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THEORY: KAEYA IS HALF-SEELIE

Back by unpopular demand: Seelie Kaeya theory.

I have already talked about this before, many, many times, but I wanted to gather all my jumbled thoughts from the past few months into one proper post along with some new revelations that further support the theory.

I just want to clarify first that I don't like abandoning the narrative in favor of a theory. I wouldn't be constantly trying to push for this if I wasn't at least 80% sure.

Kaeya is my favorite character in the whole game, but I am well aware of the limitations being put on his character…

…Unless 5-star Kaeya comes through for us, that is.

*UPDATE: added a section on Arlecchino 🥳 (4.6 spoilers)

Apologies for the long read but I had to make it as thorough as possible, you understand.

INDEX

1. Seelie = Angels 2. Connections to Seelie and the Jinn 3. Midsummer Night's Dream 4. Nicole Reeyn 5. Arlecchino 6. Visual Similarities and Characteristics 7. Perinheri

SEELIE = ANGELS

Seelie are equated to angels in the game. The floating eyeball versions are even modeled after a type of sea slug called Sea Angels. In case you need more evidence than that:

Nabu Malikata is a Seelie survivor. Her last name Malikata can be derived from malayikata ملائكة which means angels/messengers in Arabic.

The Jinn were created from Nabu Malikata's blood, they are referred to as the "descendants of Seelie" in the world quest "The Falcon's Hunt".

Seelie were heavenly envoys who would deliver messages from Celestia to humans. Nabu Malikata even refers to them as the "fallen envoys of heaven", after they were cast down.

So, if you ever happen to spot the phrase "heavenly/divine envoys", they are actually referring to the Seelie.

As for what they may have looked like, the Mural Room in Dragonspine features a depiction of an envoy with wings and what looks like horns or a crown on its head. Translated from Latin, the text next to it is as follows:

Fidelis angeli iuvant The angels help the faithful

Seelie are guides who reward humans with treasure after they lead them back to their Seelie courts. Simply put, they are returning a favor. Who else do we know of who is obsessed with favors?

ANGELS GEORG

The Seelie Kaeya has a bunch of notable connections to angels, the more you start to look for them the more you notice.

According to Kaeya's character story A List, he owns a book called The Adventures of Angelos, in which he keeps a list of names. Angelos, of course, means angel.

Between the pages of "The Adventures of Angelos," you find a list of names written on a sheet of official Knights of Favonius letterhead paper.

Kaeya's favorite haunt is Angel's Share. The logo for Angel's Share is two angels drinking from a wine glass. Angel's Share was established by Dawn Winery, where Kaeya was left at for unknown reasons. According to Diluc's character story, Crepus told him the following:

"The world would never turn its back on the faithful."

This is reminiscent of the mural in Dragonspine: "The angels help the faithful."

Furthermore, the teacups used to represent the mage Nicole can be found in Dawn Winery. Nicole is known as the "guide who never gets lost" and there is one teacup missing in the trailer. We'll get back to that piece of porcelain later.

It's possible that Dawn Winery had some dealings with the Seelie or that it was established by them. Remember Crepus owned a Delusion which means he must have had ties to the Fatui. We know of one character who is both Seelie and Fatui: Columbina.

Columbina is most likely a Seelie since the decorations in her hair match perfectly with the decoration on the Seelie courts. The character of Columbina is also known as a fairy-like dancer; fairies is what the Seelie are in popular culture… (More on that later.)

In the third volume of the book Drunkard's Tale, a lone wolf meets a Seelie survivor who is singing in an unfamiliar language. This Seelie is speculated to be Columbina. The Seelie is adressed as Maiden with the same characters in Chinese as Columbina's other title Damselette.

少女 = Damselette / Maiden

Curiously enough, this particular volume of the book can be found in Dawn Winery.

Kaeya's favorite drink is Death After Noon. This is based on the real drink "Death in the Afternoon", which famously contains absinthe. In the Book of Revelation, Apsinthion, or Wormwood, is the name of an angel or star who fell to earth.

The Abyss Mages chant in Enochian which is the language of the angels. They use this language when they regenerate their shields and to control the Hilichurls. The Abyss Order mostly consists of former Khaenri'ahns.

When Kaeya spots the Abyss Mage back in the Temple of the Wolf, it speaks to him in Enochian. They even added a subtitle to highlight its importance.

Kaeya: There's no way hilichurls organized an ambush like this themselves — not with their limited mental capacity… (A Hydro Abyss Mage reveals itself) Kaeya: Thus YOU were behind this. Hydro Abyss Mage: Gohus, Chiso Vonph.

Kaeya claims he's blessed with certain linguistic powers when the Paimon asks him how he gathered information about the Abyss Twin.

Paimon: What exactly did you have to do to find this out!? Kaeya: Heh… Let's just say I'm blessed with certain linguistic powers.

In the manga, it was implied Kaeya was able to read an unfamiliar script that not even Lisa, the Akademiya's best student in two hundred years, could understand.

We don't know where Kaeya lived beforehand but he might have lived in the Dark Sea. The Dark Sea is not a literal sea but any place outside of the rule of the Seven. Think Enkanomiya and possibly Khaenri'ah.

Kaeya: But, as you can see, this is but a deserted land. Based on previous experience, I decided that it would be best to wait for contact.

In the Midsummer Island event, Kaeya says he's been stranded on an island before, and in typical Kaeya fashion does not elaborate. (This might be connected to the Nameless Island, which Kaeya visited on his birthday.) Venti alludes Kaeya might have come from the Dark Sea, by the poem he gives him:

Venti: "Majestic waves cresting, surf roaring its tale, none but the ocean to hear as I sing." Venti: "The stars in my eyes as I chart toward the horizon, that into one day, from the endless dome of night I shall spring."

Palaces of the Seelie can be found in one particular ruin of the Dark Sea: Drunkard's Tale, where the Seelie maiden was situated. (AKA Columbina)

This wasteland is said to be a land beyond the dominion of the deities, inhabited only by the grotesque ghostly remains of fallen gods, where the former palaces of the Seelie now stand empty.

In the Veluriyam Mirage event, Kaeya starred in a play written by Zosimos. According to Idyia, Zosimos based the play on a rumor he heard about a thief and a mage, meaning there might be some truth to it. He then combined the story with Idyia's backstory.

Kaeya's character, the unnamed dagger bandit, follows a shooting star, which turns out to be a woman. The dagger bandit is most likely meant to be someone related to Kaeya, since he hailed from a dark realm and his vision is modified to look like an 8-pointed star (as per Zosimos's design). The dark realm could very well be Khaenri'ahn.

As it turns out, Zosimos's namesake Zosimos the alchemist, claimed fallen angels were the ones who taught humans the art of metallurgy.

The ancient and divine writings say that the angels became enamoured of women; and, descending, taught them all the works of nature. From them, therefore, is the first tradition, chema, concerning these arts; for they called this book chema and hence the science of chemistry takes its name.

…Yeah, I don't think it's a coincidence the play Kaeya starred in was written by this specific guy 😮‍💨

Maybe we're meant to equate the fallen star with a fallen angel. Whoever this fallen star and dagger bandit are, is unknown, but I think we can safely assume it has something to do with Kaeya's family and/or Khaenri'ah's deeper lore.

Kaeya's constellation is a peacock. Peacocks have countless eyes just like how angels are popularly depicted. In Renaissance art, angels are even portrayed with peacock wings.

The description of Kaeya's friendship namecard in CN implies he has many Augen. 👁

孔雀漂亮尾羽上的花纹很像是永不闭上的眼睛。所以凯亚并非少了一只眼睛、而是··· The patterns on the beautiful tail feathers of a peacock resemble eyes that never close. So Kaeya isn’t missing an eye, but…

And then it just trails off. I think it’s meant to say: "Kaeya isn’t missing an eye, rather he has many of them."

Perhaps they were being literal.

The Jinn In his hangout, Kaeya gifts the Traveler a lamp said to have housed a powerful Jinni. As said before Jinn are descendants of the Seelie.

The people turned against each other, and the Jinn scattered across the lands… Broken souls became fuel to a titanic machine, and the mindless descendants of the Seelie were degraded into slaves of infinite power…

In comparison to other companion gifts, who are connected to their item in some way, Kaeya's gift stands out as an outlier… unless it is a surprise tool that can help us understand him later.

He is also familiar with the tale of the Shepard and the Magic Bottle, although he changes the ending of the story as he recounts it to Klee. This book is about a Jinni who gets freed from a bottle...

Kaeya owns a lucky coin that can allegedly do anything he wishes from it. He then goes on to say there's a pre-existing arrangement between them. Perhaps this coin has a Jinni fragment inside of it similar to Benben.

That would be the simple explanation… but nothing is ever simple with Kaeya.

MIDSUMMER NIGHT'S DREAM

Now onto the most damning piece of evidence. Kaeya himself is based on the changeling baby from Midsummer Night's Dream. Oberon is the Fairy King, whose name is the French derivative of Alberich.

This checks out as Oberon was also an important figure from the Merovingian Dynasty that included names such as Chlothar and Caribert.

Titania is the Fairy Queen, who adopted her scion's baby after she died in childbirth. This baby was the son of an Indian king, in other words, an Indian prince.

In today's popular culture, Titania is the Queen of the Summer Court, also known as the Seelie Court.

Most literature, folklore, and pop-culture interpretations of faerie depict Titania as the actual leader of the Seelie Fey, she often rules the Summer Court.

Princess Fischl is also connected to this play, as she had created a Sommernachtgarten, or Summer Night Garden, that now lies in ruins in the domain Midsummer Courtyard.

Suddenly Kaeya and Fischl being featured in the Midsummer Island events start to make sense. I wouldn't be surprised if Fischl showed up again in this year's summer event.

How Kaeya and Princess Fischl are connected is still unclear but the possibility of them being related keeps growing. Whatever the case, the Indian prince's (adoptive) mom being a Seelie Queen is pretty straightforward.

"But isn't he adopted? That means he isn't a Seelie!" Yes, but remember Oberon, Titania's husband, is Alberich who Kaeya IS related to.

It's hard to tell what direction they're going in, but I have no doubt Kaeya is half-something, because the other character he is based on is Hagen, who is always half-Human, with the other part being either dwarf or elf.

With all the angel/Seelie/Jinn connections, I think we can guess what Kaeya's other half is.

Before I forget: Oberon and Titania fought over the child; Oberon wanted the boy to become a knight, his henchman, but Titania refused as she felt obligated to raise him in his mother's stead. Unfortunately, Oberon succeeded in getting Titania to hand over the child, as he had trapped her in a dream-like state...

Another fun thing I discovered is that the title of the trailer Winter Night's Lazzo is a reference to Midsummer Night's Dream as well.

An explanation for this could be that aside from the aforementioned Seelie, there exist a darker counterpart, the Unseelie, which has its roots in Scottish folklore.

The most common courts from traditional legends are the Seelie or Summer Court, and the Unseelie or Winter Court.

In popular culture, the Unseelie Court is the Winter Court ruled by the Queen of Air and Darkness: the sister of Titania. This Winter Queen seems to be unnamed but I've found some call her Mab, another reference to one of Shakespeare's plays.

Did you know they probably named Snezhnaya after the fairy tale of the Snow Queen, which is Snezhnaya Koroleva in Russian? Snow Queen, Winter Queen, Tsaritsa... The shoe fits 🤷🏽‍♀️

In Genshin, there is no mention of any Unseelie yet, but if the Seelie are like angels, then the Unseelie might be the equivalent of fallen angels or demons. Well, we shall see how that plays out.

Back to Titania, she was a fairy who adopted her friend's son after she passed away. Is there is a character who could fulfill this role for Kaeya, acting as some kind of guardian angel?

NICOLE REEYN

Nicole is a witch of the Hexenzirkel, known as Mage "N". She is a powerful prophet capable of divining the fate of the world.

She is also a teacup.

Alice says Nicole is the guide who never gets lost and that she is obsessed with guiding people. That's literally Seelie 101!

Alice: The "guide who will never get lost" is N, otherwise known as Nicole. You may have not encountered her yet, but she is a truly extraordinary woman who has made this world's direction and order her subject of study. Alice: Some of you may be fortunate enough to have already heard her voice. Like a prophetess, she will only speak to guide people toward the truth when a change has occurred in the world. Alice: She has a tendency to… suddenly speak in someone's mind without any warning.

The witch pictured on this slide from the Hexenzirkel teaser is most likely Nicole since it immediately cuts to her teacups.

She is blowing away wind similar to depictions of wind deities. The accompanying subtitle even is "sometimes, we all need to vent our troubles to the wind". This could mean Nicole is some kind of air spirit…or a Seelie, who were once "faster than a storm" according to the Aranara.

Perhaps she's a Seelie, or a descendant of the Seelie, similar to the Jinn. In the Danish opera Holger Danske, Titania is the Queen of the Sylphs, who are air spirits. We don't have Sylphs mentioned verbatim in the game yet, aside from Venti being an air spirit.

Kaeya conveniently has several references to the wind.

He is dubbed the Frostwind Swordsman, his outfit is called Icy Featherflight, his OTHER outfit is Sailwind Shadow, his sixth constellation is Glacial Whirlwind, and he has a passive that decreases stamina consumption…

Noelle even describes him as someone who comes and goes with the wind.

As mentioned in the previous section, Kaeya was stranded on a deserted island, this might be referring to the Nameless Island, which, according to an old blog post on the official CN website, Kaeya visited on his birthday. Where this island came from is unclear but it is shrouded in mist and invisible on the map.

The Nameless Island has a sun-or moondial associated with the God of Time. The weathered transcription is as follows:

Ravaged Carving: "Stories brought on the wind will bloom into legends in due time."

You can also hear this faint voice speaking when you do the quest related to the island:

Faint Voice: "An ancient tale comes whisked in the wind…" Faint Voice: "In time, it will grow and sprout once again…"

In the same blog post, Kaeya says the following:

我还有很多故事…还有很多时间。 I have plenty of stories… and plenty of time.

😮‍💨

When Kaeya casts his burst you even see him pull the wind towards himself, towards that eight-pointed star.

Furthermore, he came to Mondstadt during a LATE SUMMER NIGHT'S STORM, contradicting the fact that there hasn't been a single storm in Mondstadt since Venti gave them his protection.

Kaeya's Character Story "If Master Crepus hadn't taken me in, I doubt I'd have made it through the storm that night."

Vind: Since Lord Barbatos began protecting Mondstadt, we have not seen a single storm, and the watchtowers have slowly fallen into disrepair.

He probably wasn't lying about this since Varka could have easily fact-checked this with Diluc or Dawn Winery.

Perhaps Nicole was responsible for this odd contradiction if she was the one who guided Kaeya and his father to Dawn Winery. Maybe she became a giant wind turbine, who even knows anymore.

"But why would a witch go through all this trouble for just one guy?" If Titania took care of her friend's baby after she died, then maybe Nicole was friends with Kaeya's mom and decided to offer her protection.

Or perhaps they were sisters. There is after all a teacup from the same teaset missing from the trailer.

Let's just get this out of the way first: No, Nicole is not Diluc's mom, the pattern on the teacups can be found within the architecture of Dawn Winery, which means she's either the founder or an ancestor of Crepus or both. Angel's Share is named as such for a reason.

Diluc does not possess any huge Seelie/fairy/angel/witch connections other than Angel's Share so I don't think she's related to him. Kaeya on the other hand 🤷🏽‍♀️

I am not going to say anything about the possibility of Nicole being Kaeya's mom, but I will say that Nicole's name means "Victory of the people", while the first character in Kaeya's name means victory as well.

Nicole = from νίκη (níkē, “victory”) +‎ λαός (laós, “people”). Kaeya = 凯亚, 凯 = music of triumph; paean; triumph; victory

And please don't forget the poor missing teacup next to Nicole's, it is no doubt going to be important.

Anyway, Kaeya does have some serious connections to Princess Fischl, with hints at him being a Prince continuing to persist, so he's definitely not some random guy. Whether he's aware of this or not is debatable.

He's called "our last hope", by his father, which like everything pertaining to Kaeya, is never explained. However, the Aranara Aranaga describes hope as a dream that never dissipates… A Midsummer Night's Dream if you will 😉

Aranaga: There are dreams because there is memory. Memory is nourished, so there is life. So, it can grow, the thing to repel Marana (forbidden knowledge). Traveler: I'm guessing you mean "hope"? Aranaga: Yeah, right you are, Golden Nara (Traveler). The thing that flows, cannot be seen, cannot be touched… Hope. Like the wind… But it never dissipates, like a dream.

Nabu Malikata Nicole has some fascinating similarities with Nabu Malikata that I will briefly list here:

Nabu Malikata last name can mean angels but it can also mean queen. Nicole Reeyn's last name is derived from reine which also means queen.

"Nabu" means prophet in Akkadian and she was able to predict her own death, Nicole is a prophetess too.

After Nabu Malikata disappeared, Deshret dreamed of her feeling her way through a crystalline maze. The inside of Irminsul is a crystalline maze. Nicole is part of the Hexenzirkel who travel to the Irminsul to study it.

Nabu Malikata is the Mistress of the Orchard and Wine, Nicole has ties to Dawn Winery, a wine orchard.

Nabu Malikata is also a dream-mother, capable of giving humans dreams. According to Furina's character blurb, Nicole left a fabel inside someone's dream.

I can't say they're the same person but this is one of those things that will keep haunting you once you uncover it. And now they will haunt you.

ARLECCHINO

Enter "Father".

What we know of her so far is that she is the last surviving descendant of Khaenri'ah's Crimson Moon clan. Arlecchino's blood is cursed, yet unlike the other curse-bearers we know like Dainsleif and Chlothar, she still ages visibly. Before we get ahead of ourselves, it's specifically stated in her boss description that she IS the Crimson Moon's SOLE scion, so Kaeya is likely not part of that bloodline.

Someday, the hearth-fire's faint radiance shall burn the old world away, incinerating the final scion of the baleful moon as well.

I think we all know by now that Arlecchino has some angelic features.

Like Kaeya, she is associated with an animal with many eyes: a spider. And like Kaeya, she wears one prominent wing on her back but only when she is in battle. This wing is actually crafted by her from spider silk, so it's not actually an "organic" wing.

Arlecchino shares boss theme lyrics with the most famous one-winged angel in recent history: Sephiroth (FF7). They are both in turn inspired by Abezethibou, a fallen angel with one red wing. The interesting thing about Sephiroth is that he was born from an experiment, where they injected cells from an alien "calamity" into him when he was still a fetus. This led him to develop the iconic one black wing.

Furthermore, the title of Arlecchino can be traced back to the Erlking, an evil elf who could kill children with just one touch. Arlecchino does seem to be somewhat inspired by him as seen in this comparison.

Erlking means Elf King which just so happens to be the meaning of Alberich (Elf King). 🤨 There's even a dude straight up called Alf (elf) in the Perinheri book.

In the Romance-speaking world, beings comparable to elves are widely known by words derived from Latin fata ('fate'), which came into English as fairy. This word became partly synonymous with elf by the early modern period.

😑…

Since the Balemoon Bloodfire that runs through Arlecchino's veins originates from the long-dead Crimson Moon, it's possible that either the moons are angels or they were the ones who created them. The Seelie must have come into existence somehow; it would make sense for them to originate from the Moon Sisters.

The moons would not be as low-ranked as the Seelie-angels, they'd most likely be akin to Archangels/other higher ranked angels. Luckily for us, Mona's astrolabe conveniently uses the names of 4 Archangels.

(From the Wiki) Mona's astrolabe (Outer ring): GBL URL MKL RPL The archangels Gabriel, Uriel, Michael, and Raphael.

…It is unknown who they are referring to but since she is using her astrolabe to divine someone's fate they're probably the names of the three Moon Sisters + Sun. (We can't be sure yet if the Four Shades are the Moon Sisters/Sun so I will refrain from making that assumption until we know more.)

Arlecchino has another weird ability: her blood can create afterimages or shadows which appear like this around her in her boss fight:

These look awfully similar to the Pari in-game, and Pari just so happen to be like fairies in Persian mythology. Arlecchino's nickname was even Perrie, which is probably a pun on Peri, the inspiration behind the Pari.

In the game, the Pari are sentient beings of Khvarena, which in turn was separated from Nabu Malikata's body. As it happens, Khvarena can also dwell inside humans, these people are called the scions of Khvarena. (More on that here where I proposed Kaeya's mom might have been one of these scions.)

Stamen of Khvarena's Origin Nabu Malikata: "And so I separated you (Khvarena) from my body, and I ask you now to prevent that nightmare's coming."

No doubt about it: Arlecchino is carrying the bloodline of a (dead) moon angel…thing. Maybe all Khaenri'ahns are descendants of angels, but it's hard to say for now if they inherited it through normal means, or if the Crimson Moon clan used a ritual to transmute their blood. According to the book Perinheri, the Crimson Moon dynasty was deeply involved with alchemy, though it fell off by the time of the Eclipse Dynasty.

(Perhaps they even used the Moon's remains (ashes) to achieve this. Maybe that's why Arlecchino glitches: she was "re-born" from the "afterimage" (ashes) of the Crimson Moon.)

Combined with Zosimos's play implying the fallen star was a fallen angel, Khaenri'ahns could very well be descendants of fallen angels. In that case, they could be like the Nephilim, who are descendants of humans and fallen angels. Nephilim is often translated as giants or the fallen ones, which is very funny considering the meaning of Titania's name (Titan).

Speaking of Titania… In Arlecchino's teapot voicelines she talks about an opera called The Unexpected Dream. Unclear if this is referring to thee Midsummer Night's Dream, but given what we know of this game and its apparent obsession with the play, it wouldn't be too far-fetched to assume it is.

The name Titania for the queen of the fairies appears to have been the invention of Shakespeare, for, as Mr. Ritson remarks, she is not "so called by any other writer." Why, however, the poet designated her by this title, presents, according to Mr. Keightley, no difficulty. "It was," he says, "the belief of those days that the fairies were the same as the classic nymphs, the attendants of Diana. The Fairy Queen was therefore the same as Diana whom Ovid (Met. iii. 173) styles Titania."

Also, scholars suggest Shakespeare's Titania is ultimately referring to the moon goddess Diana, so make of that what you will. There's even a part in the play where Titania looks up at the moon and likens it to a crying eye… Another fun fact: on Tsurumi island, there's a mural from the ancient civilization ruins that references a poem about Diana by the Latin poet Catullus.

In any case, Arlecchino basically adds fuel to the theory that Khaenri'ahns might be the descendants of angels/Seelie. Though whether they inherited it naturally, through snorting up moon ashes or making deals with suspicious purple crystals remains to be seen. The Balemoon Bloodfire is dubbed a "noble blood" which means the Crimson Moon clan was regarded as nobility. Just another thing Arlecchino and Kaeya have in common.

This poses another conundrum for Kaeya though: if it's his Khaenri'ahn father who gave him his supposed "angel" ancestry as opposed to his mother, we're still left with the mystery of where he got his royal heritage from. Nobility ≠ royalty.

The Alberichs weren't of royal blood, we know this, yet Kaeya's prince-baiting adventure continues, same as it ever was 😮‍💨

BREATH OF THE FEYWILD

This is the fun part where I list similarities between Kaeya and the Seelie, from his design to his personality.

Visual Design As you know, Kaeya has a giant wing on his back with three feathers. (Funnily enough the pattern on the outer border is the same as the sun- or moondial on the Nameless Island 😑)

No one else has wings on their outfit other than Paimon and Skirk who has a tiny one on her back. Arlecchino has one wing that only appears in battle or during her charged attack. Seelie courts have a little wing emblem and that angel in the Dragonspine Mural has a stylized wing.

Kaeya has one eye and wears a fluffy boa, same as the Seelie husks we see floating around. Though Kaeya doesn't have two horns, the peacock on his namecard does have two little feathers on its head.

Also, the Seelie emblem on the domain murals look similar to the 8-pointed star on Kaeya's outfit. The downward point is elongated which could represent the cone-shaped legs the Seelie husks have.

Seelie and their beauty keep being equated to moonlight… Kaeya is canonically called good-looking in-game, and has unexplained lightstreaks in his hair.

He also ordered a Moonlit Alley in his hangout (with Venti present) and gifted the Traveler a Moon Pie for his most recent birthday😒. Surely of no importance whatsoever.

Personality I am basing this on the known Seelie we have in the game: Nabu Malikata, Columbina, and Angelica (from the book Perinheri).

First of, Seelie were guides of humanity, and taught them wisdom and language.

Arama: A Seelie? In the ancient stories, Seelies were a great race with wisdom and beauty beyond the pale of this earth. They traveled with Nara (humans) and taught Nara languages and the philosophy of nature.

… In his teapot dialogue, Kaeya offers to put together a guide for the Traveler when they ask for his wisdom.

Traveler: Can I rely on your words of wisdom in the future? Kaeya: I'm at your service. In fact… would you like me to compile a guide for you…? Kaeya: It would contain all kinds of practical knowledge for at home and on the road, including the techniques I have developed for communicating with people from all walks of life. I'd like to share it all with you.

Kaeya acts as a teacher for Klee giving her advice on how to dodge the authorities (Jean) and whatnot.

Speaking of dodging, as stated previously, Seelie were said to be faster than a storm, and Kaeya has a passive called Hidden Strength that decreases stamina consumption. He's actually one of the fastest running characters-gameplay wise.

The loading screen description for Seelie says the following;

Now you see them, now you don't.

Finally an explanation for Kaeya's ability to teleport in his normal attacks. It's just as Noelle said, he comes and goes with the wind.

In Scottish folklore Seelie will ask humans for help and give them a reward in return. In his Story Quest, Kaeya does the same, asking the Traveler for help and gifting them a sword for their efforts. Yes, it was a trap but he did do all of that, and in his Story Quest no less! Story Quests are designed as a glimpse into the character's life….

Wait a minute, he led them into a trap. Where have I heard that before?

Angelica! The woman from the book Perinheri is very obviously an angel (HER NAME LITERALLY GIVES IT AWAY) and thus potentially a Seelie, or at least someone belonging to the angel hierarchy.

Angelica led Hleobrant on with promises and then led him into a trap, not unlike what Nabu Malikata did to Deshret. She knew she was going to die and used his feelings for her to make sure she would never be forgotten.

Furthermore, if a Seelie is insulted they will exact revenge on those who wronged them.

Diluc: Yes… about Kaeya… Diluc: I should have known he would see this as the perfect opportunity to get back at me.

Dude pulled up the Wikipedia page on Seelie 😭😭😭.

Another thing about Kaeya is that he will collect the fears and sensitivities of people as material to tease them about. …In the Harbingers trailer, Columbina teases Dottore about his age, knowing full well he's sensitive about it.

Columbina: I must say, you're looking very young today, Doctor Dottore: You know very well that I do not take that as a compliment

Wanderer describes Columbina as someone who is eerily unbothered and unfazed in every situation.

About Damselette Let me ask: what should you do if you were to encounter a "damsel" who is oblivious and innocent at any given time, and unconcerned and unfeeling in any given situation? If it were me, I could at least challenge her to a fight. But if it were you… with your conscience, I would stay away from her.

In his character story, Kaeya is described as having a cavalier attitude which in that context means, "showing arrogant or offhand disregard; dismissive", since he put the lives of his men in danger by triggering a Ruin Guard 😂. They hate to see a whimsical guy winning.

Character Story 5 Sinister thoughts flashed through Kaeya's mind, and he simply smirked: "This world is truly… fascinating."

You can also see this in Crepus's famous death scene where he was standing in the back smirking Just according to keikaku.

According to Scara, Columbina appears to be oblivious, though whether she's feigning or not remains to be seen. Kaeya has his own fair share of moments where he pretends to be in the dark.

Think the opposite of Furina who pretended to know everything.

He even acted like a "damsel" in need of help right of the bat in his Story Quest.

Kaeya: This is bad… Such a hassle… What am I going to do… Traveler: What's wrong, Kaeya? You don't usually lose your chill. Kaeya: Oh, thank the Thousand Winds! (Traveler), your arrival must be the grace of the gods! Kaeya: If I may ask — envoy sent by the Anemo God to save this mere mortal — could you spare a moment?

(Would be very fun if Columbina and Kaeya know each other from the dark recesses that is Kaeya's childhood and Kaeya is mimicking her behavior like some kind of mentee.)

Both Nabu Malikata and Columbina do not seem to possess human emotions which makes sense since they operate on a higher level than humans. Does make you wonder if Kaeya's occasionally strange behavior is a result of him being half-Seelie.

While not exactly a personality trait, Kaeya repeats some of Nicole's sayings which I thought was interesting.

Nicole: History does not change easily, but human hearts can. Kaeya: History always repeats itself. Kaeya: Anyway, that's exactly why actors need to wake up and realize they don't have to follow the script. There's nothing to stop them from following their gut and making it up as they go along.

As for why Kaeya would know this: find out in 2026 😂 (😭)

Venti Since fairies and air spirits are another potential branch of Kaeya's family tree we can consult the most prominent air spirit in the game: Venti.

Kaeya and Venti have a lot in common, personality wise. Both like alcohol, are mischievous, and have a very mellow attitude.

They also tend to disappear when we need lore the most.

This is very stereotypical of how fairies are portrayed. Down to their love of wine and penchant to pull pranks.

Is Venti some kind of Seelie? Well, he does have wings, and he was a single thread of the thousand winds which represent freedom… Freedom, just like Angelica.

Play within a play In Midsummer Night's Dream, the fairies toy with the humans like dolls. It's their meddling that causes all the mishaps in the play. They even call Oberon the King of Shadows, with shadows referring to the fairies as well as being Elizabethan slang for actors.

[…] even within this fictional world [Shakespeare] has created, the human characters are still treated as plot devices, pawns to be manipulated and directed across the play by the faeries.

If you've read the manga, you know where this is going.

If not:

“All the world's a stage, and all the people merely players – Kaeya Alberich”

–William Shakespeare

Kaeya has more instances where he treats people like they are fulfilling a role: in his outfit description he talks about the bandit and the knight as roles they have to fulfill. When he first meets the Traveler, he applauds like he just witnessed a performance. In Diluc's Story Quest, he breaks the fourth wall by mentioning the chapter of the Story Quest he's in.

Paimon: Kaeya!? Where did you come from? Kaeya: I just picked a good spot to quietly sit and watch the show. Paimon: Whaaa… You've been here this whole time!?

BECAUSE HE COMES AND GOES LIKE THE WIND KEEP UP PAIMON

And after Crepus's death he ponders on the roles he should have played: that of a son and that of a brother.

Very normal behavior…FOR A SEELIE.

You see, Deshret and Nabu Malikata created a City for the Jinn, called the City of Amphitheaters… where they had theaters 😮‍💨

Altar of Mirages The Jinn once used this place as a free theater and a paradise without sorrow or care.

Princess Fischl also introduced theater to the paradise of the Immernachtreich where her people would dedicate plays to her. (Don't underestimate how connected she is to all this!)

PERINHERI

In case you're unaware, a new book released in patch 4.5 called Perinheri has given us new Khaenri'ah lore. I'll only mention the bits relevant to the theory but it's definitely worth reading if you haven't already.

In the story, a woman named Angelica visits the "Kingdom" as a supposed Princess from some defeated nation. Angelica declares she will marry the greatest knight of the Kingdom and lists several names, one of which is Alberich, leader of half of the knights.

But that's not the interesting part.

Angelica leads Hleobrant outside the Kingdom's borders which causes him to transform into a beast. This is because he is cursed: his ancestors forsook their gods when they came to live at the Kingdom.

Angelica, however, bears no such curses as she explains:

The witch, Angelica, explained thus: "Hleobrant is the descendant of those who forsook their god and came to the Kingdom. This is why the Kingdom's obstinately pure-blooded aristocracy persists. This is the price of betraying your own god. As for you, Perinheri, you are one who drifted there. Thus, you bear no such curse. You may not have the nobility to shoulder a world, but you too have your own destiny. And as for me? I betrayed no one, not for a moment, until my god died, so I too bear this curse not. But you now see who I truly am, yes?"

Look. I don't think I need to spell this out but Angelica is an angel, her name is even explained to mean "one who is as a divine emissary", which, as we established before, are Seelie. Kaeya even has that stupid book The Adventures of Angelos which is obviously a hint towards whatever the fuck he is.

Angelos, Angelica…. Need I say more? 😮‍💨😮‍💨😮‍💨

She also conveniently disappears at the end BECAUSE SHE COMES AND GOES LIKE THE WIND

Anyway, this could explain why Kaeya isn't cursed, his mother was a Seelie who never forsook her god. We don't know what the bloodline of Khaenri'ahns consists of… so I can't confidently say they are all descendants of angels. Kaeya definitely is though. You're still a Seelie and that's FINAL.

Otherwise I don't know how else you could explain all of the above.

If he's not a Seelie/angel or a descendant of one, then the only explanation I can think of is that he was blessed by one and is under their protection. Perhaps he was even raised by a bunch of them like the Indian prince from Shakespeare's play.

Maybe in some kind of Sommernachtgarten ☀️🌺

Or a Winter Palace 👸🏼❄️

Frost Prince, Sun Prince, Seelie Prince, whatever Kaeya might be, I will keep updating this post as we go along for the sake of the five people reading this 🫡.

It's like Shakespeare always said, it's Kaeya's world and we're all just living in it.

#genshin impact #kaeya alberich #genshin lore

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jollofishomisho · 3 months

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Metropolis influence on Fontaine

Metropolis is a 1927 German silent film about a city divided into upper class surface and working class underground that focuses on the impact of industrialization, at the same time serving as a dystopian allegory for the Bible. If you know any other fictional work with a similar setting, chances are it was inspired by Metropolis either directly or indirectly.

The original footage suffered cuts during the Nazi regime, and although it was restored in the following decades, there’s still missing scenes that are filled with black screens and text. The most complete version is available on YouTube

Visuals

Director Fritz Lang said he was inspired to create the architecture of the city on his trip to New York. Both Metropolis and Fontaine feature ridiculously tall buildings with suspended highways (in Fontaine these are for the Aquabus) that intend to express a futuristic look yet follow the trends of its time.

It is notoriously influenced by the Art Deco movement, which Fontaine also relies on for its overall design (geometry, symmetry, bright colors)

From Wikipedia:

During its heyday, Art Deco represented luxury, glamour, exuberance, and faith in social and technological progress. The movement featured rare and expensive materials, such as ebony and ivory, and exquisite craftsmanship.

The underground workplace of the city also looks like a giant factory, similar to the Fortress of Meropide.

Ideology

Due to the depiction of an exploited class that the elites profit off and the harsh conditions of industrial labor, it is largely considered to be an anti-capitalist movie.

A random review in The New York Times from 1927 acknowledges the antagonist as a capitalist:

We see a similar dynamic between Fontaine City and the Fortress of Meropide, whose convicts produce the mecha that the nation relies on. The convicts stay in the prison after finishing their sentences because they suffer discrimination in the surface, and at Fontaine Research Institute seems to prioritize scientific advancement instead of the lives and health of their workers.

However, to put it simply, a Marxist story it is not. Neither of them.

The Fontaine chapter briefly addresses the inequality between the surface and underground, but doesn’t engage with it any further. And although the plot of the AQ quickly deviates from the themes of class struggle to focus on the bigger picture, it doesn’t betray the narrative of the source material either.

The politics in Metropolis are centrist at best, the workers are lured into committing acts of violence without a purpose other than chaos by an idol of false belief (depicted in the movie as a robot, but it’s meant to be a parallel of pagan gods in the Bible). This same false idol temps the upper class men in the surface into self indulgent pleasure and violence, so the movie equates the motivations of the working class to revolt against a unjust system to that of the ruling class who maintain and abuse that system. Both are naive, unthinking, acting on carnal desire and senseless chaos.

The thesis that the movie presents is one in favor of keeping the hierarchical status quo between the dominating class and the class that is dominated. As if inherently assigning an intellectual role to the upper classes and a manual labor role to the lower, the surface is called the “head” and the underground is called the “hands”, which should be mediated with a “heart”.

Fritz Lang admitted this fault decades later:

“I was not so politically minded in those days as I am now. You cannot make a social-conscious picture in which you say that the intermediary between the hand and the brain is the heart. I mean, that's a fairy tale—definitely. But I was very interested in machines. Anyway, I didn't like the picture—thought it was silly and stupid”

As a side note —and why it matters that the interpretation of the film doesn’t confuse anti-capitalist themes with Marxist ideology— Goebbels, the chief propagandist of the Nazi Party, personally approached the director to ask him to join because Hitler watched and liked Metropolis. Lang refused and escaped Germany due to fear of being targeted for his Jewish ancestry, but the book that the movie is based on was written by his wife, who would join the Nazi Party herself later.

The story aims to maintain the status quo of class while promoting Christianity, a double indoctrination of sorts. It wasn’t odd that Goebbels would value it as a tool for propaganda.

Christianity & Plot

Both stories are based on the Bible, specifically the apocalyptic texts in the Old Testament.

The protagonist plays the role of the messiah (ya boi Jesús) that must mediate between “head” and “hands”, an allegory for the messiah’s role in the Bible that reconciles God with humanity (after the whole dying for their sins business). He switches place with a worker and experiences the underground by himself, the same way god sends his son slash third part of himself to live as a human.

Neuvillette plays this role in the AQ, acting as the “mediator” between the power of the Sovereigns and humans. Beyond that there’s not much similarity with the movie (unless you’re a neuvifuri shipper), but they do make the same points in regards to Christian myth. Neuvillette also has his own arc of living among humans and learning to “be” one.

On the other hand, the character Maria represents Christian values and belief, and acts as a sort of prophetess for the underground people. She preaches about a mediator who will come to save them, and it is her who awakens the protagonist’s curiosity to venture down the underground city. So it is her who basically brings the Jesus figure into the world like a Virgin Mary expy. The two fall in love later.

This would be our Focalors, the real god of Fontaine who plans for Neuvillette to help the nation from the start.

The antagonists of the movie are the major of the city (who fulfills the role of the kings in the Bible) and a mad scientist (who fulfills the role of the devil), both conspire to create a robot version of Maria in order to suppress the workers uprising. Robot Maria represents an idol of false belief, in the Bible these are the pagan gods that people follow into their own ruin.

The mad scientist betrays the major and also sends robot Maria to the surface, where she spreads chaos in the form of the Whore of Babylon, an apocalyptic omen of the Bible.

This is our Furina, except Genshin subverts the character by making her the human part of Focalors instead. Furina’s official title (“Regina of all waters, kindreds, peoples and laws”) is a reference to the Whore of Babylon, and in the context of the AQ it’s meant to signify that Furina has caused the end of the archon rule in the nation.

In the movie robot Maria is burned at the stake by the workers in the middle of their violent frenzy, and they discover she is a machine while the real Maria is alive —Christianity wins. In Fontaine, Christianity kills herself (😭) and the apocalyptic idol of false belief stays alive. Perhaps the true values the people should follow are humane ones and not religious, who knows.

A flood also takes place during the climax of the movie, caused by the workers’ revolt, which the protagonist and the real Maria contain to save the children of the workers. Although not Christianity per se (the original book had a lot more of occultism than the movie) the role of the Grim Reaper, a rather symbolic character, seems to be paralleled by Arlecchino. It’s a character that represents the influence of robot Maria on the city as she spreads chaos, they work in unison while being two characters independent from each other.

#genshin impact #genshin lore #genshin impact lore #nice

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jollofishomisho · 4 months

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*I worship you Tumblr please don’t remove it

Tea in the eleven party ☕️

#dungeon meshi #I LOVEEEE #Milsiril scars aaa #my dear retired lady

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jollofishomisho · 4 months

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My Chemical Marriage

The chemical wedding is an allegory used in alchemical writings to refer to the union of opposites, particularly a union that produces a new and improved product, the Rebis.

One popular version of the allegorical wedding takes place between the Red King, the active principle (sulfur) that shapes the material and passive principle of the White Queen (mercury). However, this allegory can refer to the union of sun and moon, silver and gold, or even body and spirit.

The Rebis refers to the end product of the magnum opus, and is typically depicted as a hermaphrodite.

The child of the chemical marriage is sometimes called the philosopher’s child and fun fact, is associated with the myth of Orion and his three fathers (Jupiter, Mercury, and Neptune). The myth is very different but I can’t help but think of the Simurgh.

Though the chemical marriage allegory is very much referring to marriage and procreation, etc, in the context of Genshin, it’s used more to refer to a union of opposites, or a collaboration between two types of being, which will be elaborated on later. Of the four examples I will be going through, only two of these relationships have any kind of (canon) romantic associations attached to them. Basically what i’m trying to say is that this is definitely not about ships please don’t eat me.

It’s a well established trend in the history of Teyvat that there have been many god-king-like beings associated with gold or the sun, who had some kind of relationship with a knowledgeable and moon-associated woman, who then dies tragically during the god-king’s quest to Change The World.

And now, in thematic order, I present the doomed pairings:

Imunlaukr and the princess of Sal Vindagnyr

Imunlaukr is an outlander, destined to wield the Snow Tombed Starsilver sword to “shatter ice and snow.” The wiki cites a stanza where this name is used as a kenning for a sword. Imunlaukr tried to save Sal Vind from the catastrophic ice and snow caused by the Skyfrost Nail hitting an Irminsul tree, but he failed. Sal Vind had a princess who was also the daughter of the priestess of Vindagnyr, and was “born beneath this white tree” (Frostbearer). She is described as being “bright as the moonlight,” and had the gift of prophecy, painting her visions as frescos on the walls of the city - you can see them in the room where you find the Starsilver sword.

Guizhong and Zhongli

According to the Stone Tablet Compilations: Vol. I, Rex Lapis descended to Liyue. This isn’t the same descending as Descenders, and it has been argued that a better translation would be ‘demoted,’ but this has similarities to the way Deshret and Remus are described as founding their kingdoms. Rex Lapis is also called Deus Auri, the Golden God, and in the Dialogue of the Desert Sages description, it says that “transformation into gold and Mora is the sole province of Deus Auri.” Guizhong’s moon connection is on the weaker end, but she is strongly associated with glaze lilies, a flower that only blooms at night, like the Nilotpala, or Lunar, lotuses. She gave Zhongli a stone dumbbell, the Memory of Dust, which contains her “wisdom.” Zhongli is still unable to unlock it, and before Guizhong’s death, she told him to forget about its contents. On a more superficial note, Zhongli and Guizhong have a color scheme that will also be part of the pattern discussed here- black and gold and blue and white.

Remus and Sybilla

Sybilla was the former “envoy that protected the silver tree,” but she had lost her “mind and form.” However, she still retained her gift of prophecy, and told Remus about his destiny to found Remuria (and its inevitable downfall). Sybila’s loss of her physical form and mind is reminiscent of the Aranara stories about how Seelies were cursed to lose their body and intelligence if they fell in love with a human.

After making an arrangement with Remus, the silver tree that Sybilla was protecting transformed into a golden ship, which according to The History of the Decline and Fall of Remuria , was called Fortuna, and with it, Remus “descended” onto Meropis. Together with Sybilla, Remus created Phobos, the Great/Golden Symphony. Phobos is the name of one of the moons of Mars, the red planet. Combined with the Primordial Sea-derived ichor, it would allow his people to shed their physical forms and transcend their prophesied doom. Sybilla even sacrificed her life to make the symphony possible, but she wasn’t completely dead in the end, and her lack of “persona” led to the Symphony going awry.

And MOST IMPORTANTLY, the Golden Troupe of Remuria used a magical technique Rene called the “seal of chymical marriage,” and which I think was used to seal the Primordial Sea. Rene would later attempt to reverse its power to Evangelion-ify the people of Fontaine.

We don’t know what Remus or Sybilla actually looked like, but the color scheme of both the Remuria based artifact sets are white/blue/gold and black/blue/gold.

Decarabian and Amos

Decarabian was the god-king and founder of Mondstadt approximately 2600 years ago. He created a wind barrier to protect his people from the storms outside (and from Andrius), and in an effort to keep his people safe, micromanaged their lives, even banning certain kinds of music that could incite rebellion (Song of Broken Pines). Interestingly, his goal to protect his people is described as a ‘dream’ multiple times in item descriptions. The Scattered Piece of Decarabian's Dream: He tried so hard to make his dream come true, and so the fragments of that dream are still mighty.

Fragment of Decarabian’s Epic: If it were not for the song of freedom that shattered the city in an instant, Decarabian's dream would have gone on forever. I wonder if this is meant to be another incidence of the literal power of music, like Remus’s symphony, or the Source Song. |Decarabian had a human lover named Amos, although from her perspective, he did not understand her or her mortal love, or even the (lack of) devotion of his people. This reminds me of Scylla telling Remus that as a Usurper, he is cursed to love humanity. But maybe not understand them, which would be both of these god-kings’ downfalls. Though Amos was human, she also seems to have had prophetic dreams: "I dreamt of ocean waves and sand, of lush forests and land." "I dreamt of boars playing in berry bushes, of a towering spire." These words she spoke to the God King in a soft tone, but they were left unheard. (Amos’ Bow) Eventually, she would join the rebellion against him, and attempt to assassinate him. Amos also fits into the blue and white color scheme, and has a feather ornament similar to Lumine in her hair:

And we come to the piece de resistance. The ultimate example. One of the weirdest things in genshin lore (in a good way). I present:

Whatever TF is Going on With Deshret and the Goddess of Flowers

In The Lay of Al-Ahmar, Deshret is described as a “son of the sky,” with abilities that earned him the reverence of the tribes in the desert. One of his titles, Al-Ahmar, is Arabic for “the red one.” Deshret dreamed of creating a utopia for humans, and the final manifestation of that dream was the (failed) Golden Slumber, where like Remus, he attempted to separate his mind from his body. God-kings and their hiveminds…. Deshret received assistance in the form of access to forbidden knowledge from the Goddess of Flowers, also known as Nabu Malikata. The title Nabu refers to the Babylonian god of wisdom, who is associated with the planet Mercury in Babylonian astronomy. The title ‘Nabu’ has the same linguistic root as the Arabic ‘nabiyy’ (نبي) and Hebrew ‘navi’ (נביא), meaning prophet. According to Arama, the Goddess of Flowers was a survivor of the Seelie race. After her exile, she wandered the desert, where her blood turned into streams of water that allowed gardens of water lilies to grow, which in turn birthed the Jinn. Additionally, wherever she stepped, purple flowers called Padisarahs, described as “bearing semblance to the moon,” bloomed (Flower of Paradise Lost). Together with Deshret, she founded Ay-Khanoum, meaning "[City of the] Moon Maiden.” In addition to being known as “the red one,” Deshret is also known as the “Lord of Sand.” Combined with the Goddess of Flowers association with both water and mercury, I consider their respective titles to be a reference to Ibn Umayl’s Silvery Water and Starry Earth, a 10th century alchemical text. The ‘silvery water’ refers to mercury, or quicksilver, and the ‘starry earth’ is sulfur. This text is also referenced in the refinement materials for Dialogue of the Desert Sages, where this time the mercury-looking material is called “exalted earth.” The mercury-sulfur theory of metals was popular in medieval Islamic alchemy, and it refers to the idea that all metals are formed in the earth out of a combination of these two elements. Like Sybilla, it’s implied the Goddess of Flowers sacrificed her life to help Deshret fulfill his goals. Secret Keeper’s Magic Bottle: "I shall fashion you a bridge to allow you to slake your deepest wants. But you must fear not the crystalline sapphire nail..." "I will deliver you unto higher knowledge. But as I have warned, you are fated to lose much in this exchange..." "Nevertheless, hide my lesson in your heart. Remember the punishment that once was inflicted on the fallen envoys of heaven." "Know this: if there is to be hope in this world, it will be found kindling within mortals most ordinary." Wreathed in darkness, she guided her dearest friend toward the path to understanding all there was to know about the skies and the abyss. Using her body as a conduit and offering the oasis in trade, she let the dazzling radiance consume her to see his deepest desires be made manifest… It’s not clear exactly when she died, as other sources of in-game info attribute her death to the “malice of the burning sun and yellow sand,” as well as imply her death was part of a larger plan she had (Oasis Garden weapon mats). That being said, the Flower of Paradise Lost description states that after she performed this exchange, she was never seen again. As for the color scheme mentioned earlier, we don’t know what Deshret or the Goddess of Flowers looked like. Our only hints as to their human forms are the Gilded Dreams TCG card/artifact design, and a throwaway line in the Sumeru Archon Quest where Nilou says her stage costume is inspired by legends about how the Goddess of Flowers dressed.

As of 4.7, we also have the Flower of Paradise Lost TCG card, which may depicted the Goddess of Flowers. The color scheme is purple and white, but the woman in the art is wearing a dress that looks similar to Guizhongs (delulu). The crown on this card has little wings, which are reminiscent of the winged helmet Mercury is sometimes depicted as wearing.

The defining feature of the chemical marriage is that the metaphorical union produces something greater than the sum of its parts. Sybilla and the Goddess of Flower’s sacrifices allowed the fulfillment of plans that were intended to create new worlds, something I would consider greater than the combination of god and Seelie minds. Another common thread in these transactions is wisdom, or lack thereof, with both Goddess of Flowers and Guizhong offering wisdom, and Sybilla saying that she no longer has hers - although that didn’t stop her from becoming part of Phobos. This theme of wisdom also has alchemical significance, since the philosopher’s stone is the lapis philosophorum; the 'stone of wisdom'. I’ve written a theory about the philosopher’s stone and Descenders and alchemy, including the chemical wedding motif, in the Narzissekreuz Ordo questions: you can check it out here. Two points that I want to carry over to this theory is that a) there is evidence to suggest that the philosopher’s stone and a Descender are the same in Teyvat and b) the ability to successfully change Fortuna (fate) is directly linked with Descender status. I’m not saying that Deshret and Remus were trying to become Descenders, but there are clear thematic parallels with their goals, and Rene’s goals. Additionally, these four examples are not the only time a union resulted in world changing consequences. Records of Jueyun recounts the story of the traveler from afar and the seelie: At a far-flung moment in the distant past, the ancestor of the seelie met a traveler from afar, with whom they swore an oath of union witnessed by the three sisters of the Lunar Palace. Just thirty days later, a sudden disaster struck. The seelie and their lover fled into exile as the world collapsed around them, fleeing until the terrible calamity caught up with and seized them. Their cruel punishment was to be separated from each other for eternity and to have their memories wiped without a trace. The book goes on to directly connect this union with the curse of the Seelies that Arama mentions: The graceful but heartbroken seelie and the sisters grew more sullen and withdrawn with each passing day, to the point where their wondrous forms withered away, leaving fragments of their former selves scattered in the mountains and ruins, where they turned into tiny little life forms. They had forgotten so much, lost so much, and been stripped of their voices and wisdom, yet they continued to sing the same songs of grief. Because of this, still harboring a shred of the deep love they once had for their long-lost lover, they will act as guides to travelers who stop in the mountain mist, seeking to retrace their memories of an ancient story in long-abandoned ruins, disused makeup cabinets, and now-undecipherable poetry. Moonlight Bamboo forest has another version of the story, where the three moon sisters loved the “stars of daybreak,” and after some kind of cataclysmic event, only one (dead) moon remained in the sky. Mitternacht’s Waltz also described a sword shattering one of the moons: Two of the three bright moons that caused the perfumed sea of the primordial universe to shine and stirred up the beasts of the Arianrhod Realm were shredded by a sword that tore the horizon asunder, left in smithereens too small even for the mystical sight of the Prinzessin. Ever since the Narzissenkreuz quests, I am very suspicious of all swords mentioned in lore. If we put all these themes and narratives together, another possible metaphorical union emerges:

Since the dawn of Genshin lore, there have been various theories regarding the duality in the designs of the twins, with some also suggesting that they are two separate halves of one being. However, I’d like to propose the opposite: if the twins follow the path of their fellow black/gold and blue/white predecessors, then it seems likely a fusion that is also a sacrifice is in the future for our protagonist. There are other similarities between the twins and the god-king/seelie pairs. The twins have sun and moon symbolism on their clothes, constellations, and swords: Aether’s has a star (sun) shaped hilt and Lumine’s a moon. The Traveler is frequently described as being ‘golden’ (ex. Golden Nara), and Liloupar says that they remind her of Deshret. The Traveler is already a Descender, but they definitely don’t seem to have the strength or knowledge to exercise their world-equivalent Will yet - and maybe their sibling who has been spending time in the Abyss and has learned the “truth of this world” can help. In that case, the knowledge of the Abyss-aligned twin would fulfill the role of the Seelie knowledge in this pair, helping the Traveler complete their power-up. But what about Paimon, the emergency food? She's the dove, representing the spirit and- [is dragged offstage].

P.S. I didn’t know where to fit this in, but I think Before Sun and Moon is also referring to a chemical wedding. Sun -> sulfur and gold, Moon -> mercury and silver. The title could be an incomplete phrase, and actually be something like “Before Sun and Moon joined.”

#genshin lore #genshin

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