libemo
libemo
oblique (or slant)
274 posts
Perhaps our eyes are merely a blank film which is taken from us after our deaths to be developed elsewhere and screened as our life story in some infernal cinema or dispatched as microfilm into the sidereal void. (Jean Baudrillard)
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libemo · 5 months ago
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High Park, Tkaronto. 2024 © CL  ( instagram | patreon)      
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libemo · 2 years ago
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Hong Kong, 2023 Besieged City/ Hong Kong Faces © CL  ( instagram | patreon)         
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libemo · 2 years ago
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Chiang Mai, 2022 © CL  ( instagram | patreon)
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libemo · 3 years ago
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Mist in Taipo, Hong Kong 15/Jan/2023 If you like what I do follow my instagram and subscribe to my patreon <3
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libemo · 3 years ago
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Taipo, Hong Kong. Dec 2022 © CL  ( instagram | patreon)
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libemo · 4 years ago
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I am being joyful in this very instant because I refuse to be defeated: so I love. As an answer. Impersonal love, “it” love, is joy: even the love that doesn't work out, even the love that ends.
Clarice Lispector • Água Viva
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libemo · 4 years ago
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Kam Tin River, Yuen Long. May 2021 © CL  ( instagram | patreon)
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libemo · 4 years ago
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© CL  ( tumblr | instagram | patreon) Message from Street explore words, graffiti, signage, found  images and other traces from the neighbourhood of Yau Ma Tei and Jordan, it draws on the Situationist notion of dérive and focuses on the visceral ambiance and emotional disorientation of urban existence.
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libemo · 4 years ago
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© CL  ( tumblr | instagram | patreon) Message from Street explore words, graffiti, signage, found  images and other traces from the neighbourhood of Yau Ma Tei and Jordan, it draws on the Situationist notion of dérive and focuses on the visceral ambiance and emotional disorientation of urban existence. presently showing at Tomorrow Maybe (Eaton HK), as part of the multi-media exhibition Give Way to the Voices Afterward. see details here
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libemo · 4 years ago
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In her series of statements, Ariella Azoulay will depart from the common theories and histories that present photography as a sui generis practice and locate its moment of emergence in the mid-nineteenth century in relation to technological development and male inventors. Instead, she proposes to locate the origins of photography in the “New World,” in the early phases of European colonial enterprise, and study photographs alongside early accounts of imperial expeditions. The posts have their origin in Ariella Azoulay’s forthcoming book Potential History: Unlearning Imperialism (New York: Verso, 2019).
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libemo · 4 years ago
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Yau Ma Tei/ Jordan, March/April 2021 © CL  ( tumblr | instagram )
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libemo · 4 years ago
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Yau Ma Tei/ Jordan, Hong Kong. March 2021 © CL  ( tumblr | instagram )
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libemo · 4 years ago
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Hong Kong Polytechnic, Feb 2021 © CL  ( tumblr | instagram )
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libemo · 4 years ago
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Hong Kong Polytechnic, Feb 2021 © CL  ( tumblr | instagram )
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libemo · 4 years ago
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Hong Kong Polytechic, Feb, 2021 © CL  ( tumblr | instagram )
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libemo · 5 years ago
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Taipo, Hong Kong 2020 © CL  ( tumblr | instagram )
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libemo · 5 years ago
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Ma On Shan, Hong Kong. © CL  ( tumblr | instagram )
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