#procreate

[doctorsiren]

Gravity Falls AU where everything is exactly the same except Bill’s parents are alive and well, and they’re just so proud of their chaotic dream demon son

[eerietea]

Bat-sune Miku!

[titsay]

[achromaticegoist]

I did it... I saved the town....

@huecycles @ckret2 @jozlyn-moon @bitzzoxl @donniipao @spoonyspine @qoolk @YALL GET ON TUMBLR 🥺🙏 (people not mentioned r in the post image)

I GOT BRUTALLY REJECTED FROM 2 ZINES FUCK IT WE BALL

[reefshrk]

she IS stopping the world

[emilyrosecreatives]

“you don’t find it son, you make it.”

[solacestea]

[le-poofe]

Happy Last Single Digit Birthday Undertale :)

Skittering out of my hole to bring y’all some good ol’ fashioned fluff

[ziireaux]

heartstrings - 大切な人

some zooms

between the riku is gay video, riku is the light theory, necklace theory, and setup for kh4, I’m having a lot of feelings about these two. nomura hurry I’m starving

[procyoren]

Miles doodles

[p005tick5]

An old glory piece that I found.

[doctorsiren]

I saw this meme and knew what I had to do

[miloheilo]

Tonight we smoked them out… (hello tumblr you scary site that I know nothing about. Take this)

[titsay]

don't worry someone picked him eventually

[tsunami-sand]

Act 1 in summary.

[capsyst]

Here’s a breakdown of my animation.

Once I created the cave set in 3D, I retextured all of the blocks to be a wireframe so I could more easily keep the proportions correct as the camera moved through the scene. I began with a simple box person body. Not only did this help me make sure the proportions were correct but the different angles and sides of the character helped me eventually keep the characters features in the right places later. It’s very rough, but it was a good indication that I was on the right track.

Then began the tedious process of refining the animation. I did a new pass over the original animation with all the features of the character. It’s more detailed, but it’s just as rough in a lot of ways. I wasn’t trying to ensure elements were consistent frame to frame, so you can see a lot of the linework is very wobbly and inconsistent.

Once that was done I went back and did a cleanup phase. This helped smooth out all those inconsistencies and I worked on making sure the animation was smooth and flowed nicely. This became the basis for the final inks and color.

When I’d gotten far enough into working on the scene I went back to the 3D model and rendered it out in multiple passes. I did a flat lighting pass which you see here, and then a shadow pass. I combined the two in Premiere, added some color adjustments and then rendered it out to be used as the background for the final product.

I imported the finished rendered background into Procreate Dreams and began the final coloring. I’d already previously decided on the desaturated colors that would make them fit in this cave environment, so coloring was actually a breeze.

The final two elements that really brought it all together was a shadow layer and a glow layer for the torch. The shadow layer was tricky, but it definitely helps make it seem like the character is interacting with the environment.

As previously mentioned I thought I was going to import this into Procreate and animate it there since I like the Animation Assist tool in Procreate more than I do with how Dreams works. But ultimately because so much of this animation was tied to the movement of the camera I ended up animating ALL of this in Procreate Dream.

I’m really proud of my work here. If there’s anything you wanna learn more about how I worked or anything please feel free to ask, I’d be more than happy to talk about the process more!