johnbarrygroup - Tumblr blog

[johnbarrygroup]

Just announced the new DJI Mavic 3 CINE Premium Combo DJIMAVIC3CINE-CB DJI Mavic 3 Cine Flagship camera drone for pros 899 g 4/3 CMOS 20 MP, DNG (RAW) 5.1K/50fps, 4K/120fps 46-minute Flight Time (no wind) O3+, 15km, 1080p/60fps Transmission * Complete Omnidirectional ActiveTrack 5.0 ** Advanced RTH DJI RC Pro (high-bright display) 1TB SSD high-speed internal storage 28x Zoom MasterShots ** APAS 5.0 Apple ProRes 422 HQ encoding. Order here or link in bio https://bit.ly/3GSxp9B https://www.instagram.com/p/CV6FpErBz3-/?utm_medium=tumblr

[johnbarrygroup]

Ready to turn your Ninja V into the ultimate streaming tool with AtomX CAST? AtomX CAST is a modular companion for Ninja V that uses the AtomX expansion port on the Ninja V to transfer it into an advanced multi-input switcher. Enhance your Ninja V with the AtomX CAST to create the Ninja CAST. NINJA CAST Order here or link in the bio! https://bit.ly/3FHevlk https://www.instagram.com/p/CVCVhscPv_d/?utm_medium=tumblr

[johnbarrygroup]

[johnbarrygroup]

@panasonic_au #Lumix announce the release of the 3rd LUMIX S F1.8 lens, the 24mm F1.8 weather-sealed S-S24GC lens for LUMIX S full-frame mirrorless cameras. This lens is one of four F1.8 small form-factor L-Mount prime lenses featuring the same chassis design, making them the perfect complement for S Series camera users wanting a kit of lenses that can be easily switched on a gimbal or rig. The LUMIX S 85mm F1.8 and 50mm F1.8 lenses which launched a few months ago, and now the 24mm F1.8, show Panasonic’s commitment to continue developing new products for our loyal customers. This new LUMIX S 24mm F1.8 lens continues the tradition of the F1.8 series’ optical performance, portability and affordability, weighing in at just 310g while delivering sharp, punchy images. Lens Features Compact & Light Body 310gms (Common Chassis with 85mm, 50mm, 35mm) 9 Bladed Aperture for smooth bokeh rendering Focus Breathing Suppression (perfect for video users) Linear Manual focus control with S-Series camera bodies allowing throw adjustment 90-360 degrees. Weather Sealed Order here or via the link in the description! https://bit.ly/2WEILvJ https://www.instagram.com/p/CTTVUirvL2k/?utm_medium=tumblr

[johnbarrygroup]

Perfect D.I.T station on location 📸🔩 Thank you for choosing @adicam.pl @will_ainsworth 🙌🤝 . . . #adicam #filmcart #setlife #cameraoperator #cameracart #filmset #filmgear #moviemaking #filmmaking #filmmaker #videocamera #cameracrew #djironin #cameradept #cameraop #cinematographer #cameraman #movieset #directorofphotography #steadicam #steadicamoperator #arri #cinematography #gimbal #redcamera #filmequipment #filmproduction #filmindustry https://www.instagram.com/p/CTD-20rBksf/?utm_medium=tumblr

[johnbarrygroup]

Amazon Prime Video’s Making Their Mark Shot With @blackmagicnewsofficial Cameras “Making Their Mark,” the hit Amazon Prime Video series that gives viewers access into the Australian Football League’s top teams, was shot using Blackmagic URSA Mini Pro 4.6K G2 and Pocket Cinema Camera 6K digital cinema cameras by Melbourne’s JamTV. Color correction for the series was completed using DaVinci Resolve Studio. “Making Their Mark” is a seven part series that follows six teams in the Australian Football League, giving viewers a never before view into the league’s teams, players and coaches. Shot during the Covid impacted 2020 season, the series mixes game footage with footage from inside the clubhouses, executive rooms and the player’s personal lives. To get close to the action on the field and up close to the players and coaches, Melbourne’s JamTV Australia chose to use a number of URSA Mini Pro 4.6K G2 as the main cameras for the production. Pocket Cinema Camera 6K cameras were used for gimble and off speed shots. DP Matt Koopmans explained: “The reason we went for the Pocket Cinema Cameras and URSA Mini Pros was because we needed to shoot high speed and both these cameras had the ability to do that and were at a price point that worked for the production. For some of the games, we used up to a five Blackmagic camera set ups, with two on ISO, two in the team rooms and one shooting for color commentary.” Shooting over the entire 2020 season, Jam TV captured more than 2,500 hours and 650+ terabytes of footage, all shot in Blackmagic RAW 8:1, and used more than 20 camera operators across Australia. To capture all of the various types of shots in those 2,500 hours, they relied on the Blackmagic OS’s ability to let them easily switch between frame rates quickly and on the camera’s ease of use. https://www.instagram.com/p/CTDoVqCh-xn/?utm_medium=tumblr

[johnbarrygroup]

@blackmagicnewsofficial has a new lowerprice for the Blackmagic URSA Mini Pro 12K • This price reduction has been made possible by efficiencies in manufacturing combined with an improved supply of 12K sensors. • However with the new rendering engine in DaVinci Resolve 17.3, showing speed improvements up to 3x when working in 4K and 8K resolutions, the new lower price will make high resolution workflows more accessible. • “Since we released Blackmagic URSA Mini Pro 12K last year, we have been working hard to increase the supply of sensors and make improvements in our manufacturing processes to help reduce costs," said Grant Petty, CEO, Blackmagic Design. “This new lower price, combined with the incredible 3x faster speed of DaVinci Resolve makes high resolution 4K and 8K workflows more accessible. It’s totally mind blowing that you can edit high resolution 8K in DaVinci Resolve, on an Apple M1 notebook!” Order link in the Bio! or here https://bit.ly/3j3XcBU https://www.instagram.com/p/CSx5SolhDWr/?utm_medium=tumblr

[johnbarrygroup]

@blackmagicnewsofficial #DaVinciResolve 17.3 (available now free of charge) adds support for a completely new processing engine that transforms the speed of DaVinci Resolve to work up to 3 times faster on Apple Mac models with the M1 chip. With this massive speed increase, customers can now play back, edit and grade 4K projects faster, and can even work on 8K projects on an Apple M1 notebook. The new processing engine uses tile based rendering, which also gives customers up to 30% longer battery life on laptop computers when working in DaVinci Resolve. • DaVinci Resolve 17.3 also supports a new option on Mac computers with M1 for H.265 hardware encoding. Customers can choose to prioritize speed vs quality when rendering, further improving render times up to 65%. Plus, DaVinci Resolve will now decode AVC Intra files using the media engine built into the Apple M1 chip, making decoding and playback faster when working with these file formats. • “This is truly an amazing update that gives customers huge performance and power efficiency gains on Mac models with M1, and it totally transforms your computer, simply by downloading this free of charge DaVinci Resolve software update” said Grant Petty, Blackmagic Design CEO. “This speed increase is stunning and it’s hard to believe. I have not seen a speed improvement this large since the original 68000 to Power PC transition back in the 1990's and it is just amazing. Who would have thought just a year ago that multiple 4K streams could be played back and edited natively on a MacBook Air, but it’s easy now on DaVinci Resolve with M1. The engineering team has worked so hard on this new image processing engine for DaVinci Resolve, and it is an incredibly exciting time to be developing software for the Mac!” https://www.instagram.com/p/CSx4Ac5JmmP/?utm_medium=tumblr

[johnbarrygroup]

The new Orca OR-109 rain cover has arrived – in stock An extra-large cover to protect your PV camera setup or production cart Use indoors to protect from dust or out in the elements – made from waterproof nylon Check it out link in bio or > https://bit.ly/2VK7RIC Dimensions: L: 100cm x W: 40cm x H 80 cm https://www.instagram.com/p/CSf6dQdpJoh/?utm_medium=tumblr

[johnbarrygroup]

Announcing IFBlue! Affordable IFB systems perfect for film and broadcast production, and high-quality assistive listening. The IFBlue receiver provides simplicity and flexibility in a tough package that is intuitive for untrained users to operate. In spite of its small size, the receiver pack offers excellent performance and convenience. The dock charging feature and supplied rechargeable batteries make daily use a snap, while 10 programmable preset frequencies give you excellent flexibility on set or in the studio. The IFBlue receiver pack is offered in five different frequency ranges to match existing T4 transmitters: VHF (174-216 MHz), A1 (470-537 MHz), B1 (537-614 MHz), C1 (614-692 MHz) and 941 (941-960 MHz).Transmitters available from @lectrosonics_inc include the IFBT4, IFBT4-VHF, or any Digital Hybrid Wireless transmitter in IFB compatibility mode. Order now link in the bio or https://bit.ly/3fYGiCE #SoundO #SoundRecordist #Setlife https://www.instagram.com/p/CSfsTj1hbVu/?utm_medium=tumblr

[johnbarrygroup]

The @shapewlb AC BELT is designed for camera assistants, grips, and technicians working on film and TV sets, live shows, and more. The belt provides support and strength with a quick-release buckle and numerous MOLLE system attachment points. Also included are four metal hooks: two at the front and two at the back. Made of double-layer nylon on the outside, it provides secure attachment for several film and TV accessories. Anti-slip material on the inside provides grip so the belt doesn’t slide or slip. Its core has a rigid plastic frame for back support. The belt is adjustable from 91 to 121 cm (36 to 48 in.). The belt includes an accessory pouch that can be attached with 2 straps into the MOLLE system for additional security. Made of thick nylon, the pouch can be used to store several accessories (tools, pens, remote follow focus units, etc.) Link in bio or order here https://bit.ly/2Ubt79Q https://www.instagram.com/p/CSaanplhqf1/?utm_medium=tumblr

[johnbarrygroup]

It takes four ingredients to make 32-bit float recording possible on the Mini. Ready to see the recipe come together? Follow the link to see how our sonic chefs whipped up the industry’s first and only transmitter which features built-in 32-bit floating point recording. @sounddevices # https://bit.ly/37ooFY8 https://www.instagram.com/p/CSNonMmBS_O/?utm_medium=tumblr

[johnbarrygroup]

The Melbourne team will be manning the phones, emails and chat from home. Order before 2pm for same day dispatch from the NSW warehouse! https://www.instagram.com/p/CSLhXADB6C9/?utm_medium=tumblr

[johnbarrygroup]

Stunning! 🤯 📸 @komodofpv @adicam.pl . . . #adicam #filmcart #setlife #cameraoperator #cameracart #filmset #filmgear #moviemaking #filmmaking #filmmaker #videocamera #cameracrew #djironin #cameradept #cameraop #cinematographer #cameraman #movieset #directorofphotography #steadicam #steadicamoperator #arri #cinematography #gimbal #redcamera #filmequipment #filmproduction #filmindustry — at Mallorca Island https://www.instagram.com/p/CSLahDmhbN2/?utm_medium=tumblr

[johnbarrygroup]

Today @blackmagicnewsofficial announced additional Blackmagic RAW support for the 5 inch and 7 inch Video Assist 12G HDR models when shooting with Panasonic Lumix S1 or S5 cameras. This means when recording Blackmagic RAW with these cameras using Video Assist, you can save camera settings in metadata so you can set ISO, white balance and exposure, then override them later while editing. This also requires installation of the Blackmagic RAW 2.1 and DaVinci Resolve 17.2.2 updates to access the files on your computer. Blackmagic Video Assist 3.4.3 update is available now as a free download from http://bmd.link/xXpmhs https://www.instagram.com/p/CRSbAjLL0zg/?utm_medium=tumblr

[johnbarrygroup]

We are in the process of moving. Please order online ! https://www.instagram.com/p/CRGHj5KrKbT/?utm_medium=tumblr

[johnbarrygroup]

@ambientrecording are normally found behind the scenes. We let others shine while taking a supporting role behind the scenes. And suddenly, while watching Netflix's Lupin, we see them in the limelight: The #QuickPole was featured in season 2, episode 2. https://www.instagram.com/p/CQr4T9OL_Di/?utm_medium=tumblr