I know "60s housewives who invented slash fanfiction" has taken on a life of its own as a phrase, but Kirk/Spock didn't really exist until the 70s and THOSE WOMEN HAD JOBS. They were teachers and librarians and bookkeepers and scientists and they damn well spent their own money going to conventions, printing zines, buying fanart and making fandom happen. Put some respect on their names.
Today we celebrate the life and works of Terry Pratchett who would have been 76 years old today
Having spent many times in his company over the years, we would like to hear your stories of "Time with Terry", be it at conventions, book signings or elsewhere !
Let us know your Time with Terry moment in the comments.
I don’t know which author needs to hear this right now but even if you never update your wip i would never regret reading it a time of joy is never wasted
Where is my fantasy female protagonist who's a little too socially adept maybe I'm tired of the assumption being that all fantasy female protagonists don't really understand the nuances of conversation in politicised situations. I want a girl who knows exactly how to play people and is always a little privately concerned that she's evil for it.
So, there's a dirty little secret in indie publishing a lot of people won't tell you, and if you aren't aware of it, self-publishing feels even scarier than it actually is.
There's a subset of self-published indie authors who write a ludicrous number of books a year, we're talking double digit releases of full novels, and these folks make a lot of money telling you how you can do the same thing. A lot of them feature in breathless puff pieces about how "competitive" self-publishing is as an industry now.
A lot of these authors aren't being completely honest with you, though. They'll give you secrets for time management and plotting and outlining and marketing and what have you. But the way they're able to write, edit, and publish 10+ books a year, by and large, is that they're hiring ghostwriters.
They're using upwork or fiverr to find people to outline, draft, edit, and market their books. Most of them, presumably, do write some of their own stuff! But many "prolific" indie writers are absolutely using ghostwriters to speed up their process, get higher Amazon best-seller ratings, and, bluntly, make more money faster.
When you see some godawful puff piece floating around about how some indie writer is thinking about having to start using AI to "stay competitive in self-publishing", the part the journalist isn't telling you is that the 'indie writer' in question is planning to use AI instead of paying some guy on Upwork to do the drafting.
If you are writing your books the old fashioned way and are trying to build a readerbase who cares about your work, you don't need to use AI to 'stay competitive', because you're not competing with these people. You're playing an entirely different game.
It's fun reading writers who clearly grew up in suburban/urban environments as someone who grew up on a farm because they're always like "oh it was so creepy, woods at night, eerily breathtaking, something was living in there..." and it's like yeah that'll be the deer.
POV - Short for Point Of View, meaning that the audience is experiencing a story from the perspective of a specific person or outside entity; they are part of the story in one way or another
• 1st Person POV - Experiencing a story from the perspective of the main character. Pronouns will be I, me, my, mine, etc
• 2nd Person POV - Experiencing a story from your own perspective as if you were a character within the story. Pronouns will be you, your, yours, etc. Stories are rarely written from this perspective outside of Choose Your Own Adventure style stories
• 3rd Person POV - Experiencing a story from an outside perspective. No personal pronouns will be used for you, but other characters will be referred to as he, she, they, it, etc
• 4th Person POV - Experiencing a story through a collective perspective. Pronouns include we, us, someone, anyone, etc. I’ve never seen a story written from this perspective. Fourth person perspective is mostly used in livestreams, in which the chat forms a non-specific collective presence that are all addressed as one
hi I'm from your pseudo-medieval fantasy city. yeah. you forgot to put farms around us. we have very impressive walls and stuff but everyone here is starving. the hero showed up here as part of his quest and we killed and ate him
“Every dehumanizing ideology succumbs to the same temptation: to see the undesirable other as a non-person, and thus disposable. In this distorted light, the disposal of the unwanted person becomes not only morally permissible, but meritorious, a praiseworthy act. I have come to recognize that there is never a safe way to draw a dividing line between “human being” and “person.” That line, even when drawn with the best of intentions and the loftiest ideals, leads to the gravest evil.”
— Abigail Favale (Confessions of a Feminist Heretic)
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We looked inside some of the posts by
leave-her-a-tome
and here's what we found interesting.