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[i've never doubted that palestine will live.
the US dropped more than 7.5 million tons of bombs on vietnam, laos and cambodia from 1965-75. they destroyed our land, used agent orange, slaughtered villages, separated families, the list goes on.
but we're. still. here.
indigenous people are still here. black people are still here. colonized people are resilient. even if you kill our people, ban our languages, destroy our homes, heritage sites and artifacts, we will always find a way to keep our cultures alive and that has always been true
so much of the west and isntreal's tactics and actions are hauntingly familiar to me as a viet person. its a colonizer's rinse and repeat. and so that's how i know palestine will be free. we've seen this film before]
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The Barque of Charon, 1919 - oil on linen.
— José Benlliure (Spanish, 1855-1937)
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Rafael Romero Barros (Spanish, 1832-1895)
Still life with oranges, 1863
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Anonyme, École de Italie
Judith tenant la tête d'Holopherne, n/d, huile sur toile, 186x121 cm
Musée des Beaux-Arts (Nantes), Inv. 146
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Allegorical Figure of Faith, Paolo Veronese (16th Century)
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Ballet school in London by Isaac Israel
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Julius Olsson (detail)
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detail from Isabella and the Pot of Basil, 1867, William Holman Hunt
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A Maiden in Contemplation, Gaston La Touche (1854 – 1913)
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To celebrate International Women’s Day: Renaissance and Baroque art by women
Clara Peeters
B. CIRCA 1589, ANTWERP • D. AFTER 1657
Artemisia Gentileschi
B. 1593, ROME • D. 1653, NAPLES
Elisabetta Sirani
B. 1638, BOLOGNA • D. 1665, BOLOGNA
Inspired by a Katy Hessel editorial on Artsy.net
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for the ophelia girlies
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Romance by Cecile Walton (1891–1956)
Date: 1920 Medium: oil on canvas
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Eduardo Kingma (Ecuadorian, 1913-1997)
The Evening
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Flowers in a Glass Jar by Dorothy Johnstone (1892–1980)
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Gaston Brun (1873 - 1914)
Les travaux de la ligne 1 du métropolitain ; tranchée sous la place de l’Étoile, 1899-1902
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