manamiro

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Solo exhibition “Site”   ( 敷地｜Site )

Hexaptyque （ 六枚の視覚 ） installation aluminum, styrofoam, stock photography, photographic paper, cut-out sticker, ceramic, cushion, brick, float, chair, handrail, cardboard, silicone tube 2019

sign, direction, mirror writing, “behind” installation cut-out sticker 2019

Musashino Art University gFAL

Photo: Shu Nakagawa

Hexaptyque TEXT :

・入り口に、２つの丸い岩が軽々とキッチンマットに飛び乗ったような彫刻がある。

　At the entrance, there is a sculpture that looks like two round rocks jumped lightly onto a kitchen mat.

・煉瓦で縁取られた段差に牛柄の猫が寄りかかっていた。

　A bull-patterned cat leaned against the steps bordered with bricks.

・地面の下には池があり、足元の穴まで鯉が泳いでくる。

　A pond is located under the ground, a carp swim to the hole at the bottom.

・視界がひらけたところで、鳩の集団が上手から下手へ歩いていった。

　Where the field of view opened, a group of pigeons walked from right to left.

・さっきすれ違った人はもう橋の上にいて、手すりに掴まってストレッチをしている。

　The person I just passed is already on the bridge, holding onto the handrail and stretching.

・周りを見回すと、偶然なのか、法則があるのか、風景の中に１人づつ散らばっている。

　When looking around, people are scattered in the landscape, there might be a rule or it's simply an accident.

[manamiro]

“KIROKUGAKARI vol. One day to remember and record the Hashima City Work Youth Home”（「記録係 vol.羽島市勤労青少年ホームを記憶し記録する1日」）

2019

performance

Hashima City Work Youth Home （羽島市勤労青少年ホーム）

KIROKUGAKARI : Akiko Tamaki , Manami Seki

Cooperation : Yasuko Imura , Sakurako Nagano

Event sponsorship : IAMAS

Photo : Taiki Isogawa

We used the building of the Hashima City Work Youth Home (Designed by Junzo SAKAKURA), which will be demolished in spring 2019, to participate in an art event aimed at recording the memory of the building through symposiums, performances, exhibitions, and performances.

They performed the following four performances between intermittent events.

・”rehearsal": A video of walking through a virtual building based on recorded photos and a live video of actually moving through the building are reproduced side by side.

・”fitting": Projection of the model roll of Le Corbusier, where Junzo SAKAKURA worked, onto the wall of the auditorium, and ask Shigetomo MIZUNO (His height is 182.9 cm which is the same as that of modulo.), a participant, to pose the model roll.

・”Signature": They changed the signature on the poster inside the building to "Junzō Sakakura" and read it aloud.

・”jellied jelly": Starting from a recipe from a cooking class, they make a model of the Hashima City Work Youth Home with jelly. (replace the room with a fruits etc. and the concrete with jelly)

[manamiro]

Container #Observation （入れ物 #観察）

2019 (January 26 – 27)

event 

blanClass (Series SakSak #9)

Photo : Tomohiro Miyakawa

If assuming some things have some facts in reflected in the camera,I wonder what it is the experience of seeing myself in sleeping that no memory? In this event,we watch a movie about sleep.And next morning, we watch the sleeping state of last night and eating breakfast.

more detail

[manamiro]

Pause and Pose（Pause と Pose）

2018

3D printed object, transfer print cloth, monitor, building block, stuffed animal

group show at Tama Art University Art-Theque "Beyond Materializing" 3D Mini Print Exhibition

Tracking program : Guillaume Piccarreta

Photo : Naoki Takehisa ,Yukinori Suda

video

Using cycle graph,It was made visible the movements of the stuffed animal at bedtime, and outputted with pause and thickness added to the line information lying on the sheets.

[manamiro]

Document book of “(real) time and study tables” exhibition（「(real) time と study tables」展記録集）

2018

book　(in Japanese / 100page / A5)

study tables : tadahi + Manami Seki

web page for document book

store 

In the summer of 2017, study tables conducted an exhibition over the word "(real) time" to expose the confirmation work (verification) of reality and recognition. This book is its exhibition document booklet.

In this book, along with the exhibition records at the time, new texts written by Kiritori (@ kiriori_m), wk (@ wkshsrt), yasuG (@ yasuGGG_), and Euske Oiwa (@ rovinata_) (tweets at the time) It is.

There are five kinds of book band designs.That consists of some words chosen of each verification. Please looking forward to see which one will arrive.

contents：

- Outline of the exhibition - Hypothesis / relationship between real time and (real) time - Verification A. Walk and record the route from home to the nearest station - Verification B. Walking around town to discover real time and something not so - Verification C. Separate sound and image and search real time boundary line - Verification D.  Visiting the exhibition about Guy Debord "Map creation method of Situationist (drifting, psychological geography, situation, movie)" - Verification E. Read novels and think about correspondence with reality

- About two people like Tralfamadore than "Slaughterhouse 5" | Kiritori - Perceptual neuroscience and (real) time and study tables | wk - Drift of bear | yasuG - Tweet of @ rovinata _ (Euske Oiwa)  on July 29, 2017 - Afterword memo | study tables

[manamiro]

“KIROKUGAKARI vol. Parallax Cave”（「記録係 vol.新しい洞窟」）

2017

performance

60min

honk books

KIROKUGAKARI : Akiko Tamaki , Manami Seki

This is the performance to record the exhibition "Pallax Cave" another exhibition Gifu Okazaki Biennale 2017".

"KIROKUGAKARI" is a unit by Akiko Tamaki and Manami Seki. Record by "KIROKUGAKARI" is an act conducting record, extracting the core will of each work, extend and leave it in memory. The watchword is "We can remember with this!". （「これで思い出せるね！」）

In this exhibition, We made five records of the art work that Mitsuru Tokisatoko + Tomoko Ito  "Turning Picture _ Experiment 01",Kazuma Harada "layered / repeated", Natsumi Aoyanagi "Quantum Poem No.1000", Chiaki Ishizuka + Yuya Sugiyama "Bread architecture", Yusuke Nagata "Theseus".

[manamiro]

“Vehicles #Appreciation”（「乗り物 #鑑賞」）

2017

warm up 60min + performance 90min

HIKIKOMISEN 2017

performer :

       Body : Takuya Takemoto

       Camera : Sana Komoto

       Instructor : Manami Seki

photo : Hibiki Miyazawa , Tomohiro Miyakawa

Three persons, instructor, body, and camera, shared audio and video with the Internet call, and the instructor steered the body with reference to the camera (third party) viewpoint. Among the slightly rough images, there was no separation between the work and the exhibition space inside the building (in terms of obstacles), and it looked like  a connected organ like the esophagus. After all I did not press the "appreciate" button. How do you change from the perception of 'walking' to 'appreciating'?

[manamiro]

“PJB”

2017

theater

70min

BankART Studio NYK　KAWAMATA Hall

Written and Directed by Takuya Kawahara + Manami Seki

Cast : Takuya Kawahara , Manami Seki , Marlowe Sekine

Stage effects : Mitsuru Tokisato

Flyer design : Tomoyuki Kosaka

Organizer : BankART 1929

photo : Ujin Matsuo

web page

[manamiro]

“(real) time and study tables”（「(real) time と study tables」）

2017

installation

space dike

study tables : tadahi + Manami Seki

document page

togetter

photo : Ujin Matsuo

[manamiro]

“Vehicles”（「乗り物」）

2017

performance 

60min

blanClass

performer : Takuya Takemoto,Guillaume Piccareta,Manami Seki

[manamiro]

“Text to read while walking “A life world to follow while walking””（「歩きながら読むテキスト『歩きながら辿る生活世界』」）

2016

performance /event

90min

Nagoya city around the N-mark

[manamiro]

“Pink・Jelly・Beans”（「ピンク・ジェリー・ビーンズ」）

2016

theater/performance (All 7 times)

70min

TABLAE

Written and Casts and Directed by Takuya Kawahara,Manami Seki

Stenographer (the whole time replacement) : ErikoYamaguchi/MiriHamada/NaokiNomoto/TatsuroAdachi/MarouSekine/tadahi/YasuhiroHiraki

Document video

This performance deals with the topic that traces and acting, incidents that occurred in the past,and koalas.

A stenographer who described the situation sit the place where he/she can see a stage and seats, street of outside.And the description was projected on the acting space in real time by the projector.

With all seven performances, the stenographer was in charge each time by different people.

[manamiro]

"Installation and meeting of examination"

2016

installation and event with “town meeting #27”

archive

The phenomenon, the affair and the object collected in the town in "hard(ware)- watching" of the first time are put in different hardware again. It's exhibited as the exercise to held an exhibition on the street. A way of emergence/exhibit was divisible into several categories and was composed using the things in the Tokyo Zokei University in the place of exhibition (=hardware).

The date and time : 12th March, 2016. Place : Tokyo Zokei University   CSLAB. Time : 13:00~17:00. Cooperation : CSLAB / Koyama cottage

[manamiro]

“hard(ware)-watching”

2016

event with “town meeting #26”

archive / archive by town meeting / pre-site

Hard(ware)-watching: With the bleat of the software as a clue, Locate the proper hardware, to observe the situation, it refers to the behavior of such records.

As exercise for the exhibition on the street,this event focus to discover to facing particular that state no direction to attention. Sort something that faced,and put it in the different form and appear again.

Method as follows. (this event will do ①)

①:Sorting software and hardware from the found phenomenon (events, objects, etc.) among the city, - to observe and record. (To separate the body and the cries of birds)

②:The software / hardware that has been collected and recorded from ①,put in the different hardware at the next event venue, the exhibition.

※ Here we use the term "hardware" "software" as described below. Software: operation for moving the hardware procedures and conventions [non-material element / contents / system] Hardware: the first time when there is a control of the software, which works organically

Town meeting # 26 hard-watching Date and time : January 30, 2015 Location : Shinjuku Hours : 11: 00 am ~ (at JR Shinjuku Station east south exit) Belongings : light equipment, record equipment , 500 yen for drink fee at a cafe

[manamiro]

“Once upon a time”

2015

video

2:36

“Color ( Nonallegiance ) Silhouette”　（「色（不帰順）シルエット」）

2015

installation

printing paper for poster,photograph, paper

at Soh gallery　

“Color ( Nonallegiance ) Silhouette”　（「色（不帰順）シルエット」）

photo : Zai Nomura

[manamiro]

"steady desktop”

2015

installation

mixed media,poster,printing paper

at CCC,SHIZUOKA  　

by second section in "Close Encounters of the Past"（「かつてとの遭遇」展　第二部）

photo : Takuma Ishikawa

[manamiro]

“View of the display”（「陳列の眺め」）

2014.10.04.

workshop

at blanClass,YOKOHAMA

cameraman : Shingo Kakita

document photo : Hibiki Miyazawa

In the entirety of the plural person's belongings produce a fictional person.

Workshop overview : We sell the belongings of each person from one account at the internet auction.

1.Photography (Still life, usage examples, layout of fictional room)

2.Write in comment

3.Put to internet auction

blanClass archive: http://blanclass.com/japanese/archives/20141004/