messylatte
messylatte
MessyLatte
469 posts
Some strong coffee and a random content! Sometimes in english, sometimes in portuguese, and a little of nonsense. Welcome!
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messylatte · 5 years ago
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And... Ta-dah! Omg it was so fun to draw! Hope you like it <3 ! . . . #redrawsailormoon #sailormoon #watercolor #procreate #digitalart #fanart https://www.instagram.com/p/CAc-bHlnD4K/?igshid=1d4rdogbg50e6
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messylatte · 5 years ago
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messylatte · 5 years ago
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I was tagged by @apicturewithasmile to do the before & after gif process meme
on the left you have the original unsharpened and unedited gifs, and on the right is the result after I sharpen and color them. for these I chose the coloring that I would normally pick for the type of scene. I always use the same psd for each set of course, adjusting it for each gif if needed to make sure that the colors match. I do unsaturated/low contrast gifs sometimes but bright and vibrant gifs are my favorite, tho not always possible due to horrible lighting (looking at you, TBL)
tagging some fellow gifmakers @elizabethkween @lxvause @whimsyandsomething @strawberry-pills @youcantmakeme and anyone else who wants to do it
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messylatte · 5 years ago
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A little PSA about ASL for ‘Thank you’! I’ve had all of these signed to me accidentally hahaha. And whenever I sign thank you to non signers, sometimes they thought I was blowing a kiss to them. T_T ✩ Twitter ✩ Tapastic ✩ Facebook ✩ Patreon ✩
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messylatte · 5 years ago
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messylatte · 5 years ago
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Softy Genderfluid Snek Chronicles
Part 4 / 5 !  ( Part 1 - Part 2 - Part 3 )
Pffiuu one more part to go ! Satan give me strength…
A lot of liquor and poor sleep habits were involved for our snek and with this one I figured out the 3 magic Bs to draw Crowley : Bon(n)y, Bendy, Broody :p
I couldn’t resist to bring back the gran’pa long underwear too ! haha (the sleep mask was a gift from Aziraphale and so was the (now) rusty alarm clock ofc)
The one in Marlene Dietrich’s style has been suggested by @nemophilistwithin
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messylatte · 5 years ago
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A selection of very heterosexual sock ads by J. C. Leyendecker
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messylatte · 5 years ago
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His💖💖
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messylatte · 5 years ago
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Ineffable mess with pencils.
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messylatte · 5 years ago
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snowy owl
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messylatte · 5 years ago
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messylatte · 5 years ago
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Vintage victorian mens neck ties
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messylatte · 5 years ago
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The ineffable plan chap 12
Aint nothing else matters
Chap 11
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messylatte · 5 years ago
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Imagine your tiny ass receiving one of these bomb ass cash gifts.
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messylatte · 5 years ago
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We all know this scene, right?
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I decided to dig up my dusty photoshop skills to fix it :)
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messylatte · 5 years ago
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messylatte · 5 years ago
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Behind the Scenes of Aziraphale’s Bookshop (as it burns down)
Excerpt from The Nice and Accurate Good Omens TV Companion:
Responsibility for the bookshop blaze fell to the special effects supervisor, Danny Hargreaves. Like everyone else in the cast and crew as filming at Bovingdon [Airfield - where the bookshop set was built] progressed, he had come to appreciate the scale and detail invested in the set by Michael Ralph [production designer].
“I went from being just a guy on set to being the bad guy,” he laughs, as the man appointed to set fire to it. “It also broke my heart a little bit as there were thousands of books, tapestries, and beautiful grandfather clocks inside the shop that were real.”
“Everything is under control,” Danny points out, “but there is a limit as to where that fire can go, and we took it right to that limit. The burn time inside the bookshop was quite long, because David Tennant had to do a whole scene in there. Now, as Crowley is from Hell that means fire is his thing. So David had to be very cool about being in there, and he did it so well. The radial heat coming out was incredible, and there were moments where I shut off the gas lines sooner rather than later. One time Douglas [Mackinnon, director] came out and questioned why I’d cut it. I had to point out that the roof was about to catch fire.”
As the individual responsible for creating such a magical set, Michael Ralph considers the burn to be just another purpose for its existence.
“What we’re doing is supporting the actor,” he says, “and the emotion around that actor. The set is monstrous, huge, but it isn’t the show.”
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