julialundman

[julialundman]

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[julialundman]

Today is #SuperbOwlDay Post your Superb Owls!

[julialundman]

Dude… give me the bottle (or when you lost a rhyming contest against the supernatural skeletal horse)

The second art is new and is featuring Mari on her day off — There are more doodles and sketches in my reblogs — I found out about Mari Lwyd several years ago - and I fell in love with the concept. Here are some of my Lwyd arts I drew during all this time My most popular art with her is here

P.S. - don’t forget about the frogs

[julialundman]

Hello there! 🐦‍⬛ I have a new painting available on @everydayoriginal January 30th! “Solstice”, 10” x 10”, acrylic, gouache and 22k platinum gold on paper, mounted on a birch 1/2 panel. (UV gloss varnish to protect the surface, no need for glass.)

I hope this painting can find a home!

[julialundman]

Christmas wish

[julialundman]

'Norwood Riders' by Rebecca Guay

[julialundman]

Inktober prompt: roam (1)

“Where have you been…?”

(I’ll post part 2 in the morning)

[julialundman]

Some Halloween art!

[julialundman]

Some flower kittens! I’m bringing these to IlluxCon next month. I loved working on these. The larger one is called “Our Lady of Perpetual Zoomies”, acrylagouache and 22k gold. Now I want to make more! :) 🐈‍⬛🖤🎨

[julialundman]

CREEPY Steve

2024 is the 50th anniversary of Stephen King’s first published novel, CARRIE. The story of a bullied telekinetic teen, who gets blood-soaked payback at her prom. Since then, he's written 65 novels, 200 short stories, and 5 nonfiction books. A freakish feat, almost worthy of one of his supernatural characters.

King’s first published story was when he was 19 years old. He continued selling short stories after graduating from the University of Maine, and while teaching English at a public high school, all later collected in NIGHT SHIFT. He's averaged more than a book a year since 1974. Many of his novels were initially released under a pseudonym, lest their sheer number dilute his ‘brand’. I became aware of King via the early movie adaptations of his books. CARRIE, THE SHINING, and THE DEAD ZONE. A great introduction, as those early films were all good, whereas most adaptations of his work are terrible, sadly. 

During one of the Halloweens in the covid era, Julia & I got into a CREEPY STEVE frame of mind. Watching the better film adaptations, and listening to audiobooks. Those narrated by Will Patton were faves, as he really brings the characters to life. The Bill Hodges trilogy - Mr MERCEDES, FINDERS KEEPERS and END OF WATCH - were all marvellous, and introduced the wonderful character Holly Gibney. Who then appeared in further stories of her own. 

There are 10 Stephen King short story collections, and all that I’ve read contain several gems. JUST AFTER SUNSET has the terrifying (yet somehow hilarious) tale of a man trapped and left for dead in a capsized porta-potty. DIFFERENT SEASONS contains the stories that inspired THE SHAWSHANK REDEMPTION and STAND BY ME. Donald Sutherland starred in a great film entitled Mr HARRIGAN’S PHONE, taken from IF IT BLEEDS. Which also contains another great Holly Gibney story. 

ON WRITING: A MEMOIR OF THE CRAFT, is an engaging book, narrated by the author himself. Part memoir and part how-to instructional. Reminding me of William Goldman’s ADVENTURES IN THE SCREEN TRADE, in that it can’t truly deliver the secrets to making the magic that it promises, but serves up entertaining & revealing autobiographical anecdotes instead.

We are now used to seeing vampires in contemporary settings, so some of the 1970s impact of SALEM’S LOT has been lost. But both the book and its movie adaptation have many indelible images. Such as a vampire child hovering at the window.. (an inspiration for John Ajvide Lindqvist perhaps?)

After listening to book after book of King’s, and loving their brilliantly observed characters, and wonderful dialog, DARK TOWER was conspicuous for not having the elements that are normally intriguing in his books. Maybe I’ll give this series another shot someday, as friends swear it gets better. 

We read THE SHINING and its sequel, DOCTOR SLEEP, watching & enjoying both movie adaptations. King apparently despises Kubrick’s version of THE SHINING - "The book is hot, and the movie is cold; the book ends in fire, and the movie in ice. In the book, there's an actual arc where you see this guy, Jack Torrance, trying to be good, and little by little he moves over to this place where he's crazy. And as far as I was concerned, when I saw the movie, Jack was crazy from the first scene.” 

After reading the book, I understand King’s critiques, and agree with his second point. Jack Nicholson seems already about detonate on his drive to the hotel. Whereas King’s Jack was driven to madness by the malignant spirits within it. However, Kubrick’s film is so indelibly stamped into my mind, that I cannot unsee it. Nor unlike it neither (sorry, Stephen).

“Plot is, I think, the good writer’s last resort and the dullard’s first choice. The story which results from it is apt to feel artificial and labored.” - Stephen King.

I work in storytelling too, but in my biz it’s the dullard’s choice all the way - everything plotted & discussed, ad infinitum. King apparently starts with the merest idea, then writes straight ahead, surprising himself as he goes. A magician pulling a string of goodies out of his own head. At his best, this approach produces stories that feel naturalistic, with surprising twists and turns. 

At his worst, it can be rambling, meandering and self indulgent. Especially when he struggled with addiction. Apparently, King was so out of control in the late 1980s, that he was confronted by an intervention after finishing the TOMMYKNOCKERS manuscript. A pity then that the editor wasn’t given more latitude in tidying up that waffling mess before it went to print..

Stephen himself agrees - “I mean, The Tommyknockers is an awful book. That was the last one I wrote before I cleaned up my act. And I’ve thought about it a lot lately and said to myself, “There’s really a good book in here, underneath all the sort of spurious energy that cocaine provides, and I ought to go back.” The book is about 700 pages long, and I’m thinking, “There’s probably a good 350-page novel in there.”

We enjoyed the screen adaptations of IT, CHRISTINE, 1922, THE MIST, and 11.22.63. After soaking in worlds King has created, on page & screen, it became clear that the recent NETFLIX hit, STRANGER THINGS, is merely glorified Stephen King fan fiction. By the end of the pandemic, we’d chewed through many stories, yet only a mere fraction of The King Catalog. 

King is thought of as a master of the paranormal, but his real genius is for the everyday. Some of my favourites King stories are his straight crime fiction, or stories about real life. Even his famous horror stories are grounded by settings in relatable blue collar situations.. The writer Peter Straub even compared King to Dickens: “Both are novelists of vast popularity and enormous bibliographies, both are beloved writers with a pronounced taste for the morbid and grotesque, both display a deep interest in the underclass."

How does a man who’s been a millionaire for decades, with a very recognisable face, keep an ear for dialog patterns of common folk? Does he wear a disguise, and lurk in truck stops, diners, dive bars, and greyhound bus stations, taking notes?

 “He's one of the first people to talk about real Americans and how they live, to capture real American dialogue in all its, like, foulmouthed grandeur... He has a deadly ear for the way people speak... …Surface-wise, King's work is a bit televisual, but there's really a lot going on." - David Foster Wallace

Lately, we’ve embarked on yet another quest to chip away at the KING oeuvre. Having already fallen in love with Bill Hodges & Holly Gibney, it was fun to watch the Mr MERCEDES TV series. Even though the filmmakers took liberties with the characterisations. Rather than the shy, smoking, middle aged, OCD woman of the novels, the TV Holly is a perky & cute 30 something. An autistic variation on the manic pixie dream girl trope. (sigh..)

Taken from a short story collection entitled EVERYTHING’S EVENTUAL, the gripping movie 1408, starring John Cusack & Samuel L. Jackson, is the creepy story of a skeptical paranormal investigator, whose cynicism is challenged by spending a harrowing night in an actual haunted hotel room.

In THINNER a selfish fat lawyer is cursed into anorexia by a gypsy. Entertaining, in 'the guy deserves everything he gets' manner of a parable from the Twighlight Zone. It seems to have inspired Sam Raimi's DRAG ME TO HELL.

GERALD’S GAME seemed like a story written on a bet, or an author’s exercise - “write a novel where the protagonist never leaves their bed for most of the story.” To me it felt like it might have worked better as a short story. When King fails (for me, anyway) it's when there hasn't been enough editing.

King has apparently said that PET SEMATARY was his book that scared him the most, and it is extremely creepy, but for me, MISERY was even more terrifying. I'd already seen the film, and Kathy Bates’ Oscar winning performance, but the book is even scarier somehow. There’s nothing paranormal about this story. There is utter horror, but it is the worst kind that there is - the twists & turns of the human mind.

Despite, or perhaps because of, King’s great popularity, literary critics long damned him with faint praise. In 2003, when he received the National Book Foundation’s ‘Medal of Distinguished Contribution to American Letters’, some became openly hostile:

"The decision to give the National Book Foundation's annual award for "distinguished contribution" to Stephen King is extraordinary, another low in the shocking process of dumbing down our cultural life… ..What he is is an immensely inadequate writer on a sentence-by-sentence, paragraph-by-paragraph, book-by-book basis." - Harold Bloom

Bloom is dead, so King gets the last word - “A lot of today's reviewers grew up reading my fiction. Most of the old critics who panned anything I wrote are either dead or retired".

In 1999, Stephen King was flattened by a vehicle while walking along a highway - "After the accident, I was totally incapable of writing. At first it was as if I'd never done this in my life. ...It was like starting over again from square one." As someone who was been flattened too (but in a very different way) one of the many inspiring things about King is how he recovered from that terrible accident, to do some of his very best work.

CREEPY STEVE is a one-man multimedia idea engine, keeping the publishing & Hollywood machines running. We are still enjoying poring through the King library (listening to THE INSTITUTE now) so if any of you have further recommendations, please let me know in the comments!

[julialundman]

Hi I love your art and I was wondering if you sell prints or originals?

Hi - so sorry I only just now saw your message! I do sell prints and originals. My shop is here. Sorry for the late reply!

Www.julialundman.com/shop

[julialundman]

Memento Mori, a mermaid painting I did a few years ago. (I used webglaze to protect this image)

And the drawing study for the painting. I usually do a sketch or several drawings before a designing a big painting.

[julialundman]

Nocturne, a watercolor and white gouache fairy. I bought @greenleafblue set of black watercolors and wanted to try them on something. They are really nice, each color has different properties and effects. I had to be careful though because on this paper, Stonehenge Legion, watercolor can lift up when second or third washes are applied. It was a fiddly little piece but I enjoyed the experiment.

[julialundman]

Night Bloom, charcoal on toned illustration board. I went on a night time walking tour of the magnolia trees in San Francisco’s Botanical Garden. It was a magical and inspiring place!

[julialundman]

World Bee Day 🐝 (part of a triptych, oil and gold leaf on panel, 2019)

[julialundman]

“Magpie Inkcap”, acrylagouache and 14 k gold, is coming to Modern Eden gallery in San Francisco May 11th for the group show, “Field Trip”. This is a mushroom found in Northern Europe and North America. It can sometimes be poisonous and other times not, a gamble.

[julialundman]

“Flaco, the NYC Eagle-Owl”, 13”x13” watercolor and colored pencil on cream paper. My tribute to Flaco, who escaped his zoo enclosure and made his way over to Central Park. This painting will be on the online gallery website @everydayoriginal tomorrow, April 30th, available to purchase. Thanks for your consideration! 🩷🦉🩷