lordk022

[lordk022]

My Roman Empire recently

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50 billets !

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[lordk022]

"My grandfather is the original founder of Umbrella Inc."

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Hilbert Krueger, prototype of Alfred Ashford.

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Alfred Ashford CV vs DSC

Here is the last part of the character comparisons of DSC and CV with Alfred. Compared to the other Ashfords, I think Alfred’s realization in DSC was by far the best. With DSC-Alexia, Capcom did a lot right narratively, but character-wise, she was a massive downgrade. DSC-Alfred, on the other hand, also has some character improvements to offer, but I also find some aspects worse implemented. I would describe him as an equivalent character compared to the original.

Advantages of DSC

Alfred is described in the game as a “soldier ant”. He runs the UBCS training center, collects military equipment, weapons, and models of warships and aircraft. He can also fly a fighter jet. Therefore, it can be assumed that he had some kind of military training, whether official or unofficial. Nevertheless, he doesn’t manage to hit Claire or Steve with his rifle in CV. It has a telescope and a laser to help him aim, and in some scenes, he is at best two to three meters away from his target. Claire and Steve are not trained soldiers. Claire has practical experience from Raccoon City, but Steve is just some guy, so Alfred should at least have a lot more skills than Steve.

I never liked the fact that Alfred is portrayed as utterly incompetent in CV. First of all, it doesn’t necessarily fit with his background. His self-imposed mission in life is to protect Alexia. Out of self-interest alone, he should acquire enough skills to be up to the task. Additionally, for professional reasons, he shouldn’t be able to avoid reaching a certain level of proficiency with a firearm.

Alfred is also the antagonist who accompanies the player for most of the game. Compared to the other two antagonists, he has by far the greatest influence on the course of the game. Alexia barely exists in CV, even after her awakening, and only really appears towards the end of the game as a boss fight. And Wesker’s appearances are largely irrelevant to the plot of CV. As the antagonist with the biggest role, Alfred deserves to be treated with a certain degree of respect for his relevance in the game.

In addition to his incompetence, he is also quite a coward in CV. As soon as things get serious and Claire approaches Alfred, because that’s all you have to do in the one “fight” with him, he flees. This is not particularly soldier-like and contradicts his role as Alexia’s protector. The intention of this fight is likely similar to that of DSC (see below), but DSC implements it better. Turning him into a super soldier wouldn’t suit his character either, but he should be perceived as a threat rather than just a joke.

Based on what you learn about him from documents and the environment, he could be a fearsome opponent in CV. But that’s lost when he can’t even shoot someone standing right in front of him.

DSC, however, has managed to make him more threatening by giving him real boss fights where the difficulty level increases each time. These fights are also a nice counterpart to Alexia’s, as you now have three battles with both Alfred and Alexia. (Actually, you fight Alfred four times. But in the last fight on Rockfort Island, you face his Alexia personality, so I’ll leave that one out).

The developers have made some character adjustments to DSC-Alfred as well. He is now more playful, which suits the character.

DSC also provides a convincing explanation as to why Alfred doesn’t kill Claire and Steve with his rifle and keeps running away. Whereas, for example, in CV Alfred disappears at some point during his first confrontation with Claire for no apparent reason, in DSC Alfred plays with Claire and Steve and gives them a few challenges. If he had killed them right away, it would be less entertaining, so he doesn’t get serious in the first fights. The longer they last, the more fun he can have with them. Accordingly, he no longer cowardly retreats after the fights, but lures them to the next stage of his game.

Alfred even offers them a prize for his game in the form of a supposed escape plane. It’s not illogical that all the aircraft on Rockfort Island are rigged so that Alfred can send them to Antarctica if he wants to, but the fact that Alfred didn’t intend to let Claire and Steve escape in the first place and therefore gave them a rigged plane is even better. Alfred may be crazy, but he’s also intelligent. The fact that he planned everything from the beginning and that Claire and Steve don’t just accidentally walk into a trap underlines once again that he is an opponent to be taken seriously.

What I particularly like in DSC is that Alfred’s behavior towards Claire and Steve changes throughout the game. When you enter Alfred’s office for the first time. There are three cups filled with hot tea on the table. The attack on Rockfort Island took place at night. These cups are not there by chance. They are meant for Claire, Steve, and himself. At this point, he views them as something like his guests.

This is also reflected in the fights. Excluding the fight with “Alexia”, because he’s not quite himself there, Alfred doesn’t take Claire and Steve seriously on Rockfort Island. At this point, it is just a game. Everything changes after the fight with “Alexia”. Activating the self-destruct system and releasing the Tyrant was his first serious attempt to kill them. At this point, he has played enough and is now tired of them.

At the Antarctic Base, his behavior changes once again. At first, Claire and Steve were a pastime, then they became a nuisance to him, and in Antarctica, he finally perceives them as a real threat. He takes the fight personally. Alfred is out to kill them by any means necessary (firearms and a crane). In contrast to the previous fights, he no longer retreats, which also shows how serious he is about the matter. The fight itself is also a worthy conclusion to his story. In CV, he just falls down the cliff by accident after Steve wounds him. That’s a pretty lame ending.

Miscellaneous

What I find nice, too, are a few little things that were added in DSC but have no equivalent in CV. For example, the giant worm, who apparently even obeys his orders, is introduced as Alfred’s pet. I also liked Alfred’s two brief singing performances, once as “Alexia” and once as himself. Unfortunately, the “Alexia” one seemed to be rather out of place, but the idea is great.

Advantages of CV

Introduction

When Alfred introduces himself in DSC, he does so as “son of Alexander Ashford” and no longer as “commander of this base”. This may seem insignificant, but this sentence makes absolutely no sense. Alfred hates his father. He hates him to the core, calls him useless, and doesn’t even have a shred of sympathy for him after Alexia infects him with the virus. He even wanted to kill him after learning the truth about his origins. When you introduce yourself to others, it’s with something you’re proud of, not with something you deeply detest. So why would Alfred even mention Alexander?

Besides, Alexander was not a respected scientist. Worse still, he put an end to the Ashford family’s success story after generations. Alexander is, therefore, not someone you need to know, and if anything, he is only known for failure. In addition, he disappeared 15 years ago. Claire and Steve will probably not even have heard of him.

In CV, Alfred also mentions Edward Ashford in the course of a first appearance. As a co-founder of Umbrella, Edward might also be familiar to Claire or Steve, and someone Alfred could be proud of. If Capcom really wanted to change Alfred’s opening monologue, why didn’t they just mention Edward Ashford instead of Alexander? That would have made sense, both in terms of Alfred’s character and Claire and Steve, to whom this introduction is addressed.

“Alexia”

CV handles Alfred’s personality disorder better. In DSC, he’s seemingly cured of it after realizing, after his fight with Steve and Claire, that Alexia isn’t even with him and that he himself has been taking over her role the whole time. At least “Alexia” never shows up again. Dissociative identity disorder is a serious condition that you can’t cure from one moment to the next.

In CV, the mirror in his room is already broken the first time you are there. He seems to have realized a few times before that he is actually “Alexia”. And he has forgotten it again just as many times. Even after the confrontation with Claire and Steve, he quickly forgets it once more. As soon as he releases the Tyrant, Alfred speaks in his Alexia voice again. He seems to have slipped even deeper into his delusion, because this time he is no longer disguised, except for the make-up. This portrayal seems much more realistic in my opinion.

The handling of the whole “Alexia” situation is generally not particularly well implemented and fairly inconsistent in DSC.

Alfred’s first appearance as Alexia after Claire and Steve leave the prison is rather bizarre. Why would “Alexia” stand somewhere randomly and sing, especially in this situation? Ok, it’s part of the game, but luring Steve and Claire into the residence, and that seems to be the only purpose behind this appearance, could also have been done differently. Simply locking the entrance to the training center would be enough. Claire and Steve don’t have many options for where to go anyway. “Alexia” doesn’t even know if anyone survived in the prison. Did “she” just stand around somewhere for minutes to hours, hoping someone who wasn’t a zombie would show up?

It is also unclear which things from the original game are canon for DSC. Steve explains to Claire in the very first chapter that Alfred is the only living Ashford and has gone mad with loneliness. However, we know from Alfred’s secretary’s diary that Alfred is known to be living with his twin sister. It is hardly possible that both things are true at the same time.

The diary can be unlocked in DSC, so it is possible that it is still canon. On the other hand, Alfred’s secretary’s office no longer exists, which is why it is also possible that Robert Dawson never existed in DSC and that Alfred does not officially live with anyone. But even if Dawson doesn’t exist, Wesker is only attacking Rockfort Island because “Alexia” was seen there, and if Alexia is still alive, the t-Veronica virus must still exist. That is what he wants. This is what he was looking for. Without the information that “Alexia” lives on Rockfort Island, Wesker’s attack on the island makes no sense whatsoever.

Now it is also said that Alexia has only recently returned (“She only just now returned to me.”). Exactly how long that is is unclear - a few weeks, a few months, or a year? However, it is at least long enough for Wesker to have found out about it and to have judged it as legitimate. Wesker is smart, based on mere rumors of someone who knows someone whose cousin thinks he’s seen Alexia, he wouldn’t launch a full-scale attack with planes, bombs, and B.O.W.s, would he? So if even Wesker, who knows where, found out about Alexia, why not Steve, who is right at the source?

Also, if Alfred is running across the facility as Alexia by default, it should be known that he has a sister, which again would contradict Steve’s statement. Or should we assume that the appearance before the prison was the first time “Alexia” had been in the facility? But people must have seen “Alexia” a few times for Wesker not only to know about her, but also to believe that it’s real and not just a baseless rumor.

Steve also said that Alfred has lost his mind from loneliness. If this is basically common knowledge, it would be more logical to assume that Alfred has something to do with Alexia’s sudden appearance, and it’s not the real Alexia who has returned from the dead. In turn, this raises questions about why Wesker is attacking the island on this scale in the first place, when there could be doubts about Alexia’s authenticity. Which is more likely, that a dead woman has returned after 15 years, or that a known lunatic is disguising himself or someone else in this way?

There is also the huge picture of Alexia, which even bears the date of her death in 1983, but shows Alexia as an adult woman and hangs in the entrance area of the residence, clearly visible to everyone. First of all, this makes it already obvious that something is wrong with “Alexia”, because it should be clear to everyone that this woman should actually be dead. In CV, Alfred has Robert Dawson thrown into prison and tortured to death because he was a little too interested in “Alexia”. But now Alfred is adding fuel to the fire himself by hanging this massive portrait for all to see. That would only encourage more people to investigate. Surely it’s not in Alfred’s interest for others to take too much interest in Alexia, regardless of whether it’s the real one or his other personality. So why leave overly obvious clues that things are a bit fishy here?

I can understand what they were trying to do with the changes, but they should have just left out Steve’s explanation about Alfred, or rewritten it. That would have largely solved the plot holes in this context, not all of them, though.

In CV, the whole “Alexia” plot is much more logical and coherent. It is known that Alfred lives with his twin sister, but hardly anything is known about his sister. All we know is that she is supposed to be beautiful. Alfred also takes rigorous action against anyone who sticks their nose a little too deeply into the matter, such as Robert Dawson.

The little information about her and the first encounter also suggests that Alfred has some control over his Alexia personality and that he can largely confine her appearances to his private estate. It is only after he has been injured and his mental state worsens after the confrontation with Claire and Steve that “Alexia” also manifests herself outside.

As far as the real Alexia is concerned, it’s certainly not impossible to find out that she’s supposed to be dead, but that would require research. Time also plays a role. Even if the world of RE is not our world, the technology there is certainly not as advanced in 1998 and the years before. Simply finding information about someone on the internet is probably hardly possible. Research about her would therefore involve newspaper articles, documents from government offices, and possibly Umbrella personnel files, which means more effort. How many people are willing to do this when it could potentially cost them their lives and is of no real benefit?

Alexia has also been “dead” for quite some time. It is not known when Alfred’s personality disorder began. It could also have existed for longer than in DSC. The facility on Rockfort Island was built in the early 90s. However, the extent to which it manifested itself before Rockfort Island is likely irrelevant. In the period we’re talking about here (roughly around 1993-1998), Alexia has been officially dead for about 10-15 years. So, how many still remember her? Many Umbrella employees will probably never have heard of her or her death, and the mercenaries even less so. So it’s not contradictory that Alfred can live with his “deceased” sister while nobody finds that strange. It’s simply because most people probably don’t even know that she’s supposed to be dead.

In contrast to DSC, Alfred also leaves no evidence in CV that suggests something is wrong with “Alexia”. Pictures of her or documents that point to her supposed death are all hidden or located in his private areas.

In regard to Wesker, the situation is also logical. “Alexia” has been seen often enough over time for him to assume that she really exists. However, not enough is known about her to disprove that she is not the real Alexia. Alfred’s secretiveness could also add credibility to the rumors. Others would likely assume that he is trying to hide the real Alexia rather than trying to conceal his mental illness.

Then there is “Tanya”. While I think the two audio recordings about Tanya were nicely done and entertaining, they were unnecessary. It makes sense for Alfred to give Alexia an alias when he’s talking about her, but if he’s only talking to himself, or “Alexia” about Tanya, it wouldn’t be needed. Surely no one else is supposed to hear these recordings anyway. Or are they supposed to suggest that Alfred thinks the real Alexia is a different person? Opening up a new storyline like this in additional content would not be thought through. Additional content should clarify open questions or elaborate on things in more detail. Introducing completely new aspects without further explanation is rather confusing. However, Alfred’s wordings suggest that he is well aware that Tanya is the real Alexia.

It would also not be unusual if Alfred wishes his “deceased” sister a happy birthday or talks about her in some other way. After all, the two were quite close, at least that’s what DSC-Alfred believed. Even if he speaks directly to her, others would simply take it as a form of mourning, not as something strange. So why would he give Alexia an alias at all? The whole Tanya subplot is somewhat strange and unnecessary.

Summer camp prison

This point is more indirectly related to Alfred, because this aspect is conveyed more through the setting and less through the character himself.

I don’t like that DSC removed any trace of Alfred’s sadistic behavior. That was precisely the reason that contributed significantly to the oppressive atmosphere in CV in the beginning. Shortly after the game begins, you find yourself in the prison, which is strongly reminiscent of a concentration camp, and soon afterwards, you arrive at the execution site, complete with blood-smeared guillotine. Later, on the second visit to the prison, you finally enter Alfred’s torture chambers, the existence of which has already been hinted at in a diary you find earlier. However, the full extent only becomes apparent on site. One of the torture chambers is probably used for interrogation purposes, but the other only exists for Alfred’s amusement. The setting here paints a clear picture of what a sick man Alfred Ashford is. It also adds an extra layer of psychological horror to the game.

DSC removes all of this without replacement. Yes, the game has been significantly shortened compared to the original, and the player never enters the corresponding areas, such as the torture chambers. In general, however, the removal of these locations is not the problem, but rather the lack of an adequate replacement. For example, Capcom could have used Steve to describe the terrible conditions in prison as a small compensation, but no. What Steve says paints a different picture of Alfred. When he talks about the conditions in prison, it seems more like a summer camp than a death camp.

Steve mentions, among other things, that the computers were used to play games and watch porn. Some of the comments about the prisoners also seem as if it wasn’t so bad. (“Mickey, long time no see.” “Antonio, say hi to the misses.”) The point of this was certainly to establish Steve’s character, but regarding the prison, his comments seem more than inappropriate. In CV, Alfred has killed employees over petty things, like Dawson. In DSC, the guards offer him legitimate reasons to fire them (playing video games and watching porn during work hours) and he does nothing about it.

Steve’s comments take away the unsettling feelings that build up about Alfred, and also the element of surprise. CV had built him up through the gruesome images of the surroundings and the diary, creating tension before you meet him. You wonder what kind of man he is. In DSC, you can see what he looks like in a picture early on (and before that in the cut scene).

It is also mentioned that he has gone mad from loneliness. This statement about Alfred, along with Steve’s other statements, makes it seem as if the prison is being neglected and that Alfred’s employees are not taking him seriously. Was it even that bad there? You can even see pictures of a half-naked woman and vacation photos decorating the walls of the bunk beds of the prisoners. You can also see some pictures on the walls of the bunk beds in CV. One is a family photo, and the other seems to be a faded photo of a sunset. The colors are dull, and the pictures almost blend in with the background. These have a different vibe than the nicely colored ones from DSC.

Even though these aspects certainly don’t shape the course of the game, it doesn’t create any tension. It also removes the psychological horror aspect, as Alfred’s game alone doesn’t have the same effect.

Alfred’s death

Now, a few words about Alfred’s death. I’ve already talked about how I don’t like the change because I prefer the twins’ mutual affection in CV, which is quite unique. Also, Alexia’s storyline afterwards doesn’t make sense anymore. I won’t go into that again. Instead, I’d like to talk about the dramaturgy of the scenes and, once again, a plot hole.

First of all, the plot hole, which admittedly isn’t that serious this time. In DSC, Alfred no longer awakens Alexia on the spot, but via a remote control. Awakening Alexia with this snow globe remote control is pretty questionable in terms of logic. Alexia’s plan depends on Alfred awakening her after 15 years. In any case, he cannot awaken her earlier to prevent her from mutating to the same extent as Alexander. The snow globe is a remote control with a single easily accessible button and a long range – it’s quite a way from Alfred’s office to Alexia’s tank. What would have happened if Alfred had accidentally pressed the button earlier? He seems to always carry it with him. Or would he leave such an important item at home when he’s not there? And what would happen if it fell and broke? That’s not out of the question with such a simple mechanism. It’s far too risky to make everything dependent on one single button.

In CV, we don’t see exactly how Alfred wakes Alexia up, but it can be assumed that the mechanism is in the room she is in, because her awakening is only triggered after he has entered the room. That Alfred has to wake her up on the spot seems more logical to me.

I already mentioned that Alfred had the most important antagonist role in the game in terms of the time he is present. In DSC, he is even involved in the plot for longer than in CV. For that, he deserves a memorable conclusion to his story. Yes, the boss fight was good, but his death should also be somewhat spectacular. And this was exactly the case in CV. Alfred’s death is probably one of the most iconic scenes in the game. To remove it pretty much without compensation is a bitter disappointment.

In both cases, Alfred successfully fulfilled his task of waking Alexia. But he also wanted to see her again for 15 long years. He missed her so much that he lost his mind.

In CV, he drags himself to her with the last of his strength, already more dead than alive, and then finally collapses in front of her. Outside the room, he is still able to stand, albeit with difficulty and with the wall for support, while he loses large amounts of blood. Just before he reaches her, he can only crawl, but even if it was only a few seconds, he was able to fulfill his greatest wish here. The scene is very emotional and something you likely remember.

In DSC, Alfred is just sitting in his office, injured and alone, pressing a button. He’s bleeding a bit, but we don’t know how badly he’s hurt. However, he seemed to be doing better than in CV. His death is short and inconspicuous. The tentacles finish him off, and the snow globe falls to the ground, indicating his death. The entire scene is shown for a few seconds in a flashback before the final boss fight, and only incidentally. Almost as if the only purpose behind it was to make it clear that Alfred is now dead, by the way.

I assume that the original version of Berceuse inspired the developers to change Alfred’s death scene. This version had two more lines of text between the first and second verse, which were later removed.

“She had a secret kept from the king to rule the kingdom,

As her own, the king knew not his bride seemed good as gold.”

As an alternative, having Alexia kill Alfred could have been acceptable if it had been done well. But it isn’t. Alexia’s storyline becomes a total disaster afterward, but I’ve already dealt with that. As for Alfred, it wouldn’t have been overly difficult to make it work for him since his story ends at this point.

If the developers really wanted Alexia to kill Alfred, couldn’t they at least have made it more impressive? For example, they could have recreated the scene from CV, except that Alfred doesn’t collapse dead in front of his sister, but is still alive after she wakes up. She could have held him in her arms, as in the original, stroked him a few times before breaking Alfred’s neck or strangling him to death. That would have had a certain appeal from a dramaturgical point of view, and it wouldn’t have been so impersonal.

The time after Alexia’s awakening is also more favorable for Alfred’s death than before the final boss fight. Alfred’s story has already ended for a long time when you reach that point. Showing his death there seems more like an afterthought.

Miscellaneous

Another thing I didn’t like is that Alfred scribbled something like a confession on the wall of the training center about what he and Alexia did to Alexander.

Why would he want to tell the mercenaries or anyone else about that? Several rooms have been smeared all over the place. Alfred couldn’t possibly have done this just for Claire and Steve, unless he could move at the speed of light. In CV, it was still a well-kept secret. You learn about it fairly late in the game. Did they change it in DSC just to highlight his madness? Because I don’t see any other point to it. The other graffiti would also have been sufficient for that purpose, though.

Conclusion

Even if there are several aspects that I don’t like about DSC-Alfred, these are mostly minor things that I can overlook. Unfortunately, a lot of these minor things add up. As far as the plot holes are concerned, most of them are not as serious as those with the other Ashfords. Many of them could even be solved with simple changes. Overall, I don’t think DSC-Alfred is better than the original, but not worse either. He’s just a bit different compared to CV-Alfred.

I think the biggest problem in DSC regarding Alfred is that the developers probably focused more on the effect of individual isolated scenes and less on whether these scenes actually make sense in the context of the game. If they had paid more attention to this aspect or thought about how some ideas could be better integrated into the game, DSC-Alfred would have worked much better and perhaps even had the potential to surpass the original.

[lordk022]

Ashford symbol

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Satan statues in the private mansion on Rockfort??

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My two fav !

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my mind is thinking about so many professor hayden scenarios 🫦

[lordk022]

Alfred Ashford's lair on Rockfort Island, the torture chamber.

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Maybe a Tom Holland Fic…? This guy is awesome

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Hayden Christensen promotes special screening of Star Wars Revenge of the Sith 🫶

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❤️

Happy birthday Re4 🥹❤️

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Hayden Christensen as Edward Cullen? Yes, I would have loved it! Even though Robert Pattinson did a great job, I can't help but imagine Hayden in twilight

[lordk022]

Ave, The Emperor Skywalker !!!! Darth Vader

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The seducer's of the little Italy !

Warning: Content +18, X Female-reader character, crude language, sexual relationship, seduction games. Synopsis: You are a tourist visiting Canada, you go to a neighborhood called "Little Italy".

You were walking in the streets of Little Italy, in the heat of July. A light breeze glided over your revealed ankles, as you headed towards a large street full of restaurant terraces. You felt your stomach cry out in hunger, it must be said that it was 12:46 and that you had been visiting this magnificent little neighborhood for more than two hours.

Your attention was drawn to a strong smell of pizza and you saw two pizzerias on your right, instinctively, you went to the pizzeria called "Luigi's", then you sat down at the table at the back. You could hear the laughter, both from the customers but also from the kitchen staff who were laughing and singing everything seems so peaceful here... you thought, smiling. Suddenly a male voice, speaking in Italian, came to pull you out of your reverie. "Buongiorno Signora!" You looked up to see a handsome young man with blue eyes and brown hair, slim and an apron around his waist. How charming... you thought. "Hello... Hm... I would like a pizza."

He looked at you with his beautiful eyes, examining your face, he laughed softly, and tilted his head to the side. "You are in a pizzeria, miss, your choice does not surprise me. But, before bringing it to you, I would like to give you a piece of advice, allow me to change tables. There is a free table on the terrace, it would be a shame not to take advantage of such a beautiful day."

"Yes, I hadn't thought of that, thank you" you said, still looking troubled, you got up from your chair and watched him slowly walk towards the kitchens where he began to prepare your pizza. You couldn't help but continue to watch him, and after almost a minute you managed to tear your gaze away from the handsome man to go to the terrace and take a seat at one of the free tables. He appeared with a hot pizza in his hand. "Here for miss! I've never seen you here, are you new? "

"No I'm on vacation." He came closer to you, his right hand resting on the back of the empty chair in front of you. "And may I know your first name Signora...?" You started to blush. "Y/N, and what's your name?" "Leo" he replied. "The pizza is very good Leo thank you." He laughed and sat down with you "They're not waiting for you in the kitchen, I don't want to stop you from working." "Oh no don't worry, I work here with my family, I can take my afternoon off, my parents manage."

You chatted like that for an hour, maybe two hours, discussing your lives, your desires, your work... The more you chatted, the more you fell under his spell. His perfume intoxicated you, his eyes became more and more beautiful each time you met his gaze, you felt a heat rise in you as Leo got closer to you. He was so close to you now, you were breathing hard. "Do you want to come to my place?" Leo asked. "Um... Yes, I would like that." "Great! I could let you taste my homemade tomato basil sauce!" He got on his motorcycle and handed you a helmet, inviting you to get on behind him. Once you arrived at his apartment, you observed his living room, taking a seat on the sofa. You felt your body trembling with desire, Leo is so sexy, so sweet...

He unbuttoned two or three top buttons of his shirt, revealing more of his body, he remained standing staring at you with a defiant smile hanging on his lips. "So Y/N, aren't you too hot?" he approached you, with an elegant gait. "Yes, by the way I would like to rinse my face a little, where is the bathroom?"

"In my room, the door on the right." You stood up and noticed that Leo was following you quietly. Arriving in the bathroom, you splashed cold water on your face but still felt a burning heat between your thighs, you turned to Leo who was standing near his bed. "Let me make myself comfortable Y/N" he said, as he began to slowly unbutton his shirt. He took off his shirt and only his khaki green T-shirt remained where you could see sweat rings. You approached him.

"Come on my beauty, make yourself comfortable" You sat on his bed, at his side as he began to kiss you, his tongue licking your thin lips to ask for access to your mouth and you gave him permission. His hand caressed your thighs, and a shiver ran through your whole body, like an electric shock. He broke the kiss, to kneel in front of you, lowering your panties he began to lick your pussy wet from all this excitement. "Hmmm!" "Do you like it Y/N?" "Yes, especially don't stop!" He continued, running his tongue up and down, and sometimes, he introduced his tongue into your pussy. You moaned with pleasure, your eyes closed, on the verge of orgasm he stopped, and stood up in front of you.

"Would you like to please me in turn, my sweet? "Yes of course Leo." He lowered his pants, then his boxers, revealing his thick and hairy cock, a small drop of pre-ejaculatory liquid at the end of his hard length. You started sucking the tip of his cock, stimulating it with the tip of your tongue. "Oh fuck, that feels good! Keep going." You continued, moving your mouth back and forth and licking the underside of his cock. He straightened you up.

"Let's take it to the next level, my pretty." You lay down on the bed, and he comes between your legs, his hands caress your breasts, then he penetrates you gently, you moan loudly at the intrusion of his cock in you, and he places a kiss on your lips. "Your pussy is so hot, Y/N! I could fuck it all night!" He went back and forth a little faster, now licking your breasts. He is so perfect, he takes it like a God, can someone else make me feel the same way he does... "Harder Leo, Harder... Again!" You began to beg him and judging by his expression, he liked it. "As you wish my beauty, you are so intense, your pussy is so wet, I feel it tightening around my cock harder and harder... I love it so much! » "Oh! I... Gonna..." "Yes me too my sweet, don't worry."

Leo cums inside your pussy while you moan even louder, your orgasm was so strong, one of the best of your life, an unforgettable moment. As Leo went to wash himself in the bathroom, a thought crossed your mind. This guy is so perfect, why do I have to leave and he lives so far from me...