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ARCHITECTURAL DESIGN 1

PHASE 2 - FUTURE EXCHANGES

The contribution from the analysis , carrying the main idea extracted in the first phase. With an objective to investing set of materials that could strategically apply to the possibility of exchanges that could be happen in phase 3, Flagship Landscape.

Translucent concrete and glass brick was brought in as a main material as they both could express the art of crafting and the flexibility in transparency level, which is the main idea that characterized Louis Vuitton among from other brand.

The first component, made by translucent concrete, is the series of column that conduct the natural light into interior space. Moreover, the component could expand in various arrangement to act as a utility space such as the interactive window display, gallery, or even an exhibition space.

Fashion runway made by glass brick is the second component. Mainly played with the operation of stacking the modules to form the depth in transparency level. In addition, according to the experiment with acrylic’s surfaces, some of the surfaces of the brick has been engraved in order to control the transparent and to classify the function in each part of the runway.

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ARCHITECTURAL DESIGN 1

PHASE 2 - FUTURE EXCHANGES

Sets of study and final models from the second phase of Brandtopia project.

This collective set of models base on the study in controlling the transparency level of glass brick. Mainly focus on how the engrave and texture could effect the intensity, reflection, and glossiness of the material.

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ARCHITECTURAL DESIGN 1

PHASE 2 - FUTURE EXCHANGES

Sets of study and final models from the second phase of Brandtopia project. 

This collective set of models base on the study in controlling the transparency level of translucent concrete. Due to the difficulty in the mixture of concrete composite, future board which share the similarity in structure was brought in to replace the concrete.

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ARCHITECTURAL DESIGN 1

PHASE 1 - BRAND LOGICS

The analysis of the most well known brand since 1854, Louis Vuitton. Start from the origin of the founder, logistic, marketing strategy up to the 3 extracted elements which will be imply into architectural components in the following phase.

The 3 elements that sum up together as Louis Vuitton relevant design are skin, structure, and construction.

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HISTORY + THEORY OF ARCHITECTURE I

The remaking model of one of the original work from Lebbeus Woods, High House.

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FUNDAMENTAL STRUCTURE

BIKE 2 BENCH

It’s a group project considering on the construction of a 1:1 scale bench with a primary concern in using the fundamental structural knowledge to design a proper bench. ‘Bike 2 Bench’ was designed under the concept of ‘the ideal bench for cycler’, as the number of people biking has been growth significantly in the recent years. So the bench has been design utilized that the function correspond to the needs of the biker such as the bed-like pivot backrest or the bicycle rack.

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CREATIVITY IN URBAN LIVING

The series of digital creative map and expression collage of the visited local site in Bangkok. ( Siam Square, Talad Noi, Pak Khlong Talad, Talad Nangloeng, JJ Market) 

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DESIGN 3

PHASE 3 - IMPOSTER

The objective of this phase is to manipulate the code and thought of the chosen architect, Lebbeus Woods, in a production of two pavilions. Both pavilion has different constraints in term of dimension and program.

Pavilion B - Dystopia

'Dystopia’, the second pavilion, sat in the air on top of the central square of Lansing in perpendicular to the State Capitol. This pavilion imitated the pure thought of Woods’s radicalness in creating and defining the space. The perception of the mass of fragments injected into the State Capitol can be perceive from a distance away, strongly showed the idea of Woods’s parasitic architecture. The radical fragmented form of space was created by the cluster of fragments, which is the set of elements produced by the device, then subtracted once again by another set of the produced components. At both ends of the pavilions was extended and injected into the high rise building. The idea of Woods’s ‘Free Space’ defined the definition of this radical space. As the void space that form up after the intersection and subtraction, clustered all over the place, is the ‘Free Space’. Each space has different condition in term of light, acoustic, and dimension. The user needs to adapt to different type of space and response with a suitable and appropriate program. 

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DESIGN 3

PHASE 3 - IMPOSTER

The objective of this phase is to manipulate the code and thought of the chosen architect, Lebbeus Woods, in a production of two pavilions. Both pavilion has different constraints in term of dimension and program.

Pavilion A - Lebbeus Woods Memorial

The first Pavilion was dedicated to Woods himself as a place to celebrate his ‘paper projects’. The pavilion was placed in front of the Lansing State Library, one of the most crowded and social engaging area in the city, in order promoted Lebbeus Woods Memorial to the citizen of Lansing as well as the tourists as one of the attraction. However, the main feature for this pavilion is the ‘study of Woods’s code’ through experiencing in the space. As the visitor enter through the space, the user will experience Woods’ code through the destruction of space, using the output of the device from the previous phase, as the space will slowly destroy more and more in a linear logic along the circulation path. In the last chamber, the idea of injection was introduced as the fragments, produced by the device, actually directly injected into the space, creating the chaotic atmosphere of the demolition and destruction.

#DESIGN3

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DESIGN 3

PHASE 3 - IMPOSTER

The objective of this phase is to manipulate the code and thought of the chosen architect, Lebbeus Woods, in a production of two pavilions. Both pavilion has different constraints in term of dimension and program.

CONTEXT MAP

The illustration of the 1:2000 context map of Lansing, the capital city of Michigan, the exact birth place of Lebbeus Woods. Contrast between the location of two site, demonstrating the difference of flat cultural area and high rise district, was shown in the map.

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DESIGN 3

PHASE 2 - DEVICE

“ RADICAL RECONSTRUCTION DEVICE “

Destruction GIF 

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DESIGN 3

PHASE 2 - DEVICE

“RADICAL RECONSTRUCTION DEVICE “

The images above are the set of instruction manual, input, and output of the device.

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DESIGN 3

PHASE 2 - DEVICE

“ RADICAL RECONSTRUCTION DEVICE “

The function of this device is to created Lebbeus Wood’s radical architectural style by using the idea of destruction and reconstruction.

The Input of the device is the set of 25 acrylic destruction plates. Each plate represents violence during the past century, categorized into 3 tiers; Politic, War, and Natural Catastrophe. Each tier defines different damage intensity given by total death toll. The idea is to select 6 of 25 plates and trace to all sides of a solid cube and trace by the line given from each plates then cut it.

As a result the number of uniques cutted fragment will be given. By  simulates the force applies to the logically cutting cube using , the new form of radical geometry will be produced as a final output.

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DESIGN 3

PHASE 1 - The Code

Starring Lebbeus woods

“ Radical Reconstruction”

link to digital slide https://drive.google.com/file/d/0B8YveFBNh3KhX2hNSUx2X1NwY2s/view?usp=sharing

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Project 2.2 Habitat

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Project 2.2 Habitat

Study Case of the ‘Roof House’ by Tezuka Architects

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Project 2.1 Street

In this phase, the treatment of landscape in the given plot was designed in a futuristic theme as well as the design of the habitat that also get influenced by the orientation of surrounding