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klementinen · 10 days
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something about memories
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klementinen · 21 days
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u literally cannot have some sort of kneejerk panicked guiltspiral reaction to learning u hurt someone u cannot start playing out ur imaginary canceled callout metoo moment anytime a loved one thinks uve done something wrong 9/10 people are only communicating that to u bc they want 1) their hurt validated 2) a promise to at least try not to hurt them the same way again 3) a hug not some fucking malicious attempt to destroy ur life
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klementinen · 21 days
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klementinen · 25 days
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eclipse, 2013, oil/cardboard, 15 x 20 cm
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klementinen · 28 days
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I’m so glad Kendrick called out Drake for being a culture vulture before he could enter his afrobeat era
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klementinen · 28 days
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they not like us
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klementinen · 1 month
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The fact that tumblr is my primary social media is proof that I’m far gone
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klementinen · 1 month
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the fact that i'm no longer the same age as the protagonists of novels and films i once connected to is so heartbreaking. there was a time when I looked forward to turning their age. i did. and i also outgrew them. i continue to age, but they don't; never will. the immortality of fiction is beautiful, but cruel.
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klementinen · 1 month
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realized i never shared my rot series from beginner's ceramics 🍊 obviously pretty wonky + some cracking and weird glaze stuff, but i really loved every step of the process <3 hoping i get to do it again sometime
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klementinen · 2 months
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"Who Is Superman? A Private Interview with Lois Lane" a fancomic about hope and connection. I've had this story in mind for so long and I'm very excited to be able to share it at last. Thank you for reading, and happy Lunar New Year!
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klementinen · 2 months
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Y'know, there's this gripe I've had for years that really frustrates me, and it has to do with Love, Simon and people joking about it and calling it too-pg and designed-for-straight-people and all the like. (A similar thing has happened to Heartstopper, but that's another conversation.)
I saw Love, Simon in theaters when it came out my senior year in high school. I saw it three times, once with my friends/parents on opening night, once with my brother over spring break, and once with my grandparents.
On opening night, the air in the room was electric. It was palpable. Half the heads in there were dyed various colors. Queer kids were holding hands. We were all crying and laughing and cheering as a group. My friends grabbed my hands at the part where Simon was outed and didn't let go until his parents were saying that they accepted him. My friend came out to me as non-binary. Another person in our group admitted that she had feelings for girls. It was incredible. I left shaking. This was the first mainstream queer romance movie that had ever been produced by one of the main five studios, and I know that sounds like another "first queer character from Disney" bit but you have to understand that even in 2018 this was groundbreaking. Getting to have a sweet queer rom-com where the main character was told that he got "to breathe now" after coming out meant so much to me and my friends.
But also, from a designed-for-straight-people POV (which, to be frank, it was written by a bisexual author and directed by a gay man, this was not designed for straight audiences), why is it a bad thing that it appealed to the widest possible audience? That it could make my parents and grandparents see things in a new light? My stepdad wasn't at all interested in rom-coms but he saw it with me because it was something I cared about and he hugged me when we came out of the theater. My very Catholic grandparents watched it with me and though my grandpa said he still didn't quite understand the whole 'gay thing,' all he wanted was for me to be happy and to have a happy ending like Simon did. My Nana actually cried when Simon came out and squeeze my hand when his mother told him he could breathe.
And when Martin blackmailed Simon, my mom, badass ally that she is, literally hissed "Dropkick him. Dropkick him in the balls" leading to multiple queer kids in the audience to laugh or smile. Having my parents there- the only parents, by the way, out of my group of queer and questioning friends- made multiple people realize that supportive adults were out there. That parents like those in Love, Simon do exist in real life.
When people complain about Heartstopper not being realistic or Love, Simon being too cutesy, I remember seeing Love, Simon on opening night. I remember my friend coming out and my stepdad hugging me and my mom defending us through this character. I remember the cheers that went through the audience when Bram and Simon kissed and the chatter in the foyer after the movie was over and the way that this movie made me understand that happy endings do exist.
Queer kids need happy endings. Straight people need entry points to becoming allies. Both of these things can come together in beautiful ways. They can find out about more queer culture later, but for now, let them have this. Let them all have a glimpse at a better, happier world. Let them have queer joy.
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klementinen · 2 months
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æ nr mòus: The Inherent Aftermath Part 1 (2023)
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klementinen · 2 months
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KRISTEN STEWART Rolling Stone Magazine (Feb 14, 2024)
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klementinen · 2 months
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figure studies
oil on canvas
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klementinen · 2 months
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“we need an alcohol free queer space for adults with no friends to meet each other”
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klementinen · 2 months
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klementinen · 2 months
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