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Max Bill, Field of 32 Parts in 4 Colors, 1965

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Sophie Taeuber-Arp (1889-1943) [Switzerland] — ‘Free, vertical- horizontal rhythms’, 1919. Gouache on paper (24.5 x 17 cm).

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James Thrall Soby (photograph), Alexander Calder with 'Steel Fish', Roxbury, CT, 1934 [© Calder Foundation, New York, NY / ARS, New York]

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Sophie Taeuber-Arp (1889-1943) [Switzerland] — ‘Composition verticale-horizontale sur fond blanc’, 1915-16. Gouache and pencil on paper, in historical passepartout frame (29.5 x 29.4 cm).

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Max Bill (Swiss, 1908-1994)

Uniform elementary colors, 1960

Oil painting, 30.5 x 23.5 cm

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Kevin Ray, Untitled, oil on canvas, 24 x 24 in. (2025)

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Kevin Ray, Untitled, oil on canvas, 36 x 48 in. (2025)

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Ferdinand Hodler (Swiss, 1853-1918), Strasse von Onex, c.1890. Oil on canvas, 35.5 × 26.5 cm.

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Ferdinand Hodler (Swiss, 1853-1918), Der Salève im Herbst [The Salève in Autumn], c.1891. Oil on canvas, 70.5 × 50.5 cm.

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by Nicolas de Staël, 1952

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Lignes d'été, Sophie Taeuber-Arp, 1942

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Snow Flowers1951 by Henri Matisse

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Wladislaw Strzemiński, Architectural Composition 6b, 1928

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Brice Marden, 15 x 15 12, (Kremer inks and Kremer white shellac ink on Arches paper; 20 x 15 in), 2015-2017 [© 2025 Estate of Brice Marden / ARS, New York. Photo: Maris Hutchinson. Courtesy the Estate of Brice Marden and Gagosian]. Exhibition: Brice Marden: Works on Paper, Gagosian, Paris, June 14 – August 2, 2025

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Brice Marden, 15 x 15 6, (Kremer inks and Kremer white shellac ink on Arches paper; 20 x 15 in), 2015-2017 [© 2025 Estate of Brice Marden / ARS, New York. Photo: Maris Hutchinson. Courtesy the Estate of Brice Marden and Gagosian]. Exhibition: Brice Marden: Works on Paper, Gagosian, Paris, June 14 – August 2, 2025

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Thomas Hart Benton (American, 1889-1974), Mine Strike, Pittsburgh PA, 1933. Oil on tin.

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Anselm Kiefer: Waldsteig, 2023