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SAM REID as LESTAT DE LIONCOURT

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So much would be written about that grim night in New Orleans, but not a single mention of our last hour at Latrobe's. As if the only crime unfit to print took place on that dance floor.

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It was my sole duty to distract Lestat, but in his mirrored eyes the distraction reflected back onto me. And in the dead center of the whispering gallery, I lost the thread to my plotting and fell once more into the well with no bottom. I was his and he was mine.

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They say that Satan lives in this house. But I say different. I say angels live at 1132.

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Interview with the Vampire: 1.07 | 2.08

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JACOB ANDERSON as LOUIS DE POINTE DU LAC

in INTERVIEW WITH THE VAMPIRE ― S01E07 "The Thing Lay Still"

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Our ways were finished. We were embers on a waning pyre. Lestat was the wind to scatter.

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INTERVIEW WITH THE VAMPIRE 2.08 And That's the End of It. There's Nothing Else

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"Wear a different suit the night you meet Lestat at the fair play. Snatch the piece of candy back from the barber when you’re seven years old. Would I have been stronger sooner? Would I have resisted Lestat two decades later? Snatch the candy. Be the man in the different suit. But the suit changes nothing, and again I’m kissing Lestat on the alter." INTERVIEW WITH THE VAMPIRE SEASON ONE EPISODE ONE: IN THROES OF INCREASING WONDER

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He was another knife, I could feel it. A different sort, but a knife still. I did not care. I thought: give me the blade. Some things are worth spilling blood for. - Madeline Miller, Circe

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So, Mr. du Lac, how long have you been dead?

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At his core, Louis is a character defined by longing. He longs for love, for understanding, for salvation—but he never quite finds it. His story is one of suffering, but also of resilience. He is often judged harshly, particularly for what happened to Claudia, but to reduce his actions to mere selfishness is to overlook the depth of his pain and the forces that shaped him.

Louis did not set out to fail Claudia—he loved her with all his heart, perhaps more deeply than anyone else in his immortal life. But love, for Louis, was never enough to save anyone, not even himself. He was not equipped to give Claudia the protection she needed, not because he did not care, but because he was emotionally paralyzed by his own trauma. His life, both mortal and immortal, was shaped by suffering that left him unable to fully act when it mattered most.

From the start, Louis carried the unbearable weight of guilt over his brother's death, a loss that shattered his faith and left him longing for death. He was raised in a world of strict Catholic morality, where sin and suffering were inescapable, and when his brother died—possibly due to mental illness but exacerbated by Louis's inability to understand or help—he internalized the blame. His family turned against him, his grief consumed him, and before he even became a vampire, he had already lost everything that had once given him a sense of purpose. When Lestat appeared, offering immortality, Louis was not drawn to it out of desire for power but out of sheer emptiness. He did not want to live, yet he could not bring himself to die.

Then, Lestat took him and molded him into something unnatural, something that was against everything Louis had once believed. He was thrust into a world of blood and violence, with a maker who ridiculed his pain and broke him down at every turn. Lestat mocked his morality, forced him to feed when he resisted, and manipulated his dependence by refusing to give him the answers he craved. Louis was not merely in a toxic relationship—he was trapped in an abusive cycle where love and control were indistinguishable. And yet, despite Lestat’s cruelty, Louis still loved him. He did not know how to separate love from suffering, because he had never been given love that was not tainted by pain.

Claudia became his only light in that darkness. When she came into his life, he saw in her something he had never had before: pure, unconditional love. She needed him, and he needed her, and for a time, they created a world in which they could survive together. But even this love was flawed—Claudia was never meant to exist as a vampire, and though Louis adored her, he also infantilized her, unable to fully accept that she was growing, changing, and resenting the prison he had unknowingly placed her in. When she turned against Lestat, Louis followed her, but in the end, he could not save her from the fate that awaited her. When she was burned to death by the Théâtre des Vampires, it was the final, devastating blow—proof that no matter how deeply he loved, he was powerless to protect those he cared for.

His yearning for love was equally tragic. With both Lestat and Armand, he experienced the kind of deep, all-consuming passion that he craved, but it was always twisted by manipulation, power imbalances, and the echoes of his past wounds. Lestat's love was violent and suffocating, a reflection of his need for control. Armand’s love was different—quieter, more consuming, but ultimately just as selfish. Armand did not seek to heal Louis; he sought to preserve his suffering, to keep him in a state of beautiful, eternal melancholy. Louis, shattered by Claudia’s death, let himself be drawn into Armand’s embrace, not because he truly healed him, but because he no longer knew how to exist without pain.

By the time we see Louis in the modern day, he has lived through centuries of loss, abandonment, and regret. He has endured the deaths of those he loved, the betrayal of those he trusted, and the weight of an immortal existence that offers no solace, only an eternity to relive his failures. And yet, he endures. He survives, not because he wants to, but because he does not know how to do anything else. His suffering is not self-inflicted—it is the product of a life that was shaped by forces beyond his control.

This is why Louis is misunderstood. He is not selfish; he is not weak. He is a man who has loved deeply and lost tragically, a man whose trauma has shaped every aspect of his existence. He wanted to save Claudia, but he was a victim of his own emotional paralysis. He wanted love, but he did not know how to accept it without pain. He wanted peace, but he was never given the tools to find it. Louis is not just a character who makes bad choices—he is a character who was shaped by the wounds inflicted upon him, and his story is one of survival in spite of it all.

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The card Lestat offers Louis at the poker game in 1x01 is a jack of hearts. He literally gives Louis his heart here. And Louis accepts it.

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Put your camera away, my American friend. Be one with us.

Jacob Anderson as Louis de Pointe du Lac INTERVIEW WITH THE VAMPIRE | 2.02

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Put your camera away, my American friend. Be one with us.