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Frege’s distinction between Sense and Reference serves to deal with a problem in Identity statements. As Leibniz’s Law states about identity, “those things are the same of which one can be substituted for another without loss of truth”. This usually doesn’t seem to pose a problem, however if we consider the statements 

(1) The RZA is the RZA

(2) The RZA is the man with the iron fists

we realize that they don’t possess the same value for inferential knowledge acquisition. While we can infer statements of the form (1) from the law of identity, we require further premises for (2). Frege therefore states that this difference in cognitive value results from a difference in the ‘mode of presentation’, which results in two differing Senses with the same Reference. While two different senses such as 'RZA’ and 'the man with the iron fists’ can have the same reference, the same sentence can refer to different senses. For example, “Prepare these herbs” refers to something different when RZA says it than it does when said by the man with the iron fists.

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Thomas Kurppa / MA—RK47 / Typography / 2023

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AI Prompt: “a structure with many large pieces on it, in the style of twisted futurism, deteriorated, experimental formations, monumental vistas, dark white and silver, dark sky-blue and light gray, photo taken with provia --ar 103:224 --v 5 --iw 1 --ar 4:5 --s 500 --c 20”

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Helmut Schmid / Toshirō Mayuzumi / Electronic / Album Cover / 1968

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(via proofmathisbeautiful)

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(via respecta-blog)

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Tatiana Plakhova,  

In Freaks We Trust - ONLINE GALLERY

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Andreas Gysin / SVG8.SVG – Code is Numbers / Typography / 2023

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Cy Twombly, Fifty Years of Work on Paper

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Un buen suceso / Manuel Bouzas (Madrid, 2018)

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#

Un buen suceso / Manuel Bouzas (Madrid, 2018)

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#architecture

Un buen suceso / Manuel Bouzas (Madrid, 2018)

Floor Plan + Sections

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Dorothea Rockburne, Conservation Class #9, (strathmore 2 ply paper and graphite mounted on gessoed masonite), 1973 [© Dorothea Rockburne]. From: Time out of Mind, (group exhibition), Curated by Todd Levin, Sprüth Magers, Berlin, November 16, 2011 – January 21, 2012

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Alois Kronschlaeger - Portrait Crunch.