrine, there appear to be large pillars supporting the walkways here; much like a pier.

The Inner Sanctum:

Crescent imagery is prevalent inside of the sanctum, as well as sets of 3 seats, perhaps symbolism of the triple moon (waxing, full, and waning or the maiden, mother, and crone archetypes) holding some importance in the rituals carried out here. These could also represent a large meeting space, high-ranking priestesses for ritual, a council of leadership, divisions of the temple, seating for observers, or something else entirely. They face partitioned rooms with crescent moon symbols.

If we look at the central dais of the sanctum, (Azshari statue and cultist altar notwithstanding) there is a raised platform with a pyramid-like structure carved into the ceiling. Perhaps a skylight once existed here to let in moonlight for lunar rites, or this area hosted something of great importance to be kept safe inside the sanctum.

The Moondoors:

The moondoors are an especially interesting piece, and the last apparent threshold of the Seat of the Sky. Upon passing through, there are only a handful of pillars flanking the sides of the cavern. They seem to accompany each other in pairs on each side - marking a possible entrance, exit, or some other pathway to the temple. While I am unsure of their true purpose or the mechanism to unlock them, the various square pieces are almost akin to a puzzle. This model is used in other Kaldorei architecture and I've long been intrigued by their possible uses. These moondoors are typically used as entrances to the tall, thin ivory towers of Kaldorei ruins. Perhaps Elunarian priests or arcanists weave (or wove) intricate spellwork rooted in the arcane, or the moon cycle in order to lock these types of barriers. What was intended to lie beyond them is anyone's guess: powerful artifacts, sacred relics, enshrined lore, or even concealed secrets.

"The Great Sundering shattered the glorious temple, sinking it beneath the waves of the Veiled Sea."

I hope you enjoyed these musings! There's something equally fascinating and solemn looking back at the remnants of the Kaldorei Empire - in the shadows of glory that once eclipsed the continent.

“Lun’elil rae mak’melil, ana-andas-fal lura rae isil.” (Blessed by moon and guided by wave, we are one with sea and silver.) - A seaside priestess's incantation

[jaelya]

[jaelya]

hi guys