merrigold

[merrigold]

[merrigold]

New tlt art! Yep!💀

[merrigold]

抱抱/Baobao ("Huggies") the cat

[merrigold]

can I come over and dodge roll into all your breakable furniture

[merrigold]

STAY CALM. IT'LL BE OKAY. YOU HAVE MY WORD.

dr mensah you move me

[merrigold]

Saying “yeah bro I move exactly like a jumping spider when I get drunk” and then watching everyone flinch every time I tense my legs after taking a sip of my vermouth

[merrigold]

SINNERSSS 🧛‍♂️🥀🦇🧄🇮🇪

This is available as a print on my etsy! 🫶

[merrigold]

Norbertine Bresslern-Roth (Austrian,1891-1978)

Linocut

[merrigold]

wgatever .

[merrigold]

[merrigold]

the twitter art meme 🛸🐉

[merrigold]

majoring in her arcana til she

[merrigold]

not to be like both sides are wrong, and only i’m right, but i have been thinking about sabrina’s album cover controversy. to me, it’s pretty evident that she is going to be exploring her own compliance in getting into relationships where she gets treated badly or well like a dog. while manchild is a tongue-in-cheek mocking song that is all about how she just keeps stumbling into bed with these loser men, woe is me, there is an obvious irony to lines like “won’t you let an innocent woman be?” “i swear they choose me, i’m not choosing them.” sabrina is hardly an innocent doe-eyed girl. she is very sharp and experienced in relationships, and no one is forcing her to date these men. the music video further emphasizes this point by showcasing her hitchhiking into increasingly more ridiculous automobiles with increasingly more ridiculous men who all let her down in various absurd and/or violent ways. and yet the closing shot of the video is her getting out of one car and immediately running over and jumping into the next, continuing the cycle. so while the song on the surface externalizes the blame for her mistreatment to basically everyone but her, the subtext is all about how sabrina is the one doing this to herself. when i see the album cover of her smiling at the camera on her knees while a man holds her hair like a leash, i see a deep and very uncomfortable self-awareness and acknowledgement happening here. it’s obviously going to be dressed up in the shiny pop music veneer and sabrina’s signature brand of dry humor, but this is a very sensitive topic that most upcoming pop girls wouldn’t touch with a ten feet pole because it is humiliating to admit that you’re complicit in your own mistreatment and degradation. that you aren’t just posing as a dog, but you actually let men treat you like one. manchild isn’t just the first single from the album but also the opening track, setting the stage for what the album will be exploring. and again while on the surface it looks like your usual my ex is a loser classic fare, in actuality it is all about how sabrina is deluding herself about her choice of partners. “manchild, why you always come running to me?” she asks, and i’m willing to bet that she is going to be answering that question in the album, eventually coming to the conclusion that these things aren’t as one-sided as she initially presented them to be. from what i’ve seen, sabrina is very smart and very deliberate when it comes to her branding. i highly doubt she chose such a sensational image just to “appeal to the male gaze.” yes the picture is meant to play into that trope, but hardly in a glorifying way.