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menacing-pfeffernusse · 2 months
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A couple of doodles of Klaus from the Umbrella Academy
Left one done in gouache and the right one is watercolors and inks
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menacing-pfeffernusse · 2 months
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Every time.
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menacing-pfeffernusse · 2 months
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Children in Gaza can tell an F-16 from an F-35 from a drone. They know a whole litany of things that are beyond their years. Things that they shouldn’t have to know. Over 10,000 children have been killed in Gaza. The children who have survived have seen their families, friends and neighbors killed by the Israeli army. They have seen near-death by starvation and death by suffocation, under the rubble and by explosion. Children in Gaza do not have the luxury of death being a mystery. It is a daily presence. If a child in Gaza is hungry, they know not to throw a tantrum. They have become used to feeling hunger. The same is true of the cold. Every child in Gaza now knows what it is to be unhoused, to sleep in a tent or on the streets in winter.
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menacing-pfeffernusse · 2 months
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menacing-pfeffernusse · 2 months
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i always think abt my cousin in greece who's like obsessed with american culture, bc ill say that im going to a barbecue and she'll be like "wow.... a real life american barbecue... will there be red cups?" you bet your ass there'll be red cups. take my hand. have a hot dog. all your dreams can come true here at the real life american barbecue
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menacing-pfeffernusse · 2 months
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i remember adults telling me, as a kid, to listen to doctors and get my flu vaccine and any shots i could because they remembered Before.
then they started fighting Covid precautions.
i remember adults telling me, as a kid, that the ozone was disappearing and the earth was dying and we needed to recycle and save the planet.
now my parents think climate change is a myth.
i remember adults telling me, as a kid, that racism was a plague, that we had to love and accept everyone, that we should never judge before walking a mile in their shoes.
then they told me that protesting for my Black siblings was wrong.
i remember adults telling me, as a kid, that we needed to give to the poor. working at soup kitchens. making quilts. collecting food and money and supplies. building houses. because it was the christian and just plain right thing to do.
now they look at me, on food stamps with their grandchildren, and lament the "welfare state".
i remember adults telling me, as a kid, that it was easier for a camel to pass through the eye of a needle than a rich man to enter the Kingdom of Heaven and that any rich man, especially an immoral one, should never run our country.
you can guess who they voted for.
i remember adults telling me, as a kid, so very much.
when did they forget?
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menacing-pfeffernusse · 2 months
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Boycott Eurovision
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menacing-pfeffernusse · 2 months
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i feel like we're not talking enough about how absolutely bonkers it is that over the span of the next three or so months, we'll see Timothee Chalamet as the star of both Wonka and Dune Part II
like, in one movie, he's a young man with a great and terrible destiny ahead of him, gaining the respect and admiration of an oppressed people to rise to a position of unimaginable religious power and authority, which he then uses to exert unilateral control over a psychoactive substance so powerful that society has no choice but to bow to his will as he steps into a messianic identity that reshapes the world in his name
and in the other he's Paul Atreides
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menacing-pfeffernusse · 2 months
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when they said in Dune that they needed spice for space travel i thought it was used as some sort of fuel but no apparently it's just because your pilot needs to be hight out of his mind to be able to safely navigate big ships into space
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menacing-pfeffernusse · 2 months
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The visual of the Harkonnen/Sardaukar bodies being burned in piles at the end of the film not only function as a mirror to the beginning (where House Atreides suffered that fate) to demonstrate how monstrous Paul had become, but it also showed how much he had dragged the Fremen with him in that they were cremating instead of reclaiming the water of their enemies (even if Harkonnen water isn't exactly potable).
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menacing-pfeffernusse · 2 months
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"I'll love you as long as I breathe" hits different when you realise Chani sees his breathing stop during the water of life scene
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menacing-pfeffernusse · 2 months
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Controversial opinion among Dune book fans maybe, but I loved the changes they made to Chani's character. Making her a fedaykin who is already an experienced fighter before Paul arrives was a brilliant choice. Dune Part Two is a war movie, and this puts her at the center of the action, side by side with Paul, and gives her a much more active role than she has in the book.
We got a hint of where things were going in the beginning of Dune Part One. The first thing we ever know about movie Chani is that she's a fighter. She serves as a voice for the Fremen, telling us the story of their struggle from her point of view. I wrote here about the difference this change makes compared to other adaptations of Dune, what a perspective shift it is to have the world of Arrakis introduced not by an outsider, describing it as a dangerous but valuable colonial prize, but by one of its native inhabitants, who tells us before all else that it's beautiful, her home that she's fighting to liberate. I am so, so glad that the second movie followed up on this characterization.
I never found Chani and Paul's love story in the book particularly convincing, because why would this woman, who already has a prominent and respected place in Fremen society, even give the time of day to her deposed would-be colonizer, let alone fall in love and have children with him? Without a compelling reason for Chani to love Paul, she ends up feeling like a prize to be won, and "indigenous culture personified as a woman to be wooed (or conquered) by the colonizing man" is a trope we've seen and don't need to repeat.
But as soon as you tell me it's a barricade romance I get it. Cool cool cool, I know exactly what this relationship is now and it makes sense. Movie Chani doesn't respect or even particularly like Paul when she first meets him, and she doesn't think he's the fulfillment of any prophecy. She comes to respect him, and eventually love him, through his actions. He's brave--sometimes recklessly so. He fights well. He's willing to stick his neck out on the front lines with the other Fremen fighters. He can (after a little help) hack surviving in the harsh desert environment. He's not too proud to learn from others. He seems to genuinely want to be her equal in a common political struggle. All these qualities make sense as things she values.
Fighting side by side as equals is just about the only way I can see movie Chani falling for Paul. And it fits perfectly with the film's pattern of reversals that Paul's capacity for violence would initially be one of the things Chani likes about him, only for her to be repelled later when she sees what he becomes.
And as for Paul, well, he's had people deferring to him his entire life. Someone who doesn't take any shit from him is probably refreshing. He seems to like people (Duncan, Gurney) who challenge him and engage in a little friendly teasing--and aren't afraid to go a few rounds in the sparring ring.
It's easy to speedrun a romance when you're spending all your time together in mortal danger fighting for a shared political cause. Especially if you then start winning in a war your people have been fighting for decades. Are you kidding me? That is the perfect environment for intense battle camaraderie to turn into romantic love, and lust.
It makes sense that this version of Chani never believes Paul is any kind of messiah. Of course a character like movie Chani wouldn't believe in or trust some outside savior to liberate them. She's been working to liberate her own people for years. The more Paul invokes the messianic myth, the more he starts sounding once again like someone who plans to rule over them, and the more uncomfortable Chani becomes. In this way she becomes a foil to Jessica, the two of them representing the choices Paul is pulled between. It's a great way of externalizing the political and philosophical debates that often happen within characters' heads in the book.
And of course this version of Chani would leave Paul at the end of the film. It's not just the personal, emotional betrayal--although that stings. What common cause does she have with someone who just declared himself emperor and is sending her own people off in a war of conquest against others? Given the important role she plays in Dune Messiah, I am super curious to see how they get her back into the story, but girl was so valid for being willing to just gtfo. Given that she has the last shot of the whole movie, I'm sure she'll be back somehow, and I can't wait to see what they do with her character in any future installments.
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menacing-pfeffernusse · 2 months
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bene gesserit costuming + occult and religious imagery
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menacing-pfeffernusse · 2 months
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My favorite genre!!
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menacing-pfeffernusse · 2 months
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favourite straight people trope: cool interesting girl falls in love with the Devil. examples:
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menacing-pfeffernusse · 2 months
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that one scene in Dune Part Two (iykyk)
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menacing-pfeffernusse · 2 months
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they keep baiting her but she said:
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