labellezanoexiste

[labellezanoexiste]

EGO IS A TIME-BASED KINETIC SCULPTURE_STUDIO DRIFT

IN OUR SIGNATURE BLOCK FORM.

EMBODYING THE PERSPECTIVES OF A HUMAN.

A massive woven block, made of more than 16km of hair-thin Japanese fluorocarbon, controlled by motors, allowing the artists to animate and choreograph it. There has never been a block this size woven before, therefore the artists created their own weaving loom. Softwares and algorithms were developed to allow a puppeteer to control each and every move of the block. Transforming between natural and non-natural states, it gives the viewer a sense of perspective that they can relate to but also shows its vulnerability at the same time. A seemingly rigid shape expressing feelings and emotions, strengths and weaknesses of human perspectives. This sculpture Ego was specially developed for Monteverdi’s Opera L’Orfeo (1608), to be premiered in January 2020, and is a co-production with the Dutch Travel Opera house (Nederlandse Reisopera). Together with director Monique Wagemakers and choreographer Nanine Linning, giving the oldest opera, with modern cutting edge technology. 

Read more: DRIFT X Reisopera |  PACE Live, New York

[labellezanoexiste]

MALIKA FAVRE

[labellezanoexiste]

Hans Poelzig - Festspielhaus - Salzburg, Austria - 1921

[labellezanoexiste]

750

[labellezanoexiste]

Joseph Lambert Untitled, 2014 Mixed media on paper 16.93 x 24.02 inches 43 x 61 cm JLam 19

http://www.cavinmorris.com

[labellezanoexiste]

Owen Gent

[labellezanoexiste]

Someone, 201809 Acrylic on canvas 80x80 cm

[labellezanoexiste]

Shoji Ueda

[labellezanoexiste]

Chasing Japan-ness (part 2) by Helena Rong and Jessica Jiang at Cornell AAP

via Archidermy

[labellezanoexiste]

Auto gestión

[labellezanoexiste]

(via mujer-riegimebailalucha, herekitty)

Bendita eres

[labellezanoexiste]

Maruja Mallo.

1. Espantapájaros

2. Antro de fósiles

[labellezanoexiste]

holer lipmann, noise grid series, 2018

[labellezanoexiste]

Cuando los peces lloran

[labellezanoexiste]

[labellezanoexiste]

Predestination, Minjung Kim, 2012.