@Fanfic writers:
My friend send me this link, is a series on a profile on Ao3 (tumblr) that has different tutorials to insert things to fanfics via html code, I thought I would share bc it’s really cool
Lists of tutorials:
How to make images fit in mobile browsers
This is a tutorial/live example on how to make large images fit on mobile browsers but remain normal size on desktop browsers.
How to mimic letters, fliers, and stationery without using images
This is a tutorial/live example on how to mimic the look of letters, fliers, and stationery (as well as other forms of written media) without using images. For all your epistolary fic needs.
How to make a “choose your own adventure” Fic
This is a tutorial/live example on how to create a "Choose Your Own Adventure" fic. While this has been explained before (see here), this particular tutorial shows you how to use a work skin to hide the next parts from the reader until they click through to get to them.
How to make linked footnotes on Ao3
This is a live example of how an author can create linked footnotes in their work with only a little bit of HTML and no workskins required. This is best viewed by clicking "Entire Work". While I've included the actual coding in bold and italic once you click "Hide Creator's Style", there's a more detailed explanation here.
How to change text on Ao3 when the cursor is hovering over it (or clicked on mobile)
This a tutorial/live example on how to have text change or appear once a cursor is hovering over it. Helpful for pop-up spoilers, language translations, quick author's notes, etc.
How to mimic author’s notes and Kudos/Comment buttons
Anonymous on tumblr: do you have a skin that would mimic the author’s notes and review/kudos buttons section from the end of a fic? the desired effect being that the fic could go on after the “end” of the fic, so after the author’s notes and review/kudos buttons
Here's a tutorial/live example to do just that, with some of the buttons actually functioning. I'll explain more inside!
How to wrap text around images
This is a tutorial/live example on how to align images to the left or right of the screen and have text wrap around them.
How to mimic email windows
This is a tutorial/live example on how to mimic email windows on AO3 without the need to use images.
How to make ios text messages on Ao3
This is a tutorial/live example on how to mimic iOS text messages on AO3 without the need to use images. There's also a chapter on how to have emojis displayed on AO3 as well.
How to make Customized page deviders
Bored with the default page dividers? This is a tutorial/live example on how customize your page dividers with no images needed (though I do show you how you could use images if you wanted to do such a thing).
How to make invisible text (That can be highlighted)
This is a live example how to make invisible text that can only be seen by highlighting the text. Tutorial is included in text, and you can always leave comments about questions you may have.
MOBILE USERS: Sadly, this probably won't work for you, since highlighting in a mobile browser is different than web. I've tried correcting this, but have yet to find a solution.
How to make a rounded playlist
Original coding and design is from layouttest. I make no claims for it, just tweaked it so it will work on AO3.
How to create notebook lined paper on Ao3
This is a live example of my AO3 skin that allows the author to recreate the look of lined notebook paper in their work. To learn more about it, you can find the tutorial here.
Sticky notes on Ao3 without using images
This is a live example of my AO3 skin that allows the author to recreate the look of sticky notes (aka Post-Its) in their fic. To learn more about it, you can find the tutorial here.
How to make deadpool’s thinking thinking boxes on Ao3
This is a live example of my AO3 skin that allows the author to recreate the look of Deadpool's thinking boxes in their fic. To learn more about it, you can find the tutorial here.
How to make newspaper articles on Ao3
This is a live example of my AO3 skin that allows the author to recreate the look of a newspaper article in their work. To learn more about it, you can find the tutorial here.
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When to describe setting
Anonymous asked you:
When describing setting, should i start with a character, go to setting, then setting in relation to character (i.e. Kayla lived in an old house. It had flower beds in the back and it had other stuff DETAIL DETAIL DETAIL. she was sitting on the front porch one day…) or trickle in details throughout the passage? (I.e. Kayla sat on the front porch one day reading her newspapers. She decided to water the flowers growing in the backyard, then she walked to the front and …)
The trick I’ve been using for description is “dominant impression”. Simply put, describe the setting as your character interacts with it, and “interact” can mean setting a book down on a nightstand or looking out across the field or feeling the weather as she walks.
“Dominant impression” also means alluding to a character’s investment in their surroundings. She eases down a thrice-read book on a mahogany nightstand that was once her great grandmother’s, and she’s very careful with anything she braves setting atop the scraped lacquer. This not only adds character to the scene, but also adds new dimension to your character.
So, in short, I’d personally advise as you said: trickling details. Readers are more likely to remember description if there’s significance to it (even if it’s just the fact that the top stair of the porch has creaked since she was a toddler in a diaper, or whatever the case may be).
Here’s a ton of other links that expand a whole lot on the above and might help you with how and when to describe setting:
Varying sentences
Victoria’s Vitamins #1
Victoria’s Vitamins #2
5 tips on describing your setting
Making your setting work harder
The story of exposition
Breaking writing habits
Descriptive writing and the five senses
Turn cliches into brilliant description
Our writing exercise on setting
Hope this helps!
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The “generation gap” is an important social tool for any repressive society. If the younger members of a community view the older members as contemptible or suspect or excess, they will never be able to join hands and examine the living memories of the community, nor ask the all-important question, “Why?” This gives rise to a historical amnesia that keeps us working to reinvent the wheel every time we have to go to the store for bread.
Audre Lorde, “Age, Race, Class, and Sex: Women Redefining Difference”, Sister Outsider: Essays and Speeches (Berkeley: Crossing Press, 2007, 114-123), 117
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