PORTRAIT OF A LADY ON FIRE
2019 | Céline Sciamma
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BLADE
dir. stephen norrington
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In the early 1930s, scholarly studies were done on the impact of screen stars on teenagers, because of fears that the movies were sexualizing them. These studies found that teenage girls learned sex techniques through watching Garbo’s sex scenes, especially those in Flesh and the Devil; they then practiced her techniques at home with their girlfriends. Raymond Daum described Garbo’s many young female fans as having “schoolgirl crushes on her” that “defined a national idolatry.” And knowledge of Garbo’s non-heteronormative sexuality was spread through lesbian networks “from coast to coast.” Moreover, the 1920s was an era of commercial expansion in which the ranks of saleswomen and typists, careers dominated by young women, increased. These women made enough money to see a movie more than once. They identified with female stars and liked to see them in powerful roles.
Greta Garbo in Flesh and the Devil (1926)
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Sandra Oh as Stephanie in SIDEWAYS (2004), Dir. Alexander Payne
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The Rundown (2003) dir. Peter Berg
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IS THIS YOUR PENANCE... OR REVENGE?
And here I have lamely related to you the uneventful chronicle of two foolish children in a flat who most unwisely sacrificed for each other the greatest treasures of their house. But in a last word to the wise of these days let it be said that of all who give gifts these two were the wisest... Everywhere they are wisest. They are the magi.
RAINCOAT (2004) dir. Rituparno Ghosh
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