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Vent art

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Helpful things for action writers to remember

Sticking a landing will royally fuck up your joints and possibly shatter your ankles, depending on how high you’re jumping/falling from. There’s a very good reason free-runners dive and roll. 

Hand-to-hand fights usually only last a matter of seconds, sometimes a few minutes. It’s exhausting work and unless you have a lot of training and history with hand-to-hand combat, you’re going to tire out really fast. 

Arrows are very effective and you can’t just yank them out without doing a lot of damage. Most of the time the head of the arrow will break off inside the body if you try pulling it out, and arrows are built to pierce deep. An arrow wound demands medical attention. 

Throwing your opponent across the room is really not all that smart. You’re giving them the chance to get up and run away. Unless you’re trying to put distance between you so you can shoot them or something, don’t throw them. 

Everyone has something called a “flinch response” when they fight. This is pretty much the brain’s way of telling you “get the fuck out of here or we’re gonna die.” Experienced fighters have trained to suppress this. Think about how long your character has been fighting. A character in a fist fight for the first time is going to take a few hits before their survival instinct kicks in and they start hitting back. A character in a fist fight for the eighth time that week is going to respond a little differently. 

ADRENALINE WORKS AGAINST YOU WHEN YOU FIGHT. THIS IS IMPORTANT. A lot of times people think that adrenaline will kick in and give you some badass fighting skills, but it’s actually the opposite. Adrenaline is what tires you out in a battle and it also affects the fighter’s efficacy - meaning it makes them shaky and inaccurate, and overall they lose about 60% of their fighting skill because their brain is focusing on not dying. Adrenaline keeps you alive, it doesn’t give you the skill to pull off a perfect roundhouse kick to the opponent’s face. 

Swords WILL bend or break if you hit something hard enough. They also dull easily and take a lot of maintenance. In reality, someone who fights with a sword would have to have to repair or replace it constantly.

Fights get messy. There’s blood and sweat everywhere, and that will make it hard to hold your weapon or get a good grip on someone. 

A serious battle also smells horrible. There’s lots of sweat, but also the smell of urine and feces. After someone dies, their bowels and bladder empty. There might also be some questionable things on the ground which can be very psychologically traumatizing. Remember to think about all of the character’s senses when they’re in a fight. Everything WILL affect them in some way. 

If your sword is sharpened down to a fine edge, the rest of the blade can’t go through the cut you make. You’ll just end up putting a tiny, shallow scratch in the surface of whatever you strike, and you could probably break your sword. 

ARCHERS ARE STRONG TOO. Have you ever drawn a bow? It takes a lot of strength, especially when you’re shooting a bow with a higher draw weight. Draw weight basically means “the amount of force you have to use to pull this sucker back enough to fire it.” To give you an idea of how that works, here’s a helpful link to tell you about finding bow sizes and draw weights for your characters.  (CLICK ME)

If an archer has to use a bow they’re not used to, it will probably throw them off a little until they’ve done a few practice shots with it and figured out its draw weight and stability. 

People bleed. If they get punched in the face, they’ll probably get a bloody nose. If they get stabbed or cut somehow, they’ll bleed accordingly. And if they’ve been fighting for a while, they’ve got a LOT of blood rushing around to provide them with oxygen. They’re going to bleed a lot. 

Here’s a link to a chart to show you how much blood a person can lose without dying. (CLICK ME) 

If you want a more in-depth medical chart, try this one. (CLICK ME)

Hopefully this helps someone out there. If you reblog, feel free to add more tips for writers or correct anything I’ve gotten wrong here. 

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Slow burn but it's written by an impatient person

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Thinking about her (a show that was cancelled unjustly) again

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I don't wanna @ anyone because I understand how fast things seem to move in today's landscape of streaming shows dropping entire seasons in one day, and networks pumping out new series constantly to try to attract more subscribers with no intent to actually maintain those shows over time but I just saw someone self-deprecatingly lament that they are still thinking about a show that ended almost a year ago, making fan art and playlists for it, and I want to be very clear:

you can still create fanworks when it comes to old media!! PLEASE do!! there are always going to be new fans who will appreciate it, and veteran fans who are dying for new content and new perspectives. also, less than a year is NOTHING. the original Star Trek series was on TV six decades ago and there are still people losing their minds over it, writing stories and reblogging gifsets daily, and that's only one example.

a fandom lasts as long as there are people who love a thing, even if it's only a handful of people. love what you love and write and draw and make gifs and playlists about it!

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You know what?

I love you, fics that take months to update. I click on the newest chapter and have no memory of this place and get to go back some chapters and rediscover how much i love everything about this story.

I love you, fics that take years to update. I think of you fondly, and know your names, go search for you and see an update from this year and scream, diving in uncaring of any missed details (i will finish the update and read you in reverse because this is a treat you have bestowed)

I love you, fics that probably will never update again. Thank you for being a roman empire for my mind, thank you for teaching me about the ephemeral fandom experience, for inspiring a thousand million what if-s, for being a comfort read and a nostalgia read and a reread.

I love you fic writers, who jump into projects and stories with enthusiasm. I love you when you succeed in pumping out those chapters and that love doesn't go away when you stop.

I love you fic writers who post and then get in your own head and never feel confident enough to update, whether it's at all or whether it's just that one story.

I love you fic writers, who have a fandom or media hurt you to the point of abandoning or having a hard time with their WIPs.

I love you fic writers, who lose interest or have life changes or illness or bad memory. Thank you for being part of the fandom, a core part of the fandom. Thank you for the time spent in the fandom.

I love you, fic writers who try out something new and then stop. You're so valid.

I love you, WIP fics that may or may not ever get finished. Thank you for brightening my day in the way only you could have.

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Hey you ever think about The Characters so much to the point where

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My favorite combinations.

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I haven't abandoned this story. I just put it on the back burner for now. The story is just on a small vacation. It is currently out of office. It can't come to the phone right now. It just fell under my bed to sleep with the monsters. It never left my head. It is everywhere - except on paper.

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Had to share this here because you're right and you should say it. It's incredible how many people came out of the woodwork as soon as AO3 was down and suddenly had no compunctions at all about screaming how much they love and need fanfic--on the AO3 twitter. Is it so much harder to do in the comment section?

At this point I don't care anymore if people call me entitled or think I'm out of line. If fanfic is so meaningful to you that you cannot go half an hour without, let alone 24h, then you can get over yourself long enough to write a fucking comment. No excuses.

"writing comments is hard and scary" yeah well GUESS WHAT so is writing fanfics. fandom as a community is dying, because it is instead treated as a COMMODITY, a CONSUMER PRODUCT. We're not asking for much. We're asking for a CONNECTION. We don't want to sell, we want to share.

You've shown your hand. You've admitted you cannot live without us. Now ACT LIKE IT. Go write a fucking comment.

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not to be controversial bc I know this is like…not in line with shifting opinions on fanfic comment culture but if there’s a glaring typo in my work I will NOT be offended by pointing it out. if ao3 fucks up the formatting…I will also not be offended by having this pointed out…

‘looking forward to the next update’ and ‘I hope you update soon!’ are different vibes than a demand, and should be read in good faith because a reader is finding their way to tell you how much they love it. I will not be mad at this.

‘I don’t usually like this ship but this fic made me feel something’ is also incredibly high praise. I’m not going to get mad at this.

even ‘I love this fic but I’m curious about why you made [x] choice’ is just another way a reader is engaging in and putting thought into your work.

I just feel like a lot of authors take any comment that’s not perfectly articulated glowing praise in the exact manner they’re hoping to receive it in bad faith.

fic engagement has been dropping across the board over the last several years, and yes it’s frustrating but it isn’t as though I can’t see how it happens. comment anxiety can be a real thing. the last thing anyone wants to do is offend an author they love, and that means sometimes people default to silence.

idk where I’m going with this I guess aside from saying unless a comment is outright attacking me I’m never going to get mad at it, and I think a lot of authors should feel the same way. ESPECIALLY TYPOS PLZ GOD POINT OUT MY TYPOS.

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What they don’t tell you about storytelling is that it becomes an instinct over time. You learn how to kind of … intuitively chain events together over time. That doesn’t mean it’s a cakewalk, or that you never get stuck on plotbeats, but you have a better time walking yourself out of corners that you as a less experienced writer would have been tempted to abandon your story over. Because you’ve been stuck in similar corners before; you know how you get out now.

I know its frustrating to keep hitting dead ends, but you got this. You’ll learn a little from every roadblock you hit.

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let's say hypothetically your loved one developed a serious illness and you lived in absolute poverty, there are no jobs around that could feasibly pay for their treatments, then somebody rolls into town and offered you a single payment of all the money you'd need to save their life in exchange for supplying a tiger to them. Would you do it?

or perhaps all of this is happening to your friend or relative while you're out patrolling the forest armed, knowing all of this beforehand would you shoot them dead to save a tiger, leaving their family even more destitute?

what if all this were happening to you but instead, some people roll into to town offering a steady paycheck that could treat your loved one and the job is to find and remove traps, help organize community education seminars, or set you up with the trade you've always been eyeing and covering startup costs for the business you and your friends constantly fantasize about running, leaving all of you sustainably self employed. Which offer would you rather take if both were equally available to you?

[lizelliotsoundsoff]

If I had a nickel every time the Doctor fell in love with a person whose name started with "Ro-", kissed them at a pivotal moment, and then had to watch as said person got trapped in a parallel dimension...