I'm gonna make it, I’ll show you Gobelins. I've technically got three shots at at this and I'M GONNA MAKE IT YOU CANNOT STOP ME FROM TRYING
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ILLUSTRATION ON THE GIVEN THEME
Watercolours and Fineliner
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JANUARY 2024
The Cellotrope project with the DN MADe1 Cinéma d’animation of the ESAAT and Cellofan' Association on the theme of Urban Dance
Five full days of work exposed during the ESAAT open days ! Here is a link to more infos!
You can see it in action in this video!
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PERSONAL COMIC PROJECT, «Comptes de faits» :
Pitch : In a World where «Princesses» are closer to mermaids, alluring, deceiving, trapping, hungry for flesh types of things! A trying to be Prince stumbles upon one of those mermerizing creature...
Joanne, the Hero : Squire and Prince in the making.
Charadesign and expressivity researches :
First drafts :
Joanne and The Princess (wandering curse).
Uniform researches and alternatives for the Hero :
Concept art for the settings :
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MAY 2024
COMICS PROJECT: We had to choose a book, then two consecutive pages from said book and make a single comics page out of those
Book : Good Omens by Terry Pratchett and Neil Gaiman
Moodboard :
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DECEMBER 2024
Digital Charadesign Draft of a Symbaroum PC (Playing Character) : Pragma
References/Inspirations :
Firsts drafts, pencil, 2023 :
Contextualisation/Backstory :
L'ambiance de la taverne était joyeusement échauffée par les lumières des flammèches qui dansaient bien haut, au dessus des têtes, sur les minuscules scènes que leur offraient les lustres de plomb, et les amicaux bras de fer arrosés de breuvage d'une table à l'autre. La cacophonie des chopes les unes contre les autres mêlée aux rires n'annonçaient point tristement la gueule de bois du lendemain qui frapperait impitoyablement. Et il eut fallut être un diable de rabat joie - ou, bien solitaire - pour rester de marbre à la débauche qu'invitait l'air festif de cette nuit là. Car, après tout, c'était le genre de soirée qui appelait à une trêve tacite. On décidait d'oublier, rien que pour une nuit, la haine et les misères du monde. Les Hommes chantaient pour accompagner un groupe de Nains qui s'essayait au percussions d'un bard d'Ogre. Celui-ci riant de manière communicative alors qu'il racontait son dernier voyage à une bande de Gobelins, dont les verres s'empressait de se vider afin de ne rien en avoir manqué lorsque que l'aube les enchainerait de nouveau à leurs chantiers. On aperçu, de temps en temps, des silhouettes claires tendre une main pour un lambeau de quelque nourriture qu'on avait oublié sur une table puis s'évaporer, telles les contes populaires décrivait les Changelins se gardant des regards d'autrui. La température extérieure était bien en deçà d'une agréable soirée de printemps, pourtant la joie éphémère et les corps en carnaval qui battait leur plein rendaient l'atmosphère euphoriquement brûlante.
I don't know if I was so patheticaly weak that night, for I know two drinks couldn't get me this drunk, or if maybe it was only an excuse to unravel it all on the poor bartender... Just play pretend I had an old friend to talk to.
"C'mon, what's it got you so blue fella?"
I remember snorting and gazing into the deep, green void of the booze.
" 'ts a pretty night isn't it..."
"As always when it's All Folks' night. Now," he switched my empty green glass for a blue filled one, "penny for ya thought? What's on yer mind kiddo?"
I wasn't sure what was in that second glass, or how was he so confident in calling me a kid, but I guess I was as lost as about everything else at that time.
"It's an old story and not a funny one." My left eyebrow raised mechanically.
"Love those. Ol' and no fun, that's all me."
Après tout quel était le mal ? Si ça se trouve tout cela n'était qu'un rêve and I was already passed out on the floor and wouldn't even be able to think hard enough to regret it the next day.
Broad daylight. The smell of worked leather and beaten iron avait envahi the wide area of grass and green.
Tents scattered all across the field added a certain activity to the scorching weather. Yet a heavy stillness seemed to weight heavily over it all, as always.
Clink. The beaten metal. The sound filling every corners by waves before disappearing. Clink. Repeatedly.
It looked hot. Didn't feel like it.
"#&@£#?*&£-#"
"What" the bartender stopped drying the wet glass in his hand.
"Sorry. I know Trollish isn't common." I sighed. "It's just... How I remember it. 't'feels right, y'know?..."
"Huh"
I rubbed my temples.
"I will try to say it as what it might mean in Common"
"Youthling is oversensing hennit ?"
A presence. Swift and unmovable. Warm. It was there. Wasn't going, wasn't planning, on leaving.
"What if I was ?"
Warmth. Pouring on their shoulders.
"You'd be missing out."
A scoff.
"On what? Seems like the other way round to me."
Slices of life talking.
"I'm tired. Let me rest a while."
Warmth. Clink. Calm, swift afternoon. They give in. Lean back. Stop oversensing the wild. Oversense still.
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OCTOBER 2024
A D&D campaign storytelling project
Pitch: A wizard trespass the wards of ancient and forsaken ruins to put his hands on a mysterious and legendary artefact… An action which will befall heavy consequences. And an enigma for the players to unravel!
Techniques used : Blue Bic
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JANUARY 2025
Digital Charadesign of PCs (Playing Characters) in the Role Playing Game Donjons & Chatons
Evolution of the engineer kitten Ori M. Arty's Charadesign through the campaign (ft Trèfle, the royal guard kitten)
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OCTOBER 2024
Project : Affiche SVP 6th Edition, Procreate
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2023 - 2024
Biopic, Stopmotion made out of paper.
Goal : To present the Designer Matali Crasset in less than a minute.
Storyboard :
Some captures of the finished production :
youtube
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APRIL 2025
OBSERVATION of a cat
Colour pencils
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FEBRUARY 2025
ANIMATION TEST on paper
Turn + Picking up a paper
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MARCH 2025
OBSERVATIONS
Fineliners and colour markers
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NOVEMBER 2024
Modèle Vivant/Nude
Techniques used : colour pencils, water colours, markers, dry pastels
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DECEMBER 2024
Model Vivant
Techniques used : colour pencils, dry pastels, Bic, watercolour, gouache, lead mine pencil
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