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If you ever get the ache some cold December

To knock again upon your old front door

If you’re aching to come home, remember

It’s not here anymore

Your traveling companion can be memories

You can lie awake with thoughts of simpler times

You can love me from afar if that’s what puts you at ease

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Eugene Korolev

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Without Hope (1945) - Frida Kahlo

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Uninvited Guests, Edvard Munch, 1932-1935.

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Edvard Munch Lovers 1896 mezzotint, drypoint Art Institute of Chicago

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Mary Oliver, from “Hum Hum”, A Thousand Mornings

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Lucas Cranach the Elder - Head of Christ Crowned with Thorns (detail) (1510)

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Datail — Ecce Homo, c. 1674 by Pedro de Mena † Agnus Dei (Lamb of God), circa 1635 - 1640 by Francisco de Zurbaran

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Ed Spence - Hot Knives (red), 2022

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I wish I could have been there

To save you from the reach

I am spiteful like a god

I seek a vengeance like the rest

For what they did to you

I will never lay to rest

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Two Figures on a Bed, Pepijn Simon, 2020

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Cho Giseok

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Sneha Solanki  ‘The Lovers’

Two networked machines, one infected with a virus, slowly infects the other through the interface of classic romantic poetry.

A breakdown in the relationship was inevitable once the virus had seeped into the memory of one machine and then into the other through a singular network cable affecting the poetic text files. Communication between the two deteriorated, leading to irrational & at times odd behaviour. Each machine reacted with equal confusion and conflict. The interface text became an illegible poetic mutation of itself.

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Judas Goat, Gabrielle Bates

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[image ID: an oil sketch of Jon Moxley and Brain Damage in a match. Damage lays on the canvas, Moxley leans over him. Moxley's right hand claws at Damage's chin as Moxley bites his face. both wrestlers' faces are covered in blood, as is Moxley's hand. the colours are warm and relatively vivid. /.End ID]

and cheap loves only cheaper; these are my misdeeds.

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Rest with the Rot

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There's Something Special in the Water Here