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...what if we should turn around the topic according to which, in our social interactions, we wear masks covering out hidden true face? What if, on the contrary, in order for us to interact in public with our true face, we have to have a mask somewhere hidden, deposed, a mask rendering our unbearable excess, what is in us more than ourselves, a mask which we can put on only exceptionally, in the carnevalesque moments when the standard rules of interaction are suspended? In other words, what if the true function of the mask is not to be worn, but to be kept hidden?
Slavoj Žižek
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Piergiorgio Branzi, Il salotto di casa Pasolini/ Pasolini’s living room, Casarsa, 1995
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Teorema (1968), dir. Pier Paolo Pasolini
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ნამე (Namme), 2017.
#ნამე#namme#Zaza Khalvashi#georgia#georgian film#film#cinema#screenshot#fish#koi#snow#Mariska Diasamidze
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vimeo
Isabel Tuengerthal: Der Falter
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Snow had fallen. I remember music from an open window. Come to me, said the world.
Louise Glück, from October in “Poems 1962-2012″ (via adrasteiax)
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Text

Francesco Radino (1947)
Untitled, Shimane #3, n.d.
Gelatin silver print
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